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  • The Laysan Albatross was first banded (or marked) in Hawaii in 1956. Meaning, she could be even older than the current estimate of 74.
  • NPR and the PBS series Frontline investigate the forces keeping communities from building resiliently, and the special interests that profit even when communities don't.
  • A new Senate bill would make it easier for disabled veterans to access housing vouchers by excluding disability benefits from income eligibility.
  • Government forces retook the capital city from rebel troops in April. Now comes the task of rebuilding what was once a bustling metropolis on the Nile.
  • The Trump administration plans to get rid of all limits on climate-warming pollution from the nation's fossil fuel power plants. Fossil fuel interests hailed the proposal, which likely faces legal challenges from environmental groups.
  • Morgan Lieberman's "Hidden Once, Hidden Twice" is a documentary photo and film project bringing visibility to the lives of senior lesbian couples across the U.S.
  • Housing, medical care, schools, water and electricity are all in short supply in Gaza, which has endured a nearly eight-month siege by Israeli forces.
  • Adams said he expects "to be checking out from this domain sometime this summer." The controversial cartoonist, a vocal supporter of President Trump, expressed compassion for former President Biden.
  • Three 20th century masterpieces! After his emigration from Revolutionary Russia in 1918, Rachmaninoff, as one of the world’s most sought-after pianists, had little time for composing and completed only six pieces in a quarter of a century of exile. But that music is among his most beautiful and concentrated, and none more so than his elegiac final work, his Symphonic Dances, written when World War II was already underway, and the composer and his wife were living in New York City. Rachmaninoff, already sick with the lung cancer that was to kill him, spent time in a country retreat on Long Island, where the quiet and peacefulness inspired music combining intense nostalgia for an old world gone with the tremendous rhythmic energy and optimism that he so loved about America. Conductor Matthias Pintscher begins the concert with the beautiful glittering colors of Ravel’s Mother Goose, originally conceived as a charming piano duet for adults and children to play together, and then later transformed into an orchestral ballet. And Alexi Kenney makes his Symphony debut with his “soulful and stirring” (The Pittsburgh Post Gazette) interpretation of Bartók’s Violin Concerto No. 2, a work written in the composer’s very last years in Europe before, despairing of the triumph of fascism and violence on all sides, he and his second wife emigrated to the USA. Conceived on a symphonic scale, this music speaks of the darkness and tragedy of the time, but it is also saturated with Bartók’s lifelong love and deep knowledge of the folk-music of Eastern Europe from which he drew not only musical ideas but a deep and optimistic belief in the power of ordinary people to survive suffering and oppression. Visit: https://www.sandiegosymphony.org/performances/mother-goose-symphonic-dances-and-more/ San Diego Symphony on Instagram and Facebook
  • NPR's Juana Summers talks to Antoine Renard, of the U.N. World Food Programme, about the increasing risk of famine in Gaza as Israel's aid blockade continues.
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