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  • Join us on Free Third Thursday, September 19 from 11 a.m. – 8 p.m. for the free public opening of "For Dear Life: Art, Medicine, and Disability," the first exhibition to survey themes of illness and impairment in American art from the 1960s up to the COVID-19 era. Enjoy free admission, a double feature screening, and more! No reservations are required for Free Third Thursday admission. Free Public Tour: Highlights of the Exhibition 5PM: A general tour guiding visitors through "For Dear Life," focusing on key themes and highlights of the exhibition. Limited capacity. No RSVPs required. Meet in Browar Lobby. Blue/ Blue Screening: Liza Sylvestre’s Blue Description Project (2024) & Moyra Davey’s Notes on Blue (2015) 5PM: Blue/ Blue Screening in Jacobs Hall About The Blue Description Project (BDP) The Blue Description Project (BDP) (2024) is an audio description and captioning project—produced by Crip*—Cripistemology and the Arts in collaboration with Voices in the Gallery— that engages Derek Jarman's Blue (1993) via expanded and critical accessibility. As Jarman wrote in Chroma (1994): “If I have overlooked something you hold precious—write it in the margin.” BDP takes up this invitation by creating a new, experimental iteration of Blue on the 30th anniversary of its release and Jarman’s death. The BDP iteration features creative captions and audio description that have been sourced from numerous contributors. It attempts to convey, express, engage, respond, evoke, articulate, replicate, translate, transmogrify, channel, and transcend what Blue is/was/could be. Courtesy of Artist & Sarah Hayden. About Notes on Blue Moyra Davey's new 28-minute video is a lyrical film essay that interweaves various biographies-including those of Derek Jarman, poet Anne Sexton, writer Jorge Luis Borges, and the artist herself-to explore blindness, color, and identity. We encourage to come early to grab refreshments from The Kitchen before entering the museum. No RSVP needed. Entry will be first come first serve. About the exhibition In recent years, the art world has seen an explosion of activity confronting issues of illness and disability. Set in motion by disability justice movements of the twenty-first century, this development accelerated with the onset of the 2020 COVID-19 pandemic. Contemporary artists with disabilities and chronic illnesses have produced influential bodies of art, often working collaboratively with peers and institutions to highlight relations of mutual dependence and negotiate practices of care. Such artists have dramatically expanded discourse about access, while reframing disability as a refusal to conform to the pace, architecture, and economic conditions of contemporary life. "For Dear Life" explores how this turn was preceded by the work of artists and activists beginning in the 1960s and 1970s. Informed by intersecting movements that included civil rights, antiwar, women’s and gay liberation, and disability rights, artists of that era approached the body—in all its variance—as a field of inquiry. This exhibition explores artistic responses to disease, disability, and forms of unruly embodiment more broadly, tracing genealogies of art that have shaped contemporary currents. Inhabiting seven galleries at MCASD, "For Dear Life" is accompanied by a rotating program of film and video. A lavishly illustrated publication published by Marquand Books and distributed by the University of Texas Press will be available for purchase. About PST Art Southern California’s landmark arts event, PST ART, returns in September 2024 with more than 60 exhibitions from museums and other institutions across the region, all exploring the intersections of art and science, both past and present. Dozens of cultural, scientific, and community organizations will join the latest edition, PST ART: Art & Science Collide, with exhibitions on subjects ranging from ancient cosmologies to Indigenous sci-fi, and from environmental justice to artificial intelligence. Art & Science Collide will share groundbreaking research, create indelible experiences for the public, and generate new ways of understanding our complex world. PST ART is presented by Getty. For more information about PST ART: Art & Science Collide, please visit pst.art "For Dear Life: Art, Medicine, and Disability" is organized by MCASD Senior Curator Jill Dawsey, PhD, and former Associate Curator Isabel Casso. "For Dear Life" is among more than 60 exhibitions and programs presented as part of PST ART: Art & Science Collide, presented by Getty. Major funding for this exhibition is provided by the Getty Foundation and The Henry Luce Foundation. Individual support for the exhibition is provided by Brook Hartzell and Tad Freese. Financial support is also provided by the City of San Diego through the Commission for Arts and Culture. VISIT: https://mcasd.org/events/for-dear-life-opening
  • President Trump, Elon Musk and the Department of Government Efficiency have touted billions in terminated contracts deemed wasteful, but there's little transparency about how savings are tracked.
  • Most avocados consumed in the U.S. are grown in Mexico. Here's what Trump's proposed tariffs would mean for prices at the grocery store and for the avocado industry.
  • Following a harrowing week of deadly wildfires in Los Angeles, multiple San Diego-area organizations announced Tuesday the outpouring of donations for victims had nearly filled their headquarters.
  • President Trump signed a "national energy emergency" that gives his administration new powers to boost fossil fuel development around the country.
  • A committee of experts that advises the Centers for Disease Control and Prevention is critical in setting national vaccine policy. It's also vulnerable to political interference.
  • Extremism experts say a now-familiar playbook to scapegoat transgender people in the wake of high-profile tragedies is part of a political strategy to sow division and expand authoritarian control.
  • Charlene is a German-American artist based in San Diego. She received her BA in Studio Arts from San Diego State University. Mosley’s current work discusses the importance of looking into one's self and allowing it to emerge in daily life. So often in a society that has certain standards and expectations, a lot of our true self is hidden or tamed to fit in, to appear a certain way or to belong. Her body of work is meant to inspire the viewer to live as courageously as a tiger, as resilient and freeing as a butterfly and to shed in renewal, like a snake. The wild animals reveal a unique connection to each person they are portrayed with. They embody attributes such as courage, strength, transformation, and reinvention, offering a sense of empowerment by their sheer presence. Mosley's work often depicts people of color surrounded by plants and beautiful stoic animals that harmoniously charge each other in vibrant color. With an interplay of expressive brushwork and texture Mosley evokes movement and excitement, capturing the viewer’s eye in a journey of discovery. Mosley has exhibited in both national and international exhibitions and won several awards. She also works as a freelance artist on a multitude of projects, including: murals, commissions and book illustrations; with a specialty in children’s books. In 2016, Mosley was one of the contributing artists of “Loving Vincent“, the 1st fully painted, Oscar-nominated feature film. This opportunity was the artist’s first time working in animation. Creating 250+ frames for the film, “was life-changing and a motivation to keep pursuing my passion as an independent artist”, notes Mosley. Mosley has travelled extensively to work on projects with national as well as international clientele. She is currently represented by Sparks Gallery in southern California. Her solo exhibition, “Embrace The Inner Wild” will open this September 1st, 2024 and will last one month. Visit: https://www.artweek.com/events/united-states/art-exhibition/san-diego/embrace-your-inner-wild#
  • Our roundup of arts and culture to discover in San Diego this month: Visual art, music, theater, dance, outdoor festivals, books, film and more. Up next: The Rosin Box Project's women choreographers showcase; "Land and Sea" at MCASD; Omar Sosa; Sacra/Profana; San Diego Short Film Festival; Ron Currie; and Domonique King's "Get Hammered."
  • With anti-vaccine activist Robert F. Kennedy Jr. in charge of the nation's biggest health agency, it wouldn't take much tampering to enable vaccine-preventable diseases to make a comeback.
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