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Scripps Institution of Oceanography researchers hope to get a peek into the dynamics of the ocean's movement underwater. They spent a week collecting data around an underwater canyon near La Jolla.

President-elect Donald Trump takes office Monday and Democratic organizers are not seeing the mass-scale opposition they witnessed in 2017. So, they're adjusting with a focus on Trump's agenda.

The Athenaeum and Murals of La Jolla present Kelsey Brookes, with a special presentation of his career, process, recent projects, and 2014 mural One Pointed Attention for Murals of La Jolla. The reception begins at 6 p.m., followed by an artist talk at 6:30 p.m. Kelsey Brookes' mural, One Pointed Attention, engages the viewer in a mesmerizing vision scape. His distinctive use of color and line creates a portal into an intriguing and transcendent visual experience. The undulating patterns evoke a sense of calm contemplation while also creating a more cerebral and psychological effect. His work often embodies a metaphysical and otherworldly state. The scale of One Pointed Attention allows the viewer to feel absorbed into the pulsating aura Brookes has created. Kelsey Brookes’ unique painting practice combines color and pattern-making with a comprehensive knowledge of biochemistry. Brookes was born in 1978 in Denver, Colorado. He attended Colorado State University where he studied biochemistry and pursued life as a scientist. In 2005, he left the sciences to become a full-time artist. Brookes combines a strong understanding of science with painterly skill to create colorful, highly-detailed paintings that depict the molecular structure of drug compounds, molecules, and atoms to play with sensory perception. Often starting with a central focal point, his work radiates out through precise pattern and repetition spreading across the entirety of the canvas. Brookes has had solo exhibitions in La Jolla, Los Angeles, New York, Detroit, London, and Berlin. His work was featured as the cover art for the Red Hot Chili Peppers’ 2012 “I’m With You” 7-inch records and The Flaming Lips’ 2013 “Stone Roses” LP. His work resides in many private collections, as well as the public permanent collections of the Museum of Contemporary Art San Diego; the Crystal Bridges Museum of American Art, Arkansas; and the Frederick R. Weisman Foundation, Los Angeles. Brookes lives and works in San Diego, California. Mural Members and Makers attend FREE and will receive an email to RSVP for the lecture. The lecture will be in person at the Athenaeum Music & Arts Library. There are no physical tickets for this event. Your name will be on an attendee list at the front door. Doors open at 6 p.m. Seating is first-come; first-served. This event will be presented in compliance with State of California and County of San Diego health regulations as applicable at the time of the lecture. Visit: https://www.ljathenaeum.org/events/2024-brookes-talk Athenaeum Music & Arts Library on Instagram and Facebook

If you're looking for inspiration to stick with Dry January, or you're worried about the cancer risk linked to alcohol, you may want to check out booze-free gatherings happening all over the country.

