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  • The editors had pleaded not guilty to conspiracy to publish and reproduce seditious publications. They face up to two years in prison and a fine. They were given bail pending sentencing on Sept. 26.
  • Donald Trump has repeatedly shared AI-generated content on social media in the latest example of how artificial intelligence is showing up in the 2024 election.
  • Two North County school districts show there is more than one pathway to a successful career after secondary education.
  • From the organizers: Join us at "Poetry Without Borders," a reading of joy, defiance, and the American experience. Featured readers are: KAZIM ALI was born in the United Kingdom and has lived transnationally in the United States, Canada, India, France, and the Middle East. His books encompass multiple genres, including the volumes of poetry Inquisition, Sky Ward, winner of the Ohioana Book Award in Poetry; The Far Mosque, winner of Alice James Books’ New England/New York Award; The Fortieth Day; All One’s Blue; and the cross-genre texts Bright Felon and Wind Instrument. His novels include the recently published The Secret Room: A String Quartet and among his books of essays are the hybrid memoir Silver Road: Essays, Maps & Calligraphies and Fasting for Ramadan: Notes from a Spiritual Practice. He is also an accomplished translator (of Marguerite Duras, Sohrab Sepehri, Ananda Devi, Mahmoud Chokrollahi and others) and an editor of several anthologies and books of criticism. After a career in public policy and organizing, Ali taught at various colleges and universities, including Oberlin College, Davidson College, St. Mary's College of California, and Naropa University. He is currently a Professor of Literature at the University of California, San Diego. His newest books are a volume of three long poems entitled The Voice of Sheila Chandra and a memoir of his Canadian childhood, Northern Light. KARLA CORDERO is a descendant of the Chichimeca people from Northern Mexico, a Chicana poet, educator, and ARTtivist, raised along the borderlands of Calexico, CA. She is a three-time Pushcart nominee and offered fellowships from California Arts, VONA, Macondo, CantoMundo, The Loft Literary Center, Community of Writers and Pink Door Writing Retreat. Karla teaches creative writing and composition at MiraCosta College and San Diego City College, receiving recognitions such as the San Diego State University Global Diversity Award and Associate Faculty of the Year for education and social justice. Her commitment to bridging education and community is further practiced as founder of Voice 4 Change: a spoken word showcase, inviting nationally award winning writers to share their narratives of survival and celebration for diversity through performance and workshop facilitation. Karla is the editor of SpitJournal an online literary review for poetry and social justice and the CFO and Social Justice Equity Coordinator for the non-profit Glassless Minds, an open mic venue in Oceanside, CA, serving historically underserved youth. In addition, as a performing artist, Karla is the 2013 Grand Slam Champion, aiding the Elevated San Diego Slam Team to rank 4th in the nation at the National Poetry Slam Competition. She has been invited to perform for television networks such as NBC 7 San Diego Art Pulse, TBN Juice Live, and the Old Globe Theater. Her poems have appeared in NPR, Academy of American Poets: Poem-a-day, O-Oprah Magazine, PANK, Bettering American Poetry, Latino Book Review, the Bernie Sanders 2020 Campaign Rally, The BreakBeat Poets Vol. 4. LatiNEXT Anthology, among other publications. Karla is the author of the chapbook, Grasshoppers Before Gods (Dancing Girl Press 2016) and her first full length collection titled, How To Pull Apart The Earth (NOT A CULT.) is a 2019 San Diego Book Award winner and awarding-winning finalist for the 2019 International Latino Book Award and the International Book Award. You can follow her work @karlaflaka13 BLAS FALCONER is the author of Forgive the Body This Failure (Four Way Books, 2018); The Foundling Wheel(Four Way Books, 2012); A Question of Gravity and Light (University of Arizona Press, 2007); and The Perfect Hour (Pleasure Boat Studio: A Literary Press, 2006). He is also a co-editor for The Other Latin@: Writing Against a Singular Identity (University of Arizona Press, 2011) and Mentor & Muse: Essays from Poets to Poets (Southern Illinois University Press, 2010). He teaches in the MFA program at San Diego State University. Falconer’s awards include a 2011 National Endowment for the Arts Fellowship, the Maureen Egen Writers Exchange Award from Poets & Writers, a Tennessee Individual Artist Grant, the New Delta Review Eyster Prize for Poetry, and the Barthelme Fellowship. Born and raised in Virginia, Falconer earned an M.F.A. from the University of Maryland (1997) and a Ph.D. in Creative Writing and Literature from the University of Houston (2002). He currently lives in Los Angeles, California with his family. ARTHUR KAYZAKIAN is the winner of the 2021 Black Lawrence Immigrant Writing Series award for his collection, The Book of Redacted Paintings, which was also selected as a finalist for the 2021 Philip Levine Prize for Poetry. He is the recipient of a creative writing fellowship from the National Endowment for the Arts. He is also the winner of the Finishing Line Press Open Chapbook Competition for his chapbook, My Burning City. He has been a finalist for the Locked Horn Press Chapbook Prize, Two Sylvias Press Chapbook Prize, the C.D. Wright