Search results for

The Sacred Veil represents an extraordinary collaboration between Eric Whitacre and poet/lyricist Charles Anthony Silvestri telling a story of life, love and loss. Accompanied by piano and cello, the work includes texts from Silvestri, Whitacre and Julie herself, the intimate, compelling score tells a story of courtship, love, loss and the search for solace. Inspired by this extraordinary and moving friendship, the piece shares a very human journey – one that so many of us can relate to. Visit: https://www.eventbrite.com/e/stellarum-presents-eric-whitacres-the-sacred-veil-tickets-979153092257

In this beginner-friendly course, students will learn slab building techniques to create their own vases using simple tools and techniques; no potter’s wheel required. Students will learn the differences between soft slab construction and stiff/hard slab construction to construct their own forms and patterns. The course will focus on three different vase shapes: simple cylinder, teardrop, or angular. Using the same slab building technique, students may also create small bud vases for singular flowers. Students will complete the course with a fully functional vase(s). While this is a beginner friendly course, more intermediate and advanced students may also join. Students will learn how to: wedge clay roll out slabs using a rolling pin and wooden guides compress slabs using a rubber rib and/or paddles strengthen clay in order to reduce air bubbles, cracks, and warping during the drying process use PVC pipes to create cylinder vases cut out shapes using patterns templates made of cardboard or cardstock attach slabs using the “score and slip” process, where joined seams are either visible or invisible decorate vases with ribbon tool or clay texture rollers soften rims of vases using ribs and chimoy clothes on banding wheel Materials: Please purchase a standard size wooden rolling pin and a beginners pottery tool kit. You do not need to purchase an extensive toolkit for this course, but please buy a kit which includes a metal rib, fettling knife, and scoring tool. Beginner kits are often very minimal but if you choose to continue pottery, the latter tools are incredibly helpful and you will likely need them later. If the metal rib, knife, and scoring tool are difficult to find, you can purchase a basic kit and buy these tools separately at Freeform Ceramics in National City, CA. Please bring a notebook/sketchbook and pen to class to keep track of wonderful ideas. Max students: 12 Visit: https://www.ljathenaeum.org/class/52 Athenaeum Music & Arts Library on Instagram and Facebook

Section I: Sunday, 9 a.m. – 4 p.m. October 13 (1 day, 8 total hours of instruction) AAC Print Room $130/150 + $20 materials fee paid to instructor Section II: Sunday, 9 a.m. – 4 p.m. October 20 (1 day, 8 total hours of instruction) AAC Print Room $130/150 + $20 materials fee paid to instructor Join Master Printer Sfona Pelah for a one-day etching workshop. Suitable for beginners to advanced, as well as printmakers who want time in the print room with support from an expert printmaker. Artists who would like to work in a different technique than etching are also welcome. Materials: Basic etching materials will be provided. You can bring your own zinc plates or purchase 6 x 8” plates from instructor ($27 each). Max students: 8 Visit: https://www.ljathenaeum.org/faculty-bios/sfona-pelah Athenaeum Music & Arts Library on Instagram and Facebook

“to hold, as’ twere, the mirror up to nature, to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure.” - William Shakespeare, Hamlet LOS/NR is thrilled to present the latest major work by the pioneering American video and installation artist Frank Gillette (b. 1941, Jersey City, NY). Gillette is the recipient of fellowships from the Rockefeller Foundation and the Guggenheim Foundation, as well as grants from the New York State Council on the Arts and the National Endowment for the Arts. Interested in the empirical observation of natural phenomena, his early work integrated the viewer's image with prerecorded information. He has been described as a pioneer in video research with an almost scientific attention for taxonomies and descriptions of ecological systems and environments. Gillette’s seminal work Wipe Cycle (co-produced with Ira Schneider in 1968) is considered as one of the first video installations in art history. The Symbiotic Blues is the world premier of Gillette's 9-channel video study of woodland and beach of eastern Long Island. It consists of three video triptychs (Riverrun, Spearlight, and Blackseer) exploring the ways in which we experience the natural world. In nine endless loops, Gillette returns to a subject he has been drawn to for over fifty years; the relationship between the natural world and the ways in which we experience it over time. He achieves this through a complex engagement with classic genres: still-life, landscape, and symbolic abstraction combined with soundtracks mixing natural and electronic sounds. Though the artist was among the first to use television as an artistic medium, his video work has remained rooted in an approach stemming from his early training as an abstract painter. In the artist’s words, “...each triptych combines aesthetic judgment with the forces which shape nature’s boundaries.” This exhibition is organized by David A. Ross, the former Director of the Whitney Museum of American Art, and the San Francisco Museum of Modern Art. In 1972, Ross was appointed as the world’s first curator of Video Art at the Everson Museum in Syracuse, NY. His first exhibition of Frank Gillette’s work occurred in 1973. An illustrated brochure with an essay by the noted philosopher, naturalist and musician Dr. David Rothenberg will be available for the show. There will be an opening reception with free flowers and ice creams (while supplies last) on Thursday, October 24, from 6-8 p.m. Be advised, timed entry might be required during the event. The exhibition will run from October 24 until December 5, 2024. The gallery is open Tuesday to Saturday 12 p.m. to 4 p.m. Visit: https://www.losnotrequired.com/gillette

Join us on Free Second Sunday for our free family series, Play Day! Inspired by the piece Medicine Woman (1993) by Beverly Buchanan, on display in MCASD’s new exhibition For Dear Life: Art, Medicine, and Disability, we will make sculptures using recycled materials, popsicle sticks, clay, and seeds that will blossom into plants. Art Activity: Create your own sprouting sculpture and learn about the cycles of life. Schedule: At 11 a.m., explore works from MCASD's new exhibition For Dear Life: Art, Medicine, and Disability through a kid friendly tour. At 12:30 p.m., listen to stories, songs, and rhymes in Storytime with Librarian on the Go, Ms. Katia Graham From 11 a.m. - 2 p.m.,enjoy music by a local DJ, a cozy book nook, sketching with water, and book recommendations from the Librarian on the Go. Participate in a communal art project on McGrath Terrace and create a sprouting sculpture. *Museum admission is free from 11 a.m. – 5 p.m. for all visitors, with Play Day offerings happening between 11 a.m. – 2 p.m. No RSVPs are required for Play Day admission. Visit: https://mcasd.org/events/play-day-10-13 MCASD on Instagram and Facebook

In a city prone to large natural disasters, L.A. firefighters are widely considered to be among the best in the business at knocking down urban wildfires. But in the extreme conditions lately, experts say little can be done even to slow these modern fires.

On Wild Card this week, Kate Bowler opens up about how she wants to waste her time, her feelings about God and how she talks about death with her child.

In a mass extinction event some 40,000 years ago, Australia lost 90% of its large species, including nearly two dozen kinds of kangaroos. Two theories suggest why.

What words will be buzzing about in the global health and development hive in the year ahead? Our experts have nominations for your consideration.

In an exit interview with All Things Considered, DOT Secretary Pete Buttigieg reflects on the Biden administration's infrastructure act and why it didn't resonate with some voters.