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Riley Keough, Elvis' granddaughter, alleged that the company advertising a foreclosure sale of Graceland had forged documents. A Tennessee judge issued a temporary injunction on Wednesday to halt it.

We asked our book critics what titles they are most looking forward to this summer. Their picks range from memoirs to sci-fi and fantasy to translations, love stories and everything in between.

From The Old Globe: The 11th annual Powers New Voices Festival is a three-day event of readings of 10 new American plays by emerging and award-winning playwrights writing for the American theatre today, including new works by San Diegans. The free festival opens on January 12, 2024 and closes on January 14 in the Sheryl and Harvey White Theatre, part of the Globe’s Conrad Prebys Theatre Center. Celebrating Community Voices, an evening of short works created by San Diego playwrights through the Globe’s arts engagement programs Community Voices and coLAB, is scheduled on January 12, 2024. The evening will feature readings of six 10-minute plays by local artists MG Green, Marie Vasari Hislop, Eliza Hugee, Ms. JHawk, Brian T. Josten, and Ric Scales. The first of four full-length new American play readings continues on January 13 with Emerson Loses Her “Miand” by Laura Winters, followed by Globe-commissioned Pleasant by Inda Craig-Galván, The Hispanic/Latino/Latina/Latinx/Latine Vote by Bernardo Cubría, and Globe-commissioned Empty Ride by Keiko Green. Powers New Voices Festival Schedule: FESTIVAL SERIES OF NEW AMERICAN PLAY READINGS SATURDAY, JANUARY 13, 2024 - 4:00 p.m. Emerson Loses Her “Miand” By Laura Winters Emerson Greenblatt just got engaged! And you’re invited to join her and her five friends as they complete a sacred rite of bridal party passage: a beer trolley tour through Nashville. The memories are flowing. The rosé is flowing. The debate over every single aspect of this interfaith wedding is, unfortunately, also flowing. Emerson Loses Her “Miand” is a nonstop comedic send up of the absurdity of bridesmaid culture. Cheers! SATURDAY, JANUARY 13, 2024 - 7:30 p.m. Globe-commissioned "Pleasant" By Inda Craig-Galván Mary Ellen Pleasant was a 19th-century abolitionist, an entrepreneur, a real estate tycoon, and the first African American millionaire... and you’ve probably never heard of her. Pleasant uses contemporary music, humor, and unconventional storytelling to explore the life of this self-described “capitalist by profession” who used her role as a humble domestic worker to cloak her badassery. Scandals, rumors, and one angry Karen threatened to bury her legacy, but Pleasant seeks to unearth her invaluable and lasting accomplishments. SUNDAY, JANUARY 14, 2024 - 4:00 p.m. "The Hispanic/Latino/Latina/Latinx/Latine Vote" By Bernardo Cubría University professor Paola Aguilar desperately needs money for... well, she’ll tell you. So when the Political Party offers her a substantial paycheck to help them understand the Hispanic/Latino/Latina/Latinx/Latine vote, she reluctantly takes the job. Can she help these political strategists understand all of the nuances of her community to save the election? Or will her own journey ultimately be more important than who controls the White House? SUNDAY, JANUARY 14, 2024 - 7:30 p.m. Globe-commissioned "Empty Ride" By Keiko Green Kisa, a Japanese painter in Paris, returns to her small hometown of Ishinomaki, taking over her father’s taxi cab as he grows increasingly ill. Ishinomaki was left devastated after the 2011 tsunami, which took Kisa’s mom in addition to over 3,000 other locals in the sleepy, coastal town full of fascinating characters. In this funny, tragically warm, supernatural story of those left behind, Kisa navigates finding her place in the world by rediscovering where she comes from, and where she’s been. CELEBRATING COMMUNITY VOICES FRIDAY, JANUARY 12, 2024 - 7:30 p.m. An evening of six 10-minutes plays Love Song for Pru By Marie Vasari Hislop Pru, an eccentric aspiring social media influencer, tries to craft the perfect series of posts to impress her boyfriend’s rich family—before they realize she might be a complete fraud. True School By Ric Scales Two fundamentally different rappers—one young and trending, the other a legend on his way out—must find a way to collaborate on a once-in-a-lifetime project without destroying their careers… or each other. Take Care By Eliza Hugee Anna and her new husband try everything they can think of to get his ex-fiancée Gladys to finally move out of their house. But her drinking, unpredictability, stubbornness, and unexpected condition make her both the rock and the hard place. Spectrum By MG Green To survive the big road trip to meet their partner’s parents, Basil, a trans, gender non-conforming, queer person must learn to bring all that they are into a new relationship where they are not exactly upfront with their partner about all that is truly at stake. Proper Provider By Brian T. Josten Set right after World War II, culture, dark history, and generations clash when an American father demands that his young daughter spend less time at the German neighbor’s house, the only place that gives her solace after her brother’s tragic death. Mirror By Ms. JHawk A person fractured from the inside out must fight pieces of herself to find her way home and become whole again. Festival details: The 11th annual Powers New Voices Festival will begin January 12, 2024 and conclude on January 14, 2024. The Festival will take place in the Sheryl and Harvey White Theatre, part of the Globe’s Conrad Prebys Theatre Center. Tickets to all festival readings require reservations and are free. Reservations for Globe subscribers and donors are available beginning Friday, December 15, 2023 at 12:00 noon. Subject to availability, reservations for the general public will be available beginning Thursday, January 4, 2024 at 12:00 noon. Tickets can be reserved by calling the Ticket Services Department at (619) 234-5623. A line for standby seating will form 30 minutes before each performance of the Powers New Voices Festival. Based on ticket-holder attendance, those standing in the standby line may be seated. Seating is based on seat availability and is not guaranteed. Latecomers with tickets are also not guaranteed admittance. For more information visit www.TheOldGlobe.org.

