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Visual Arts: John Purlia

The Kewpie Apocalypse and More

Above: A work in progress from artist John Purlia.


Aired 10/26/11

KPBS arts reporter Beth Acomando profiles La Jolla artist John Purlia.


For many people, work is a stressful environment but that's not the case for John Purlia. When I went to do a feature on the La Jolla artist I didn't so much set up an interview but rather a play date at his home studio. Watch the video feature from Evening Edition or listen to the newly added radio feature.

Two years ago John Purlia left his job as a software engineer at Qualcomm to play with his toys.

JOHN PURLIA: It's just fun, I mean when I'm out in the studio, I'm essentially playing.

But playing with a purpose.

JOHN PURLIA: I do is I just sort of start playing in my studio and building a scene and eventually it just starts to come together and I would call it storytelling using a single picture.

Purlia got his first camera 8 years ago. Some might call what he creates kitsch art or perhaps pop surrealism.

JOHN PURLIA: The starting point for this was definitely the book in the center.

He calls it a strange and weird form of narrative photography employing toys against a backdrop of vintage records and books.

JOHN PURLIA: So I set up these objects in a way that kind of combines innocence with a little bit of edginess so that you have a juxtaposition of kind of cute and cuddly but then if you look at it more closely then you are kind of like oh, this story is about something completely different. It's kind of what you try to do in a pop song where you try and make the beat really poppy and fun but the lyrics are a little bit more serious.

So in this photo your eye may initially be drawn to the cute Kewpie dolls but then you'll be playfully led to more serious ideas by Purlia's subtle details and the clever title: "Financial Freewheeling and the Futile Pursuit of the American Dream."

John Purlia's "Financial Freewheeling and the Futile Pursuit of the American Dream."

John Purlia

Above: John Purlia's "Financial Freewheeling and the Futile Pursuit of the American Dream."

JOHN PURLIA: Probably my all-time favorite is, Unbeknownst to Her Creator, Eve Longed to Become a Cheerleader. The titles sometimes take longer than actually setting up and photographing the images.

The titles along with the juxtaposition of certain images and objects create an ironic tone that Purlia hopes will get people thinking about things like the economy, politics, and religion... but always in a playful way that rarely offends.

JOHN PURLIA: The toy is making some sort of statement on nuclear power or on religion but the toy is still a toy. And its expression doesn't change and it smiles at you and it's not threating and I think by doing that maybe it makes people a little bit more receptive to the messages that I'm telling you through the art.

John Purlia's "Seven Signs of the Kewpie Apocalypse."

John Purlia

Above: John Purlia's "Seven Signs of the Kewpie Apocalypse."

And that's why Purlia is so in love with Kewpie dolls.

JOHN PURLIA: Kewpies are just kind of fun because they look really innocent but they are kind of creepy too. Like they might do something really bad and they don't care because they're happy.

Purlia has three Kewpie dolls that he depends on: a mischievous red one; an innocent pink one; and a green one...

JOHN PURLIA: The green one is almost always in some way looking back directly at the person viewing the photographs. So the green kewpie doll is also kind of begging some sort of observant reaction from the viewer. And that's kind of the way I look at this, I create this little world and there are almost dueling factions and sensibilities and I'm still leaving a lot up to interpretation when you look at the photos but there's definitely an intent in setting up the scene and letting people decide for themselves what the outcome is or should be.

Purlia has collected his work in what he calls a digital coffee table book, "Plastic Prophets of Vinyl Redemption," available through iTunes. But currently he's working on a special boxed edition of a miniature version of his book that will come with a Kewpie doll.

JOHN PURLIA: It will be a fun little edition for people who want something physical in this world that is quickly moving into a digital realm. Physical objects are still fun and desired by people.

And they're still fun to play with

JOHN PURLIA: I think a rabbit coming out from underneath The Illustrated Encyclopedia of Sex is somehow right.

John Purlia's special edition book will be out later this month at his website.

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Avatar for user 'vonderwische'

vonderwische | October 15, 2011 at 2:09 p.m. ― 5 years, 4 months ago

This Exhibition of this wonderful vintage art photographs was much appreciated. I'm happy to see that Mr. Purlia is so innovative that he can produce such interesting and thought producing photographic compositions, and make a living at these economic times. Well done!

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Avatar for user 'Beth Accomando'

Beth Accomando, KPBS Staff | October 15, 2011 at 8:50 p.m. ― 5 years, 4 months ago

Thanks for the comment and glad you appreciate his work.

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Avatar for user 'Gabriela'

Gabriela | October 17, 2011 at 9:54 p.m. ― 5 years, 4 months ago

Excellent video presentation, Beth! Visually, Purlia’s work is very well balanced and pleasing to the eye. There is a lively sense of fun, and the rich selection of playful objects and text occupies the mind with making its own connections between nostalgic symbols and current politics. It is comforting and sinister, at once. Still, the conflicts, as suggested, are often rather schematic and the overall campiness sometimes undercuts a sense of depth.

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Avatar for user 'Beth Accomando'

Beth Accomando, KPBS Staff | October 18, 2011 at 8:57 a.m. ― 5 years, 4 months ago

"Comforting and sinister." I like that. Thanks for the comments and insights.

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Avatar for user 'bardsfingertips'

bardsfingertips | October 25, 2011 at 9:21 a.m. ― 5 years, 4 months ago

Oh! This is cool! As a photographer myself, this looks like fun.

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