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  • China's ride-hailing car drivers work long hours to get enough fares, and often live in their cars. Companies and passengers are penalizing drivers for smelly vehicles.
  • House Republicans released proposed legislation late Friday that would not extend enhanced Affordable Care Act tax subsidies.
  • The series opens on Wednesday, October 29, with an Athenaeum debut by the Kris Davis Trio, featuring Davis on piano, Robert Hurst on bass, and Johnathan Blake on drums. Recognized in the DownBeat Critics Poll as Pianist of the Year in 2025, 2022, and 2020, Davis has become one of the most celebrated jazz pianists of her generation. A Grammy Award–winner, she has been described in The New York Times as a beacon for “deciding where to hear jazz on a given night.” She was named a Doris Duke Artist in 2021, alongside Wayne Shorter and Danilo Perez, and Pianist and Composer of the Year by the Jazz Journalists Association, also in 2021. Her 2019 album, Diatom Rhythms, was voted jazz album of the year by both The New York Times and NPR Music’s Jazz Critics Poll. On her latest album, "Run the Gauntlet", Davis is accompanied by the extraordinarily talented bassist Robert Hurst and drummer Johnathan Blake. “Hurst, who powered bands led by both Wynton and Branford Marsalis in the ’80s, and Blake, one of the contemporary scene’s most reliably propulsive percussionists, are both expert drivers of the beat” (The New York Times). Seamlessly melding composition with improvisation, "Run the Gauntlet" stands as a testament to Davis’s singular voice within the jazz landscape. Of the album, The New York Times commented, “The trio digs heartily into Davis’s obliquely funky vamps, uniting and diverging in turn to dazzling effect.” Visit: https://www.ljathenaeum.org/events/jazz-25-1029 Kris Davis on Instagram and Facebook
  • A Michigan judge has dismissed criminal charges against 15 people who signed false certificates saying Donald Trump won the state's electoral votes in 2020.
  • The Pulitzer Prize-winning photojournalist has been kidnapped and thrown from a car. Still, Addario says, parenting two young kids can be more challenging than war reporting.
  • The U.S. has become a "side character" in the global story of renewable energy, experts say. China dominates the sector, with positive implications for the climate and their economy.
  • "Major threat" for Best Doc Oscar – The Hollywood Reporter "Scrupulous, powerful... too significant to ignore." – The Los Angeles Times "Coolly damning... shrewdly edited. A welcome addition to the historically grounded rebukes to Riefenstahl and her apologists." – The New York Times German Currents Kino screenings will take place on Friday, September 19 at 7 p.m. and Sunday, September 21 at 3 p.m. German Currents Kino screenings are made possible with the support of the Goethe-Institut Los Angeles. Filmmaker and Nazi propagandist Leni Riefenstahl is considered one of the most controversial women of the 20th century. Her films Triumph of the Will and Olympia are defined by their fascist aesthetics, perfectly-staged body worship, and the celebration of all that is "superior" and victorious, simultaneously projecting contempt for the imperfect and weak. But Riefenstahl – who first broke into the German film industry as an actress – spent decades after the war denying her association with Nazi ideology, and claiming ignorance of the Holocaust. How did she become the Reich's preeminent filmmaker if she was just a hired hand? Riefenstahl examines this question using never-before-seen documents from Leni Riefenstahl's estate, including private films, photos, recordings and letters, uncovering fragments of her biography and placing them in an extended historical context. During her long life after the fall of Nazism, she remained unapologetic, managing to control and shape her legacy; in personal documents, she mourns her "murdered ideals." Meanwhile, her work would experience a renaissance, gaining esteem for its masterful technical skill. Today, Riefenstahl's aesthetics are more present than ever. Is that also true for their message? In an era where fascism is on the rise again, fake news is prevalent, and the meaning of political imagery is constantly dissected and debated, Andres Veiel's mesmerizing new film shows that Leni Reifenstahl is more relevant than ever. Visit: German Currents Kino Presents 'Riefenstahl' Digital Gym CINEMA on Instagram and Facebook
  • "I didn't want to say immediately it was me," fifteen-year-old Pedro Elias Garzon Delvaux said. "With this photo there is a mystery, so you have to make it last."
  • A deadly crash in Tampa's Ybor City neighborhood early Saturday morning has left four people dead and 11 injured.
  • There was yet another sign this week of a potential 2026 wave that could hand control of the House of Representatives to Democrats.
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