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  • Nintendo puts a new coat of paint on an old classic, tweaking its Final Fantasy-style combat just enough to succeed for a modern audience.
  • Britain's first coronation in 70 years is set to begin at 11 a.m. local time or 6 a.m. ET on Saturday. Here's a rundown of the weekend's events and how to watch them.
  • The Islamic Action Front, the political wing of the Muslim Brotherhood, is now the single biggest opposition bloc in Jordan's 138-member parliament, winning one-fifth of the seats this week.
  • For people with damaged or diminished hearing, hearing aids are helpful devices that shouldn't carry stigma.
  • For the first time, political parties in Jordan are enabled to play a bigger role, relying on their platforms, amid fears of a wider war in the region.
  • You can't always know that it's a great year for new music while it's happening, but there was a sense from the very start of 2024 that we were in for a ride.
  • Katy Perry and Rihanna weren't at the Met Gala on Monday night, despite the viral AI-generated photos showing them on the red carpet. Here are some tips for recognizing and investigating deep fakes.
  • This weekend in the San Diego arts scene: Lynn Nottage's hit play, "Clyde's," Ving Simpson at OMA, "The Curious Incident of the Dog in the Night-Time," "Kaleidoscope," Daygo Eatz, Baby Bushka and more arts, culture and live music.
  • San Diego Mayor Kevin Faulconer joined hundreds of other U.S. mayors when he signed the Mayors Monarch Pledge. Signing the pledge commits the city to take action to help the endangered butterfly.
  • Join us for an artist's talk with mixed media artist, Kathleen Kane-Murrell. She will be discussing her process, technique, and inspiration behind her solo exhibition, "Wayfinding in Suspending Times", on view in the gallery through July 2 2023. Kane-Murrell’s work is inspired by her observation of the interconnectivity between humans and nature, and her longing to reconnect after isolation during the pandemic. Her solo exhibition brings her perceptions and musings to life through her highly textured collage techniques. Many of her works present themselves like a miniature ecosystem; reverse-painted plexiglass panel is placed between the viewer and the textural backdrop of the work. Highly detailed renderings of butterflies, gingko leaves, and other organic elements painted on the transparent plexiglass appear to float over the materials affixed to the layer behind. Kane-Murrell’s specific style of mixed media collage both unites and contrasts familiar icons of nature with abstraction and human-designed composition.
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