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  • One of the predecessors of American folk music is European music from the Renaissance era, roughly the fifteenth and sixteenth centuries. Courtly Noyse brings that music to life, complete with period repertoire, costumes, and instruments, some of which you will recognize as the grandparents of our guitars, violins, and dulcimers. This will be an intimate concert with little or no amplification. Courtly Noyse plays recorders, viola da gamba, vielle, krummhorns, cornamuse, cornetti, shawms, sacbuts, Renaissance guitar, chalumeau, hurdy gurdy, bowed psaltery, mandolin, gemshorns, rackett, and various percussion instruments (and this list is constantly growing!). They may also cast their instruments aside at the drop of a (Tudor) hat, and burst into five-part vocal harmony. Jay Sacks plays recorder, cornetto, shawm, krummhorn, chalumeau, gemshorn, cavaquihno, cornamuse, percussion, and sings tenor. He has played with the Los Angeles Junior Philharmonic Orchestra, the UCLA Symphonic Band, the UCSD Wind Ensemble, the Merrye Windes, and The Westwynde Consort. He has sung with the La Jolla Symphony Chorus, the San Diego Master Chorale, Musique Classique, Schola Pacifica, and Full Measure Carolers. He presently plays with The San Diego Jazz Big Band and The Kearny Mesa Concert Band. Sandra Stram plays viola da gamba, vielle, recorder, and krummhorn, and sings soprano. She retired after thirty-four years teaching strings and recorder in San Diego County public schools. She still works as an adjudicator and clinician for SCSBOA, MENC, and Festivals of Music. Sandra holds a MM degree in viol performance, and also plays Baroque violin in Kensington Baroque Orchestra. She has served on the Board of the San Diego Early Music Society and frequently performed for the their “Old Master” concert series. While continuing to play violin and viola with local Baroque chamber groups, she also plays fiddle with the bands Billy Lee and the Gulf Coasters and The Wild Oats. Vickie Jenkins plays recorder, cornamuse, krummhorn, harpsichord, percussion, gemshorn, and sings. She teaches music at The Child’s Primary School and Gateways Summer School, and taught piano lessons for fifty years. During the holiday season, she sang with Full Measure Carolers. Vickie has performed with ensembles at San Diego Mesa College, Scripps College, and SDSU, and has a music degree from Scripps College. Other former groups include Pacific Camerata, Madonna Non Papa, Melismata, Las Voces, and Schola Cantorum. Laury Flora started his musical career with piano lessons at age five. He went on to study French horn and other brass, guitar, and violin. He has performed vocally with various choirs and madrigal groups, and founded several barbershop quartets. In addition to singing, he plays recorder, krummhorn, rackett, psaltery, gemshorn, sacbut, lute, and cornetto. He sings with the La Jolla Renaissance Singers, and has sung with Full Measure Carolers, an a cappella ensemble which performs holiday music in San Diego and Orange Counties. Laury built the krummhorns, psaltery, and rackett that Courtly Noyse plays. Lissette Ryan is a mezzo soprano who plays the harp, cittern, guitar, harpsichord, recorder, crumhorn, and hurdy gurdy. She teaches music in Alpine, finding immense joy in encouraging young musicians. You can also find her regularly performing with the Storytellers of San Diego, where she pairs harp with traditional storytelling, and with the duo String and Wheel. Cathe Sobke holds degrees in music composition and music theory from SDSU. She grew up playing piano, clarinet, and guitar, and was introduced to early music during graduate studies about twenty-five years ago. Recently retired from teaching at Southwestern College, she continues to teach privately and enjoys performing in many early music groups including The Goliards, as well as Kensington Baroque Orchestra, Dolce Dolore, The Granada Consort, Musica Nova Anitiqua, and Ensemble Lonato. Visit: www.courtlynoyse.com
  • Nearly half of San Diegans are renters and have certain legal rights if their home is destroyed by natural disasters like wildfire.
  • Extreme weather in Mexico is contributing to undocumented migration and return between Mexico and the United States.
  • Dan Bongino has been chosen as the FBI's second-in-command, a job that doesn't need Senate confirmation. Here's what to know about the Secret Service agent-turned-conservative media personality.
  • Buzz around DeepSeek built into a wave of concern that hammered tech stocks on Monday.
  • As the dust settles from the first wave of firings at health agencies, here's how many people got cut and the impact of the roles that were lost.
  • Moderate winds and slight warming are expected starting Monday and will continue through the week for San Diego County, with breezes beginning to lighten up by next weekend, forecaster said.
