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  • Rainfall could cause mudslides in area burned by wildfires, with officials warning residents of toxic material from debris and ash.
  • From the museum: “It is a quest for an architecture of light and lightness, inspired by nature which is about the quality of life as well as being eco-friendly.” —Norman Foster Norman Foster (British, b. 1935), is one of the most esteemed international architects of our time, with projects worldwide. Among innumerable accolades, he was awarded the prestigious Pritzker Prize for Architecture in 1999. This installation focuses on models and designs for a select few of his many celebrated projects, organized into three themes: Working with History; Embracing the Environment, and Community and Culture. All these subjects are underpinned by sustainability, and crucial to Foster + Partners’ vision for an upcoming renovation of The San Diego Museum of Art west wing. Foster studied architecture in Manchester, England, before winning a fellowship to the Yale School of Architecture in 1961, where he met Richard Rogers, with whom he traveled throughout the United States for a year. The influence of architecture in California, especially the Case Study Houses (modern housing focused in Southern California, 1945–66), would be pivotal in the formation of Foster’s aesthetic—particularly in consideration of open plan, flexible, and multifunctional spaces. Foster, along with Rogers and the sisters Georgie and Wendy Cheesman, formed the innovative practice Team 4 in 1963, and they approached architectural design using environmentally and structurally sophisticated technologies that freed interior space to be socially focused, connected to the environment, and filled with light. A veteran of the Royal Air Force, and an avid pilot, Foster and his now global team of architects at Foster + Partners often incorporate open architectural plans with expansive natural lighting and optimal views integrating the surrounding sky and landscape. In embracing change, both social and technological, Foster + Partners have challenged convention to reinvent the built environment, from the workspace and urban landscape, as well as merging modernity with a sensitive appreciation and renewal of historic structures. Theirs is a quest for an architecture of light, inspired by nature, and centered on community life while spearheading innovation in environmental sustainability. Today the Norman Foster Foundation in Madrid leads work on clean sources of energy with the Massachusetts Institute of Technology (MIT) and is collaborating with the United Nations for the reconstruction of the war-torn Ukrainian city of Kharkiv. Referring to exhibitions not as retrospectives but as “futurspectives,” Foster explains his practice is “an ongoing exploration for works that are inspired by the past, rooted in the present but can adapt to the needs and desires of an optimistic future.” The San Diego Museum of Art has announced the selection of Foster + Partners to renovate the Museum’s west wing to increase exhibition space, further enrich the public’s engagement with art and programming, improve accessibility, and better integrate the west wing with the Museum’s main structure, all while respecting the architectural style and historical significance of Balboa Park. The renovation project aims to create a new education center, a public pavilion connecting visitors to art and the outdoors, and a new rooftop space providing panoramic views of Balboa Park. Learn more about The San Diego Museum of Art’s west wing renovation. This exhibition is made possible with the collaboration of the Norman Foster teams in London, Madrid, and Los Angeles, and coincides with the designation of the San Diego/Tijuana region as the 2024 World Design Capital.
  • KPBS found six San Diego-based artists who are emerging into the comic industry and are either selling, signing or schmoozing in or around the convention.
  • Before Hollywood discovered Comic-Con, the one studio you could always count on finding at the pop culture convention was the iconoclastic Troma.
  • The Hillcrest Community Ofrenda was envisioned by Rick Cervantes to expand upon the ofrenda he had built in his home for many years in honor of brother who was murdered in 2016. To make the ofrenda a project for the entire community to participate in, Rick decided to build the Hillcrest Community Ofrenda at the base of the Hillcrest Pride Flag starting in 2022 to provide a space for the entire Hillcrest and LGBTQ communities to honor their loved ones. The ofrenda will be built on Monday, Oct. 28 starting at 4 p.m., and will stay up 24 hours a day through 5 p.m. on Thursday, Oct. 31. Community volunteers will take shifts watching over the ofrenda day and night. Community members are welcome to stop by anytime to view the ofrenda or place mementos.
