Cinema Junkie

Satisfy your celluloid addiction and mainline film 24/7 with Cinema Junkie’s Beth Accomando. So if you need a film fix, want to hear what filmmakers have to say about their work, feel like taking a deep dive into a genre, or just want to know what's worth seeing this weekend, then you've come to the right place. You can also find Beth's coverage of other arts and culture events here.
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Bringing 'The Heart' to life

'Batman Azteca' wows Comic-Con

Comic-Con Panel Highlight: Graphic India

Little Fish students get work reviewed at Comic-Con
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TCM Classic Film Festival is a four-day event held in Hollywood and showcasing films from the silents on up into the 1980s. In part one of this week's podcast I speak with TCM Film Festival programmer Charles Tabesh about what it takes to put on the festival and about the special Fox Appreciation presentation. In part two, I will speak with Fox archivist Schawn Belston about the studio's past and the challenges of restoring films.
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This spoiler-filled episode examines the hidden meanings of Jordan Peele's latest box office hit with the help of a UC Riverside professor of media and cultural studies.
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With Alfonso Cuaron’s recent multiple Oscar win and San Diego Latino Film Festival entering its second quarter century, I felt it was the perfect time to pull up an archive interview I did with Mexican director Guillermo del Toro.
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You may not know Milicent Patrick's name and that's precisely why filmmaker, monster lover, and author Mallory O'Meara decided to write "The Lady From the Black Lagoon." It reveals the lost legacy of this woman who created one of Hollywood's most iconic monsters.
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Cinema Junkie celebrates Black History Month by speaking with Keithan Jones, founder of Black Comix Day, about black comics and movies, and professor John Jennings about a new collective called Scary Black Folks.
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Films made between 1930 and 1934 have come to be known as pre-Code and display defiance of the self-censorship rules Hollywood laid down for itself. I will talk about the delicious naughtiness and sensational social realism of these films with Danny Reid of Pre-Code.com.
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Oscar nominations come out Jan. 22 and, since many people may not know a lot about what a film editor does, here is an archive edition of Cinema Junkie that will enlighten you about the art and craft of film editing.
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Cinema Junkie is technically on holiday break but here's something old and something new to start the year: an archive of my Reel Science episode plus my picks for the best films of 2018.
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Destin Daniel Cretton continues his posts from Sundance where he is screening his film, "Short Term 12."
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Destin Daniel Cretton continues to post about his adventures at Sundance.
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The movie "Slumdog Millionaire," which just swept the Golden Globes this past weekend, has been a surprise hit here. Warners Brothers is hoping to capitalize on the popularity of that film and its Indian setting. The studio's releasing "Chandni Chowk to China" (opening January 16 at UltraStar Del Mar). It's going to open on more than 125 screens in more than 50 markets. That would make it the largest release of a Bollywood film in the United States. And to add to the cultural mix, it's also the first Bollywood production to film in China. (You can listen to my feature from The World on Public Radio International.)
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Destin Daniel Cretton begins his blog posts from Sundance where he is showing his short film, "Short Term 12."
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"My Bloody Valentine 3D" has the right idea. Don't go remaking a horror film that was a classic ("Psycho") or that started a trend ("Friday the 13th") or that shocked people ("The Last House on the Left"). Remake a forgettable, mediocre slasher pic, and to top it off add the gimmick of 3D! I'm serious. That's the right approach. How many people will say, "Oh the original was so much better."
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Vampires have been having a good run with "Let the Right One In" winning over critics and "Twilight" scoring well at the box office. Now the werewolves rear their furry heads to challenge the vampire dominance. "Underworld: Rise of the Lycans" is the second sequel to "Underworld," which was a kind of Romeo and Juliet of the mythical beast crowd. Kate Beckinsale is gone, I guess she's gotten too good for black leather bodices, but Rhona ("Doomsday") Mitra looks almost just like her but playing the new character of Sonja.
Stripper Energy just received an Emmy for Journalistic Enterprise, you can watch the six-part video podcast now.