  • Sim Bruce Richards drew from his respect for Louis Sullivan, Frank Lloyd Wright, and Irving J. Gill to design homes, commercial buildings, and sacred spaces of wood, glass, and adobe across San Diego County. His passion for Native American, Aztec, and Mayan culture, as well as Japanese architecture, landscape, and craft, greatly influenced over 200 projects unique to our region. Wishing to create living and working environments that delight all the senses, Richards imbued a number of his projects with built-in art by James Hubbell, Rhoda LeBlanc Lopez, and others. This presentation unveils his architectural spirit through tales of Richards’ unique client-architect relationships. About the presenters: Presenters include Dr. Mark Hargreaves, Rector of St. James-by-the-Sea in La Jolla, Hallie Swenson an architectural designer in San Diego, Keith York, an architectural writer and real estate agent specializing in architect designed homes, and independent curator Dave Hampton. Hargreaves, author of The Sacred Architecture of Irving J. Gill. (2023), was inspired by a lifelong interest in the visual arts to complete a master's degree at The National Gallery and King's College in London on the topic of Christianity and the arts. Since moving to San Diego, he has had a keen interest in capturing the architectural history of San Diego. Hallie Swenson studied traditional architecture and urbanism in England at University of Buckingham, the architectural history of England at the University of Cambridge, King's College, and Roman architecture at the University of Notre Dame, Rome. She contributed an essay to Clive Aslet’s book The Academy, which celebrates the work of renowned traditionalist architect John Simpson. A native San Diegan, Keith York, is an expert on the city’s postwar modernist movement in architecture and design, writing frequently on the subject. For KPBS, he produced documentaries and feature reports on architects Irving Gill and Richard Requa and artist-craftsman James Hubbell. He has served as a volunteer, donor, curator and consultant to the San Diego Architectural Foundation, San Diego Museum of Art, La Jolla Historical Society, San Diego History Center, Oceanside Museum of Art, Balboa Art Conservation Center and Save Our Heritage Organization (SOHO). Tickets: $16/21 The lecture will be in person at the Athenaeum Music & Arts Library. There are no physical tickets for this event. Your name will be on an attendee list at the front door. Doors open at 7 p.m. Seating is first-come; first-served. This event will be presented in compliance with State of California and County of San Diego health regulations as applicable at the time of the lecture. Visit: https://www.ljathenaeum.org/events/hargreaves-24-1030 Athenaeum Music & Arts Library on Instagram and Facebook
  • Researchers found that Hurricane Helene was stronger, rainier, and significantly more likely because of climate change. The U.S. can expect more such storms in the future as warming continues.
  • About Justin & Melonie Grinnell MELONIE GRINNELL is an active as an educator and performer. She began studying piano at an early age and has since been recognized for her skills as a pianist, and her abilities as a vocalist, music educator, and musical director. Melonie received her Bachelors of Music degree in Music Education with jazz emphasis from the University of Miami and a Masters of Music performance degree in Jazz Studies from San Diego State University. Additionally, she is on the faculty for the Francis Parker/KSDS 88.3 Summer Jazz Workshop where she teaches jazz piano and co-directs middle school to high school student ensembles. She is also active as an adjudicator for instrumental jazz festivals including the Coronado/COSA Jazz Festival and the KSDS Jazz 88/CMEA festival. JUSTIN GRINNELL is a San Diego-based freelance jazz bassist and music educator. More importantly, he is a husband to pianist/educator Melonie Grinnell and father to their two sons. In addition to performing, Justin maintains an active teaching schedule as adjunct faculty at University of San Diego and Grossmont College, and as faculty for the Francis Parker Annual Summer Jazz Workshop. He has also served as an adjudicator and clinician at local music festivals, such as the Coronado Jazz Festival and the San Diego Bass Fest. Justin received his Bachelor's and Master's Degrees in Jazz Performance from San Diego State University while studying with bassists Gunnar Biggs and Bert Turetzky. Justin also achieved ABD (all but dissertation) status for a doctoral degree in Jazz Studies at the University of Southern California. Besides studying privately with Los Angeles' first-call jazz bassist, Darek Oles, Justin's enrollment at USC gave him the opportunity to study with internationally-recognized jazz artists Peter Erskine, Russ Ferrante, Bob Mintzer, and Alan Pasqua. See More Events www.booksandrecrodsbar.com www.bardicmanagement.com/events
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