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  • From George Lucas in Hall H to voice acting favorites, comics legends and award-worthy film, here's how to navigate a Sunday full of meaning.
  • UC San Diego Division of Extended Studies and the Burke Lectureship on Religion & Society, in partnership with Digital Gym Cinema, proudly announce the third season of the Burke Revival Film & Discussion Series. Returning to UC San Diego Park & Market’s Digital Gym Cinema, the acclaimed series continues its mission to explore profound ethical, spiritual, and societal questions through powerful works of cinema. Season 3, titled “Authoritarianism in Full Cinematic View,” confronts themes of control, propaganda, and resistance through three visionary films:" Pan’s Labyrinth" (Guillermo del Toro), "The Master" (Paul Thomas Anderson), and "Brazil" (Terry Gilliam). Each screening includes a guided post-film discussion led by Rev. Scott Young, spiritual advisor and film scholar, who curates the series and fosters community dialogue that connects the films to our shared contemporary struggles. Synopsis: Set in Spain during World War II. This is the story of a young girl named Ofelia. She is a girl who has a passion for fairy tales, which causes her to see one during her trip in the forest that is not quiet. She goes to her stepfather’s home in the country along with her pregnant but sickly mother, he is the sadistic Captain Vidal. Ofelia creates an imaginary world of her own to escape the cruel and harsh realities of the world. When she encounters a faun, she must complete three tasks in order to obtain immortality according to the legend of a princess. Notes From Guest Speaker Rev. Scott Young: "Pan’s Labyrinth" (2006) is a cinematic portrayal of the authoritarian realities in family, country, and fantasies. It’s multi-form, moving image beauty contrasts with the brutal ugliness of authoritarian cruelty and pervasiveness. Through the layering of vital cinematic themes, director Guillermo del Toro creatively locates authoritarian impulses in the classic fairy tale. This is a genre-bending production, and it’s cinematic brilliance was rewarded with several film awards at the time of it’s release. "Pan’s Labyrinth" is the first film in the 3rd season of the UCSD/Burke Lectureship: Religion & Society Revival Film Screening and Discussion Project. Our theme in this 3rd iteration is: "Authoritarianism in Full Cinematic View." del Toro’s film will guide us into this dark theme searching for understanding of the dynamics of authoritarianism and issuing in resilient resistance! It should be noted that 2006 witnessed the arrival in Hollywood of the “Tres Amigos” Directors: Alfonso Cuaron, Guillermo del Toro, and Alejandro Inarritu. We inaugurated our series with a screening of Cuaron’s, Children of Men. Now from del Toro, Pan’s Labyrinth. Future screenings will likely include an Inarritu film. Collectively, they have garnered numerous Academy Awards. One additional mention is that 2 Spanish philosophers Jose Ortega y Gasset and Miguel De Unamuno, writing as critics of the Franco dictatorship, share many similar thoughts on authoritarianism with del Toro’s insightful movie. Reading books & watching films are the cultural roadblocks to authoritarianism in its several manifestations. Lights, Camera, Action Resistance! Digital Gym Cinema on Facebook / Instagram
  • After receiving an anonymous letter about a missing 12-year-old girl, devoutly Christian Police Sergeant Neil Howie (Edward Woodward) travels by seaplane to a remote Scottish island to investigate. But the islanders welcome neither his badge nor religious devotion, for Lord Summerisle (Christopher Lee) and his devoted followers worship only the pagan gods of old – and those gods demand a sacrifice. Howie fears for the missing girl’s life and follows every possible lead to find her – despite the islanders’ interference – before she becomes a human sacrificial lamb. Digital Gym Cinema on Facebook / Instagram
  • "Terrified" On an ordinary suburban street in Buenos Aires, voices are heard from kitchen sinks. Bodies are levitating. Evil is here. It is up to a doctor, her colleague, and an ex-cop to get to the bottom of this neighborhood nightmare. Directed by Demián Rugna who gave us the bonkers WHEN EVIL LURKS in 2023. "Plaga Zombie: Zona Mutante" The three survivors of a zombie outbreak are intercepted by the authorities and thrown straight back into their now-quarantined town in this bigger and bloodier sequel to PLAGA ZOMBIE. As pro wrestler John West, med student Bill Johnson, and computer nerd Max Giggs face down hordes of the undead, will they be able to survive… again? Digital Gym Cinema on Facebook / Instagram
  • Mamdani, a democratic socialist and state assemblymember, will make history as the first Muslim and South Asian person — as well as the youngest in over a century — to serve as New York City mayor.
