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  • The disclosure of the outbreak's size comes as health officials have warned the public to avoid unpasteurized milk due to bird flu circulating in U.S. dairy cows.
  • After Paris Mayor Anne Hidalgo took a dip in the river, she said the Olympics were "a kind of magnet that attracted all our energies towards a single date, July 26, and we did it.”
  • California's largest active fire exploded in size on Friday evening, growing rapidly amid bone-dry fuel and threatening thousands of homes as firefighters scrambled to meet the danger.
  • A Jesus made of vegetables, bizarre log cabins, products that don't exist. AI-generated images are creating new forms of clickbait and causing some users to doubt what's real.
  • A Russian court convicted Wall Street Journal reporter Evan Gershkovich on charges of espionage Friday, sentencing him to 16 years in a Russian prison colony in a trial the U.S. denounced as a sham.
  • About the event: San Diego New Music and the Athenaeum Music & Arts Library present Labyrinth, a music and dance performance co-created by Kristopher and Dina Apple. Labyrinths have been used throughout history as devices for meditation, metaphors for storytelling, and as a bridge between the physical and metaphysical. Taking inspiration from these mythologies and practices, a cross-disciplinary ensemble weaves sound, movement, and text into a contemplative listening experience—a listening labyrinth. You are invited to the listening labyrinth—to follow the thread of now, gather your senses at each passing moment, and reflect on the potential for transformation. About the performers: Kristopher and Dina are music and dance makers from San Diego, California, whose work explores cross-disciplinary ensemble practices and performance-making that is often improvised and interactive. Kristopher is a violinist and composer working at the intersection of music, dance, text, and digital media. He teaches digital audio at the University of San Diego, accompanies dance classes at UC San Diego, MiraCosta College, and Palomar College, and has recently been a featured composer and performer with LITVAKdance, IMAGOmoves, and San Diego Dance Theater. Dina is a dance maker whose work investigates cross-disciplinary collaboration, practices of social choreography, and dance as a responsive and investigative act. She holds an MFA from UC San Diego and a BFA from San Diego State University and attended the Ricean School of Dance. Program: Kristopher Apple: Flowers And Other Far Thoughts I Ate the Minotaur Stir the Tide Ever Ever Performers: Kristopher Apple, co-director, composer, violin Dina Apple, co-director, choreographer, and dancer Peter Ko, cello Nathan Hubbard, percussion Kyle Adam Blair, piano Emily Aust, dancer Related links: San Diego New Music: website | Instagram | Facebook Athenaeum Music and Arts Library: website | Instagram | Facebook
  • Are you looking to learn some computer skills? These sessions—with instruction, hands-on opportunities, and plenty of time for questions and answers—are just for you! This Thursday’s topic is Social Media Privacy Tips. Office hours weekly on Fridays. Do you have questions about how to work a computer/phone/device? Office hours are held Fridays in the library’s multi-media room within the adult computer lab. Malcolm X/Valencia Park Library 619-527-3405. Presented by the San Diego Futures Foundation in conjunction with SD Access 4 All. For even more learning opportunities, see this month's calendar in the attachments area to the right or visit the SD Access 4 All webpage. January topics: 1/4 - Social Media Safety Tips 1/11 - Social Media Privacy Tips 1/18 - Social Media Phishing 1/25 - Texting and Cyberbulling
  • For the past fifteen years, Lauren Lee McCarthy has worked in performance, video, installation, software, artificial intelligence, and other media to address how an algorithmically determined world impacts human relationships and social life. "Bodily Autonomy" is McCarthy’s largest solo exhibition in the United States to date. The show brings together two major works —"Surrogate and Saliva"—to examine bio-surveillance. Surrogate takes the form of performances, videos, and installations wherein McCarthy offers her body up as a remote-controlled surrogate to individuals and couples interested in having a child. This proposition is never fully realized by the artist, but it prompts important conversations regarding familial norms, legal barriers, genetic manipulation, gender, and reproduction. Saliva is a series of performances, installations, and videos about DNA sampling and data harvesting through the routine collection of swabs and spit. In a newly commissioned installation at the Mandeville Art Gallery, as a counter-gesture McCarthy has devised a saliva exchange station where visitors can trade their own samples with one another through the assistance of an attendant. The process sidesteps the anonymity of medical and corporate entities, and invites active discussions on data privacy, race, gender, and class as they pertain to genetic material. Together, "Surrogate and Saliva" encourage a potent and timely dialogue regarding bodily autonomy in times of rapid technological development and increased corporate and government surveillance. "Bodily Autonomy" marks the official premiere of "Saliva and Surrogate", both Creative Capital–funded projects. The opening coincides with UC San Diego Graduate Open Studios at the Visual Arts Facility.
  • We spoke with five people who have known Kamala Harris across different stages of her life, to find out what shaped her — and how she shapes others.
  • A volunteer curator in Philadelphia puts on art exhibits to raise awareness of lives lost to gun violence.
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