  • Thursday–Friday, 10 a.m. – 1 p.m. December 5–6 [Students can leave materials overnight Dec. 5 and work in the studio from 1–4 PM (without instruction)] (2 Days, 6 total hours of instruction) La Jolla Studio $100/120 + $20 materials fee paid to instructor This fun and focused class emphasizes the basics of creating a painting. Emphasis in this class will be on an impressionist technique of painting using an “alla prima” (wet into wet) style of painting, keeping loose brushwork, thick paint, and eliminating detail. We will emphasize composition, color, form, and lighting. There will be a still life setup. I do a painting demonstration in each class. Materials: Paints: Your preference of paints: oil, acrylic, watercolor, gouache … you name it!  Please include Titanium White, Cadmium Yellow Light (cool yellow), Cadmium Yellow (warm yellow), Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Cerulean Blue, Viridian Green or Phthalo Green. Plus any colors of paint that you would like to use. Brushes: Bring a variety of brushes for your choice of paints that include #2, #4, #6, #8. Good quality brushes make a difference. Other materials: 12” x16” paper palette pad; odorless Turpenoid and linseed oil for oils; soft vine charcoal; 1.5- or 2-inch palette knife; paper towels; two small jars with lids; spray bottle for acrylic painters; sketchbook; color pencils; four canvas or canvas boards, 11” x 14” or your preference. Good quality watercolor paper for watercolor painters. Suggested items:  Masterson Sta-Wet Palette Seal to keep paints moist; glass palette to go inside the box making paint easier to mix; Silicoil jar with spring in the bottom to clean brushes; two tall containers to hold clean and used brushes at your station in the studio. Please email me at sharoncaroldemery@gmail.com if you have any questions. I am always available to help. Max students: 13 Sharon Carol Demery moved from the Bay Area to Los Angeles, where she studied and began her career. There she developed her modern art with an affinity for vibrant color, purity, and simplicity depicting images of abstraction that retain their cohesiveness. She was associated with the 1970s Abstract Illusionism movement. Primarily considered to be an abstract painter, her artistic facility and mixed-genre style depict an artist capable of eluding classification working in both abstraction and representational painting. Sharon has shown in galleries and museums around the country, and her work is in many private and public collections. An award-winning artist, her work has been reviewed and written about in numerous publications like Art Magazine, the New York Times, Los Angeles Times, and Images and Issues. Sharon taught painting at Arizona Western College in Yuma, as artist in residence, from 1979 to 1981, after which she moved to San Diego, where she attended UCSD and received the Professional Certificate in Art and the Creative Process. She attended Platt College and received a diploma in graphic design. She also studied human development at San Diego City College. Sharon has been teaching at the Athenaeum’s School of the Arts for 10 years. She has been influenced by her many travels on three continents and the great works of masters like Van Gogh, Cezanne, Matisse, Bonnard, Kandinsky, Grace Hartigan, Lee Krasner, Joan Mitchell, Thiebaud, and Diebenkorn. She says, “Painting for me is about discovery, growth, and human emotion. My goal is to continue studying the masters old and new to continue my journey in painting.” Athenaeum Music & Arts Library on Facebook / Instagram
  • The San Diego Art Prize is pleased to announce the recipients of this year’s prize: Gabriel Boils, Francisco Eme, and Marisol Rendón. This year’s exhibition, Stochastic Elegies: Life, Nature & Transcendence features artwork which offers up poetic explorations of universal themes surrounding our lived experience.The San Diego Art Prize is predicated on the idea that the visual arts are a necessary and rewarding ingredient of any world-class city, and was conceived to promote and encourage dialogue, reflection, and social interaction around San Diego’s artistic and cultural life. This annual award honors artistic expression with a cash prize, exhibition opportunities, and spotlights artists in the San Diego to Ensenada, Mexico region whose outstanding achievements in the field of visual arts merit recognition.Recipients were nominated by sixteen local arts professionals and selected by an esteemed panel of curators from respected institutions
  • Many residents in Altadena, Calif., evacuated not knowing it would be the last time they would see their homes standing. Their decisions about what possessions to take were rushed — or not made at all.
  • President Trump made good on a campaign promise to ask the Department of the Interior to recognize the Lumbee people of North Carolina — a tribe whose Native identity has long been called into question.
  • Four female soldiers taken hostage on Oct. 7, 2023 by Hamas were handed over to the International Committee of the Red Cross in Gaza on Saturday morning, and then transferred to the Israeli military.
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