This has been a watershed year. So far in 2023, there have been 22 major strikes: 17 at companies, making it the largest number of strikes in the private sector since 2011.

Wisconsin is one of a handful of pivotal states in the 2024 presidential election. Within the swing state, there are swing counties that could decide the election — even as people remain divided.

ABOUT WORKING TITLE Curated by Diana Benavidez and Leslie Ann Leytham, Project [BLANK]’s annual exhibition of local art and music returns with a ritualistic mélange of paintings, sculpture, multimedia art, and live performances. A transborder team of artists and musicians invade the gothic halls of the historic St. Paul’s Cathedral in Bankers Hill and fill it to the brim with works that explore connections between the earthly and the divine. This three-day, community-based event will include new works, world premieres, and thought-provoking performances featuring some of the most exciting creative voices in Southern California, Tijuana, and Baja California. Audiences will embark on a pilgrimage through sacred spaces, profane realities, and everything in between. Visual artworks by Ana Luisa Diaz de Cossio (video and sound installation); Ash Capachione, Maria Molteni, Laura Campagna, and Vin Caponigro (video) ; beck haberstroh and Kirstyn Hom (mixed media sculpture); Brian Black and Joe Cantrell (sculpture, video, and sound installation); Cat Gunn (mixed media sculpture); Claudia Cano (tapestry); Diana Benavidez (sculpture / curator); eka.gren (sculpture and video installation); Erika Roos (video installation); Esther Gamez Rubio, Ivan Trujillo, Mariana Salazar, and Wilfrido Terrazas (performance art, sound, and mixed media sculpture); India Thompson (video and sound installation); Janet Sit (sound installation); Marlon PV (sculpture); Nick Lesley (video); and Yasmine Kasem (mixed media sculpture). Performances: Thursday, January 11: Akari Komura (solo violin, artifacts, and electronics); Ilana Waniuk and Teresa Diaz de Cossio (violin, flute, and electronics); Jonathan Nussman (solo voice and electronics); and Joseph Bourdeau (electronics and video improvisation). Friday, January 12: David Aguila (solo trumpet and electronics); Natalia Merlano Gomez (solo voice improvisation); Myles Ortiz-Green and Valerie Jackson (electronics and video improvisation); Zane Shrem-Besnoy (solo voice and electronics). Saturday, January 13: Jesus Cervantes and Odessa Uno (violin, dancer, and electronics); Kosuke Matsuda (solo percussionist and water droplets); Leslie Ann Leytham (solo voice); and San Diego New Verbal Workshop (acapella choir). To learn more about the artists, visit projectblanksd.org/working-title-2024. Related links: Project [BLANK] website | Instagram | Facebook

