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  • For the past fifteen years, Lauren Lee McCarthy has worked in performance, video, installation, software, artificial intelligence, and other media to address how an algorithmically determined world impacts human relationships and social life. "Bodily Autonomy" is McCarthy’s largest solo exhibition in the United States to date. The show brings together two major works —"Surrogate and Saliva"—to examine bio-surveillance. Surrogate takes the form of performances, videos, and installations wherein McCarthy offers her body up as a remote-controlled surrogate to individuals and couples interested in having a child. This proposition is never fully realized by the artist, but it prompts important conversations regarding familial norms, legal barriers, genetic manipulation, gender, and reproduction. Saliva is a series of performances, installations, and videos about DNA sampling and data harvesting through the routine collection of swabs and spit. In a newly commissioned installation at the Mandeville Art Gallery, as a counter-gesture McCarthy has devised a saliva exchange station where visitors can trade their own samples with one another through the assistance of an attendant. The process sidesteps the anonymity of medical and corporate entities, and invites active discussions on data privacy, race, gender, and class as they pertain to genetic material. Together, "Surrogate and Saliva" encourage a potent and timely dialogue regarding bodily autonomy in times of rapid technological development and increased corporate and government surveillance. "Bodily Autonomy" marks the official premiere of "Saliva and Surrogate", both Creative Capital–funded projects. The opening coincides with UC San Diego Graduate Open Studios at the Visual Arts Facility.
  • It will be the women leading the way as the U.S. looks to lead the overall medal table for the eighth consecutive Summer Games.
  • Sharing the stories women are taught to hide. A solo exhibition by local artist Kara Greenwell. The show runs from February 10 - 24. Kara Greenwell is a California based visual artist who creates works of self-reflection and societal investigation. Her gestural, mixed media paintings juxtapose vivid personal narrative with provocative feminist themes. Opening reception: 3-7 p.m. Saturday, Feb. 10 Gallery hours: By appointment Visit: https://www.f1veart.com/ https://libertystation.com/do/seen-but-not-heard-solo-exhibition-by-kara-greenwell
  • After he didn't make the debate stage, Robert F. Kennedy Jr.'s campaign announced counter programming that will see the candidate answer questions simulcast with the live presidential debate.
  • GRAMMY® award-winner Peter Frampton is heading back out on the road for his “Never EVER Say Never” Tour to cities across North America in 2024. Peter Frampton is one of the most celebrated artists and guitarists in rock history. His album Fingerprints won a GRAMMY® for Best Pop Instrumental Album, he was inducted into the Musicians Hall of Fame in 2014, received the prestigious Les Paul Innovation Award from NAMM’s TEC Awards in 2019, his album All Blues was #1 for 15 weeks on Billboard’s Blues Chart, and he was inducted into the GRAMMY® Hall of Fame in 2020. After 46 years, Frampton Comes Alive! remains one of the top-selling live records of all time selling over 17 million worldwide. Please note: the San Diego Symphony does not appear on this concert event. Stay Connected with Peter Frampton on Social Media! Facebook & Instagram
  • About the event: San Diego New Music and the Athenaeum Music & Arts Library present Labyrinth, a music and dance performance co-created by Kristopher and Dina Apple. Labyrinths have been used throughout history as devices for meditation, metaphors for storytelling, and as a bridge between the physical and metaphysical. Taking inspiration from these mythologies and practices, a cross-disciplinary ensemble weaves sound, movement, and text into a contemplative listening experience—a listening labyrinth. You are invited to the listening labyrinth—to follow the thread of now, gather your senses at each passing moment, and reflect on the potential for transformation. About the performers: Kristopher and Dina are music and dance makers from San Diego, California, whose work explores cross-disciplinary ensemble practices and performance-making that is often improvised and interactive. Kristopher is a violinist and composer working at the intersection of music, dance, text, and digital media. He teaches digital audio at the University of San Diego, accompanies dance classes at UC San Diego, MiraCosta College, and Palomar College, and has recently been a featured composer and performer with LITVAKdance, IMAGOmoves, and San Diego Dance Theater. Dina is a dance maker whose work investigates cross-disciplinary collaboration, practices of social choreography, and dance as a responsive and investigative act. She holds an MFA from UC San Diego and a BFA from San Diego State University and attended the Ricean School of Dance. Program: Kristopher Apple: Flowers And Other Far Thoughts I Ate the Minotaur Stir the Tide Ever Ever Performers: Kristopher Apple, co-director, composer, violin Dina Apple, co-director, choreographer, and dancer Peter Ko, cello Nathan Hubbard, percussion Kyle Adam Blair, piano Emily Aust, dancer Related links: San Diego New Music: website | Instagram | Facebook Athenaeum Music and Arts Library: website | Instagram | Facebook
  • Thursdays, April 10 - 24, 2025 at 8 p.m. on KPBS 2 / Stream now with KPBS Passport! Now at a crossroads for the future of the Gulf of Maine and our oceans, Indigenous peoples and scholars practice climate resilience and adaptation, scientists track developments, and entrepreneurs find new ways to make a living from the sea.
  • An Israeli military spokesperson said the military acted in “self defense” to “remove these threats.” Hezbollah said it was still able to fire rockets and drones toward Israel.
  • A trio of rider-less horses charged through central London, causing panic but no injuries before being returned to their barracks. A similar ordeal happened in April, though involved different horses.
  • Westheimer's deep knowledge about human sexual behavior and advocacy of safe sex, along with her pragmatism and sense of humor, catapulted her to national fame in the 1980s.
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