The series concludes Sunday, August 4, with Chilean-born guitarist-vocalist Camila Meza. She will be joined by Or Bareket on bass and Edward Simon on piano. NPR called Meza “one of the best-kept secrets in New York City,” commenting, “Camila Meza is poised to step into a broader spotlight.” The New York Times wrote, “A welcome presence in New York … Ms. Meza brings an appealing combination of lightness and depth to all the material, singing in a bright, clear voice. … Her improvising, on electric or acoustic guitar, is serious business.” DownBeat wrote, “Her impressive guitar playing serves the song as she seeks a perfect balance between poignant vocals and killer chops.” Born in Jerusalem to parents of Moroccan, Iraqi, Argentinian, and Eastern European descent, raised between Buenos Aires and Tel Aviv, and based out of Brooklyn since 2011, Or Bareket is one of the most prominent bassists of his generation, as well as a composer and bandleader with an eclectic yet meticulously cohesive style. Winner of the 2011 International Society of Bassists' jazz competition, Bareket's distinct lyricism, rhythmic dexterity, and groove-centric approach are clearly present in his playing and writing alike. Edward Simon, a native of Venezuela, has made a name for himself over decades in America as a jazz improviser, composer-arranger, and bandleader. His profile has grown in recent years as he has explored the commonalities jazz can have with the folkloric sounds of Latin America. JazzTimes summed up his influence on the music genre this way: “Simon is less talked about than many other important jazz pianists from the Caribbean and South America, but he may be the most complete creative artist among them.” Based in the San Francisco Bay Area, as a member of the all-star SFJAZZ Collective, Simon has received a Guggenheim Fellowship; multiple composition grants, as part of Chamber Music America’s New Jazz Works initiative; and South Arts Jazz Road Creative Residencies. He has recorded 16 albums as a leader or co-leader, with his latest, Solo Live (Ridgeway), released in 2021. This followed Simon’s 2020 album, 25 Years, and his 2016 album, Latin American Songbook. DownBeat praised Latin American Songbook’s “grand and sophisticated” sound, and the recording won Simon an NAACP Image Award for Outstanding Jazz Album. The New York Times has praised Simon’s “light, warm touch” as a pianist, while Jazz Journal International singled out “his deep emotional statements” as a composer and improviser. Simon is a Yamaha artist. For more information visit: ljathenaeum.org Stay Connected on Facebook and Instagram

Premieres Wednesdays, Oct. 2 - 30, 2024 at 9 p.m. on KPBS TV / PBS app. New discoveries are proving it – our solar system is a weird place, filled with bizarre worlds shaped by extreme forces unimaginable here on Earth. With stunningly realistic animations, find out why our cosmic neighborhood is so full of surprises.

About 10,000 people a week come to visit the White House. But until recently, they got a public tour that hadn't changed in decades.

In Arizona, a program called Kith and Kin teaches mothers, grandmothers, aunts, friends and neighbors who watch other people's children the skills they need to provide high quality care.

Note: Though this class is offered as part of the Certificate in Poetry, there is no pre-requisite to join this class. All students, members, and nonmembers are encouraged to enroll. In this final workshop of the Certificate in Poetry program, the student will concentrate on the design of a publishable manuscript. The student will continue workshopping poems, reading and analyzing books of poetry, providing valuable comment and feedback on each other’s manuscripts. Further, the student will discover publishing sources for individual poems and contests for chapbook and complete book manuscripts, the necessary recordkeeping for this endeavor, and practice how to give a professional poetry reading. For students not ready to compile a manuscript, each class also includes a writing prompt, short lesson or introduction to a poet, and a read & critique session. Each participant will choose one poetry craft book and submit by week 5, a one to two page analysis of the book. Poem prompts will be given each week with the anticipation that the participants will generate new work. Students will prepare a number of copies of their completed manuscript for distribution to the other students at the end of class three. Participants are expected to actively participate in the read and critique portions of the workshop for both individual poems and manuscripts. Objectives: - Upon completion of this workshop, you will have: - Finalized the formation of a publishable manuscript - Developed a poetry record-keeping procedure - Submitted poems to three different publications - Participated in a read and critique of student manuscripts - Practiced giving a professional poetry reading - Read and analyzed one book of poetry craft Week 1: Introduction to Poetry V. Review tips for evaluating a book of poetry, poem critique, workshop etiquette. Where to send your poems and manuscript. Read and critique workshop if time allows. Homework: Pick/order your one poetry craft book. Begin to craft/organize your poems for the manuscript you will distribute to students at class end, week three. (The number of copies to be determined by the number of students) Week 2: - Record keeping and analysis of manuscript - Read and critique workshop Week 3: - How to give a poetry reading Week 4: - Manuscript workshop - Read and critique manuscript workshop Week 5: - Manuscript workshop - Read and critique manuscript workshop - Class celebration! For more information visit: writeyourstorynow.org Stay Connected on Facebook and Instagram

It will be the women leading the way as the U.S. looks to lead the overall medal table for the eighth consecutive Summer Games.