"Dark Loops," an immersive contemporary art exhibition by Margaret Noble, invites exploration into the intricate connections between living and non-living entities, nature, and technology. Presented by the Mesa College Art Gallery, this exhibition will be showcased from February 5th to 29th, with the opening on February 8 from 4:30 - 7:00 p.m. Noble's thought-provoking installations challenge conventional perceptions. They seamlessly blend elements of reality and illusion, organic and inorganic, prompting audiences to reconsider humanity's relationship with the environment and technological advancements. Through a diverse mix of sculptures, live-streaming videos, preserved insects, and technology-infused components, "Dark Loops" creates artificial ecosystems within the exhibition space. These installations blur the boundaries between the digital and physical worlds, encouraging contemplation on the complexities of our surroundings. Visitors will encounter an array of creatures and elements within Noble's artwork, ranging from bees and moths to reptiles and cocoons. These creations aim to challenge traditional taxidermy, offering a unique perspective on the interconnectedness of various elements within our environment. The exhibition's immersive experience extends through works like "Horizon" and "Infinite Bee," playing with the contrast between projected illusions and their real-life counterparts. These installations provoke introspection on how our perceptions are shaped in an increasingly digitized world. "Dark Loops" invites viewers to examine the intricate relationships defining our existence. Noble's interactive experiences prompt reflection on the interconnected patterns surrounding us, emphasizing the significance of acknowledging these interdependencies in fostering environmental consciousness. Exhibition Dates: Feb. 5-29, 2024 Open Gallery Days/Hours: 12-5 p.m. Monday - Thursday Location: 7250 Mesa College Drive -FA103, San Diego, CA 92111-4998 Opening Reception: February 8, 2024, 4:30 - 7:00 p.m. About Mesa College Art Gallery: The Mesa College Art Gallery is an educational forum to present the work of professional artists in a range of media and dealing with diverse issues. It is our mission to enrich and engage our student community through art. The gallery exhibits are complemented with artist lectures, workshops, and guided tours. ALL OUR EVENTS ARE FREE AND OPEN TO THE PUBLIC. Related links: Margaret Noble: website Mesa College Art Gallery: website | Instagram | Facebook

Opening reception: 6:30 p.m. on Friday, Jan. 19 About the exhibition: In his exhibition "The Magician Longs to See," photographer Peter Cochrane presents an alchemical tale about the natural world and humanity, using stories of life, death, and the human desire to preserve. Cochrane draws inspiration from indigenous plants in his home state of California and from the Athenaeum Music & Art Library’s own botanical archives. Darkroom prints and abstractions of roses, pine cones, and other local plantings recreate traces of life that once lived in and around the library, including the Torrey pine that stood as a sentinel for the building’s entrance, and climbing roses proposed by Kate Sessions for a 1921 garden renovation. Cochrane’s interest in horticultural and photographic histories also considers the optical manifestation of the alchemical pursuit—the transformation of lead into gold—through which, working with analog photographic processes, metals, and translations, the artist explores the materiality of elements across humanity’s attempts at preservation. Cochrane returns to his hometown of San Diego for his exhibition. The reception is open to the public. The exhibition will be on view through April 13, 2024. Gallery hours: 10 a.m. to 5:30 p.m. Tuesday through Saturday Related links: Athenaeum Music and Arts Library website | Instagram | Facebook