  • An intimate short film festival, listed on IMDb, The San Diego Short Film Festival (SDSFF) celebrates the art of storytelling through short films of various genres, showcasing the work of talented filmmakers from San Diego and around the world. From thought-provoking dramas to captivating animations, the festival presents a rich tapestry of storytelling, offering a platform for emerging and established filmmakers to showcase their craft for fellow film enthusiasts. SDSFF consists of four distinct blocks of short films over a 6 hour period. Block I: 10 a.m. to 11:30 a.m. “Traingazing” (14:10) directed by Alexia Howard “Sands of time” (3:00) directed by Kevin Wang “Hannah” (15:00) directed by Thomas Mehler “Hang-Ups” (3:43) directed by Jacob Willett “It’s Just Business” (20:28) directed by Alex Bindschadler “Listening In” (9:41) directed by Dan Goldsmith “One Giant Waddle” (7:55) directed by Kevin Jones “The Little Prince” (15:52) directed by Amar Khati Block II: 11:45 p.m. to 1:15 p.m. “Strolling Down Brighton Pier” (4:58) directed by Kenny McCracken “Rebound” (15:00) directed by Jared Jacobsen “Memoria Obscura” (5:00) directed by David Christopher Nelson, Connor Ryan “The Absurd” (11:08) directed by Gabriela Lopez “Party Demon” (9:52) directed by Preston Tompkins, Zach Reinert “Remote Death” (1:55) directed by Kevin Jones “Wreckless” (10:00) directed by Tim Troy “No Left Turns” (31:36) directed by Douglas Ryan Block III: 1:30 p.m. to 3:00 p.m. “Keepsake” (17:35) directed by Emily C. Wagner “School Principal” (14:55) directed by Micheal Diyani “Rain, Rain” (8:40) directed by Thomas Pace “Blurrish” (28:00)directed by Felix Nunez “3 To Die” (11:0) directed by Mitch Yapko, Allen Rueckert “Swimming With Giants” (10:00) directed by Sam Pfoser Block IV: 3:15 p.m. to 4:45 p.m. “Love Sonnet” (10:25) directed by Tony Tacheny “The Box” (10:38) directed by Angela Andronache “Brother’s Horn” (15:00) directed by Majid Asadi “Pollution Without Borders: The Tijuana River Pollution Crisis” (4:12) directed by Jenna Xu “The Kluane Compositions” (13:00) directed by Matthew Lien, Diyet van Lieshout “Un Homme and a Lady” (10:08) directed by Mitch Yapko “Darcine’s Day” (16:30) directed by Aaron Goffman San Diego Short Film Festival on Facebook / Instagram
  • The Planet Money newsletter rounds up some new economic studies.
  • Equal parts guitar-heavy rock opera, Euro village melodrama and folk magic bonanza, this beloved Lithuanian cult hit comes to North America for the very first time! An incredibly ambitious sung-through musical a la THE UMBRELLAS OF CHERBOURG (where the entire film is without traditional dialogue), the story revolves around a devil who’s booted out of Heaven and drops into a farmer’s frog pond. Quick as you can say “The Devil and Daniel Webster,” the farmer promises the devil the hand of his beautiful blonde love in exchange for their as-yet unborn daughter, and wicked complications ensue over the years. THE DEVIL’S BRIDE is thoroughly laced with surreal images: legions of female devils riding bareback on horses; a black carriage disappearing into the waters of a lake; rituals of mistletoe roots and rowan berries and straw men. Digital Gym Cinema on Facebook / Instagram
  • PREDATORS is a chilling, edge of your seat thriller that delves into the murk of human nature to observe hunter, predator, subject and spectator alike, all ensnared in a complicated web of entertainment as far as the eye can see. A cultural sensation from its inception in the early 2000s, Dateline NBC’s candid-camera investigative series "To Catch a Predator" ensnared sex offenders and lured them to a film set, where they would be interviewed and arrested while cameras rolled. The show was a hit and transformed its host Chris Hansen into a moral crusader and TV star, while spawning a worldwide industry of imitators and vigilantes. But, why did we watch so voraciously — and why do we continue to devour its web-based, clickbait-driven offshoots?  Looking back on the show and the countless franchises it spawned, filmmaker David Osit turns his camera on journalists, actors, law enforcers, academics, and ultimately himself, to trace America’s obsession with watching people at their lowest. Digital Gym Cinema on Facebook / Instagram
  • Join us for a captivating night with an exciting selection of shorts. We are thrilled to present a special showcase of shorts finalists for the prestigious Ristretto Shorts Awards. Immerse yourself in the magic of Italian storytelling as we screen a carefully curated lineup of captivating short films. These finalists for the Ristretto Shorts Awards have been selected for their exceptional quality, creativity, and ability to convey profound narratives in a limited timeframe. Schedule: "Mille ponti (A Thousand Bridges)," 24′, directed by Nicolò Amedeo Novek "Padre (Father)," 19′, directed by Michele Gallone "Star," 12′, directed by Paoli De Luca "La vita magra (The Thin Life)," 20′, directed by Francesca Giuffrida "Superbi (Superb)," 16′, directed by Nikola Brunelli "Suzanne & Marcelo," 20′, directed by Francesco Alessandro Cogliati "Marcello," 5′, directed by Fabio Rossi "F II – Lo Stupore del Mondo," 6′, directed by Alessandro Rak SD Italian Film Festival on Facebook / Instagram Digital Gym Cinema on Facebook / Instagram
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