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  • "FOUND ADRIFT" |Timeless new works inspired by an 1876 seaweed scrapbook" Ron Miriello has created an extensive series of art pieces and installations called "Found Adrift | Timeless new works inspired by an 1876 seaweed scrapbook." Nature was frozen in time, in an exquisite collection by a young woman from Searsport, Maine. Tucked away in a trunk for almost 150 years, it was rediscovered by Richard Rydell, a local collector and lifelong friend of Ron’s. The intricate beauty captured in the original specimens inspired the artist during a visit to Maine in 2023 and became the subjects for his extensive new collection of works on canvas, textiles, video, and lithographs – all in service to the stunning, hidden beauty of nature itself. "Found Adrift" is presented in collaboration with World Design Capital San Diego Tijuana 2024, a year-long international showcase of cities using creativity and design to enhance quality of life and bring communities together. ABOUT THE EVENT: A special opening of "Found Adrift" will be held for ONE NIGHT ONLY in San Diego’s dynamic Barrio Logan Arts District. The former Woodbury School of Architecture building is being transformed into a creative collaborative called Studio Culture, where 50+ artwork pieces will be exhibited, including a video created by Rome-based photographer Renato Cerisola, along with DJ music, a local food truck, beer, coffee and great people like you! The exhibition opening is free and open to all friends of design, nature and the arts. Friday, December 6 | 6 – 10 p.m. 2122 Main Street, San Diego, CA 92113 Plenty of secured off-street parking is available. Important Note: The opening event on December 6 will be the best opportunity for the public to view "Found Adrift." Afterwards, the exhibition will be available by appointment only until Feb. 1, 2025. ABOUT THE MOVEMENT: Why Seaweed Scrapbooks? During the Victorian Era, collecting seaweed and pressing samples into scrapbooks was a popular women’s pastime, particularly in England. In fact, Queen Victoria herself is said to have made seaweed albums as a young girl. While the world was abuzz with Darwinism and other scientific discoveries, “seaweeding” was one of the few socially acceptable ways for women to explore the natural world. Now, a century and a half later, these long-lost scrapbooks are finding new life, meaning and relevancy for collectors, climate scientists and artists like Ron Miriello. Thanks to one unknown woman who lovingly and meticulously preserved her collection of humble seaweed, we can rediscover the timeless beauty of nature while learning from the past with "Found Adrift." ABOUT THE ARTIST: Ron Miriello Ron is an artist and designer who has never stayed in his lane–never wanted to stay in a lane. A career in graphic and product design, a sculpture minor from Colorado State University and years of schooling and traveling in Italy, have helped Ron seek possibilities in unexpected places. “Projectizing” is a word he uses to explain a tendency to crash ideas together, ideas that may hold a fresh thought or nuanced perspective. His design and art pieces usually unfold as a series of studies and variations. He then moves on to prototypes, motivated in large part by simple curiosity. This sketch/prototype/assess-after approach also serves as a progenitor for fine art projects. He invites intentional playfulness on the fuzzy dividing line between design/craft and art. In the words of W.H. Auden, “A craftsman knows in advance what the result will be, while the artist only knows when he has finished.” A cultural appreciation of artisans and craftspeople is a connecting thread to Ron’s work. The lost, forgotten or once-valued are reconsidered in an artful manner, to give pause and the opportunity for renewed perspective.  Ron Miriello on Instagram / Facebook
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  • Helen Mayer Harrison and Newton Harrison, known as ‘the Harrisons’, dedicated five decades to exploring and demonstrating a new form of artistic practice, centered on “…doing no work that does not attend to the wellbeing of the web of life.” Their collaborative practice pioneered a way of drawing together art and ecology. They closely observed, often with irony and humor, how human intervention disrupts the dynamics of life as a web of interrelationships. The authors ‘think with’ the Harrisons, critically tracing their poetics as a re-imaging and reconfiguring of the arts in response to the unfolding planetary crisis. They draw parallels between the artists’ poetics and rethinking in the philosophy of science, particularly drawing on the philosopher of science, Isabelle Stengers. Thinking with the Harrisons is for anyone concerned with the implications of ecological thought and practice as a reimagining of public life, including the interaction of art and science. Throughout their joint practice, the Harrisons sought to engage policy makers, governments, ecologists, artists, and the natural world, sensitizing us to the crises that emerge from grounded experiences of place and time. Visit: https://www.eventbrite.com/e/thinking-with-the-harrisons-tickets-1059049257839
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