From the organizers: Intersections is curated by Andrew Waltz, Director of Arts Management at Park & Market. Hosts and performers for this year’s season include San Diego artists and arts leaders who have won Grammy Awards, toured with famous acts worldwide, and brought talent to some of the region’s most beloved music venues. The 2024 Intersections series is co-curated by a number of influential San Diegans with ties to the arts and culture community: Rebecca Jade, Damian DeRobbio, Kamau Kenyatta, and Yale Strom. Scheduled Intersections Events in 2024 Tickets will go on sale soon for the scheduled concerts below. Adama Bilorou Friday, Jan. 19, 2024 at 7 p.m. The Guggenheim Theatre, UC San Diego Park & Market West African Tradition and Beyond Tickets here Born in the rhythmic beats of Burkina Faso and rocked by the tradition of griots, Adama Bilorou knew how to transform his heritage into a melody of multiple nuances, a musical journey that crosses continents and cultures. A versatile musician endowed with a rare mastery of the Djembe and the Balafon, Bilorou has captivated ears and hearts across the world. From his childhood in Ivory Coast to his wanderings in Italy, France, the United States and Burkina Faso, he has written his score along the lines of diversity. Kamau Kenyatta will host and conduct a Q&A with Bilorou after his performance. “Adama’s music is an uncanny blend of folklore and innovation,” says Kenyatta. “His stylistic versatility and mastery of many historic West African instruments leaves audiences enthralled.” Lisa Sanders & Brown Sugar Tuesday, Feb. 13, 2024 at 7 p.m. The Guggenheim Theatre, UC San Diego Park & Market Sincerity in Song Tickets here Lisa Sanders is an electrifying harmonizer. Her heartfelt songs are genuine with deep meaning and conviction. A musical style that can only be described as soulful country blues, her genres include folk pop, gospel, rock and jazz. Writing, singing and producing from her heart in nearly every genre for over three decades, Sanders continues to make an impact in the musical world. Kamau Kenyatta will host and conduct a Q&A with Sanders after her performance. “This fantastic group, propelled by the world-class songwriting of Lisa Sanders, impresses with its beauty, mastery and universal themes,” says Kenyatta. Quetzal and Martha Gonzalez Friday, March 1, 2024 at 7 p.m. The Guggenheim Theatre, UC San Diego Park & Market Art, Culture and Inspiration from East L.A. Quetzal is a Grammy award-winning ensemble of highly talented musicians, joined for the goal of creating good music that tells the social, cultural, political, and musical stories of people in struggle. Martha Gonzalez (lead singer, percussionist, and songwriter) calls it an “East LA Chicano @ rock group,” summing up its rootedness in the complex cultural currents of life in the barrio, its social activism, its strong feminist stance, and its rock and roll musical beginnings. Besides being a rock band, the group and its members participate in a much larger web of musical, cultural, and political engagement. Damian DeRobbio will host and conduct a Q&A with the group after their performance. Gene Perry & Rumba Ketumba Thursday, July 11, 2024 at 7 p.m. The Guggenheim Theatre, UC San Diego Park & Market A fixture in the local music scene since 1974, Gene Perry was born in Santurce, Puerto Rico, and was one of the earliest pioneers of Afro-Cuban and Afro-Caribbean music in San Diego. His ensemble, Rumba Ketumba, is composed of a mixture of San Diego natives and musicians from around the world. Rumba Ketumba plays a high-energy mixture of Afro-Latin, Caribbean, Spanish Rumba, and other dance rhythms. Curator Yael Strom, whose Yiddish klezmer group has previously collaborated with Rumba Ketumba, will host and conduct a Q&A with the group after their performance. Kittel & Co. featuring Jeremy Kittel (violin), Josh Pinkham (mandolin), Quinn Bachand (guitar) Friday, September 27, 2024 at 7 p.m. The Guggenheim Theatre, UC San Diego Park & Market Acclaimed violinist Jeremy Kittel (formerly of the Grammy-winning Turtle Island Quartet), Kittel & Co. (“Kid-dle and Koh”) inhabits the space between classical and acoustic roots, Celtic and bluegrass aesthetics, and folk and jazz sensibilities. The members of Kittel & Co. have collaborated with Béla Fleck, Sarah Jarosz, Chris Thile, and Yo-Yo Ma. Together, Jeremy Kittel, mandolin phenom Josh Pinkham and transcendent guitarist Quinn Bachand coalesce into a singular voice that’s thrilled audiences from the Telluride Bluegrass Festival to A Prairie Home Companion. Yael Strom will host and conduct a Q&A with the group after their performance. Related links: UC San Diego Park and Market website | Instagram | Facebook

Stream now with KPBS+ / Watch Thursday, Oct. 30, 2025 at 9:30 p.m. + Saturday, Nov. 1 at 3:30 p.m. + Monday, Nov. 3 at 9:30 p.m. on KPBS TV. Embark on a mesmerizing journey through Rumorosa en route to Mexicali. Explore the awe-inspiring Cerro Prieto volcano and unravel its mysteries and the captivating artwork adorning its peak. Then, venture into the charming Old West-style restaurant, Museo del Valle, smack dab in the middle of Mexicali.