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  • Hiller spent years scraping by in Hollywood by taking on various small roles. Then he landed the role of Joel on Somebody Somewhere and everything changed. His new memoir is Actress of a Certain Age.
  • A judge is demanding answers about the international broadcaster's future from Trump official Kari Lake.
  • Legal hurdles had forced police to stop ticketing RVs in Mission Bay. But now police are beginning to crack down again.
  • Harrison Ruffin Tyler was just three generations from the White House, since his father and grandfather both fathered children in their 70s. The chemical engineer helped preserve his family's legacy.
  • On surprising new albums, '80s trailblazers LL Cool J and MC Lyte sound thrillingly revitalized, thanks to sharp production choices and a willingness to bend their signature styles toward the moment.
  • Before joining the Justice Department this year, attorney Jonathan Gross said Jan. 6 prosecutors were "evil people. They will put you on a cattle car to Auschwitz without batting an eye."
  • Yang Jiang (b. 1988, China) is a San Diego–based artist and therapist whose tactile and dreamlike creations embody emotional liberation and spiritual freedom. Shimmering like artifacts from a fairy tale, her pieces use light, texture, and sculptural forms to convey a sense of vulnerability and resilience. A testament to the beauty and complexity of spiritual survival, Jiang’s work offers viewers a poignant reminder of the courage and tenderness of the human heart. Her art has been exhibited at the Athenaeum Art Center, Visual Art + Supply, Revision San Diego, and the Brown Building. Jiang is a graduate of Wellesley College and the University of San Diego. I Thought I’d Be Braver, Jiang’s debut solo exhibition, is a decade-long chronicle of her journey toward emotional courage. Her early work, characterized by bold colors and harsh textures, reflects the pain of repressed emotions and a fear of vulnerability. Gradually, this aesthetic softens into one of sheer, vibrant hues and delicate layers, mirroring her internal shift toward nurturance, forgiveness, and compassion. This evolution in her style reflects the brave heart of a wounded healer who has confronted her shadow and embraced self-acceptance, demonstrating that true courage lies in acknowledging and integrating one’s emotions. The exhibition can be viewed in the Catherine and Robert Palmer Gallery at the Athenaeum Art Center (1955 Julian Avenue, San Diego, CA 92113) during open gallery hours, Tuesdays through Saturdays from 11 a.m. to 4 p.m., and every second Saturday from 5 p.m. to 8 p.m., during the Barrio Art Crawl, and by appointment. Visit: https://www.ljathenaeum.org/events/exhibition-2025-jiang Athenaeum Music & Arts Library on Instagram and Facebook
  • The huge amphibians "will literally just feed on anything that fits into their mouth" — including turtle hatchlings. Clearing thousands of frogs from ponds helped other species stage a comeback.
  • Helen Whybrow's memoir, The Salt Stones, is a closely-observed account of her life as a shepherd. In A Marriage at Sea, Sophie Elmhirst tells the true story of a couple adrift on a rubber raft.
  • With this debut novel of an immigrant torn between the U.S. and Nigeria, Esther Ifesinachi Okonkwo takes her place among the writers who have ably investigated the idea of home.
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