Prize, the Sunken Garden Poetry Prize, and the Black River Chapbook Competition. He is a contributing editor at Poetry International and a recipient of the Minas Savvas Fellowship. He serves as the Poetry Chair for the International Armenian Literary Alliance (IALA). His work has appeared in or is forthcoming from several publications including Taos Journal of International Poetry & Art, Portland Review, Chicago Review, Nat. Brut, Michigan Quarterly Review, Witness Magazine, and Prairie Schooner. Hosted by WILLIAM NERICIO. The Director of San Diego State University's longest-running Interdisciplinary and Cultural Studies graduate program, MALAS (the Master of Arts in Liberal Arts and Sciences program), William Nericcio is Professor of English and Comparative Literature at SDSU, where he also serves on the faculties of Chicana/o Studies and the Center for Latin American Studies. Nericcio's first book, Tex[t]-Mex: Seductive Hallucinations of "Mexicans" in America, appeared with the University of Texas Press in February 2007. His next book, an edited anthology of playwright Oliver Mayer's early works entitled The Hurt Business appeared in April of 2008 and his follow-up to that, Homer from Salinas: John Steinbeck's Enduring Voice for California, on the work of John Steinbeck (with a strong California focus), appeared in March, 2009. Publishing in various fields across the humanities and social sciences, Nericcio is the author of noteworthy essays including his lurid meditations on the life of Pee-wee Herman (aka Paul Reubens) in the Iowa Journal of Cultural Studies and an illustrated survey of the cool comic Mestizo stylings of Gilbert Hernandez and his spiritual godmother, Frida Kahlo, for NYU Press's Latino Popular Culture. Links to these works and more are available on his World Wide Web Mothership while his latest blog entries on stereotypes and American mass culture can be found on The Tex[t]-Mex Galleryblog and at mextasy.blogspot.com. Lastly, Nericcio's latest books, Talking #browntv: Latinas and Latinos on the Screen, co-authored with Frederick Luis Aldama (December 2019), for the Ohio State University Press and Cultural Studies in the Digital Age: An Anthology of 21st Century Interdisciplinary Inquiries, Postulations, and Findings for Hyperbole Books, co-edited with Dr. Aldama and Italian semiotician Antonio Rafele (January 2021), are now in print. Learn more about Dr. Nericcio published work on Amazon.com and Academia.edu. Related links: Verbatim Books: website | Instagram | Facebook
  • As part of the Playhouse’s commitment to being a home for artists to develop new plays and musicals, Playhouse Artistic Director Christopher Ashley created the DNA New Work Series in 2013. DNA offers playwrights and directors the opportunity to develop a script by providing rehearsal time, space and resources, culminating in public readings. This process gives audiences a closer look at the play development process, while allowing the Playhouse to develop work and foster relationships with both established and up-and-coming playwrights. Learn more about the series here. DNA 2023 LINEUP WEEK 1 Nov. 30 – Dec. 3 "Suburban Black Girl" By Zakiya Young Directed by Jacole Kitchen 7 p.m. Thursday, Nov 30 and 7 p.m. Saturday, Dec 2 Zakiya Young is the poster child for racial reconciliation. She code switches with lightning speed. White sorority? Like, no prob. A Black and Latino church with a white pastor? She’ll praise God in Spanish! Broadway? Is it color blind casting or an all-Black show? Doesn’t matter because this suburban Black girl has mastered the art of being ‘non-threatening.’ But when COVID lockdowns put a spotlight on police killing unarmed Black people, everything she suppressed begins seeping out like an infected wound. "Human Museum" By Miyoko Conley Directed by Jesca Prudencio 7 p.m. Friday, Dec 1 and 3 p.m. Sunday, Dec 3 Set in a future where humans have gone extinct, Human Museum follows a group of robots on Earth that run a museum dedicated to organizing the physical and digital artifacts of human life. On the centenary of human extinction, a sudden radio call upends everything the robots thought they knew about the last days of humanity. Human Museum explores what we will leave behind when we’re gone, and who will carry on our legacy. "59 Acres" Created by Marike Splint In collaboration with Jonathan Snipes and Stewart Blackwood 3:00 p.m., 3:15 p.m., 3:30 p.m., 3:45 p.m., 4:00 p.m., 4:15 p.m. on Friday, Dec 1 12:00 p.m., 12:15 p.m., 12:30 p.m., 12:45 p.m., 1:00 p.m., 1:15 p.m., 1:30 p.m. on Sunday Dec. 3 Marike Splint’s new piece is a site-specific, immersive soundwalk that uses the environment around La Jolla Playhouse as its canvas. Layered with disarming metaphors, historical details, and personal musings, 59 Acres takes you on a meditation through the physical, cultural and geographical landscapes we inhabit, while searching for the extraordinary in the mundane. WEEK 2 Dec. 5-10 "McNeal" Written and Directed by Ayad Akhtar 7 p.m. on Thursday, Dec 7 and 7 p.m. on Saturday, Dec 9 Good writers borrow, great writers steal. Jacob McNeal is one of the greatest writers, a perpetual candidate for the Nobel Prize in Literature. McNeal also has an estranged son, a new novel, plenty of old axes to grind, stage 2 liver failure and an unhealthy fascination with Artificial Intelligence. Pulitzer Prize winner Ayad Akhtar’s new play is a keenly-observed and wickedly smart examination of the inescapable humanity – and increasing inhumanity – of our stories. "To Red Tendons" By Peter Kim George Directed by Kat Yen 7 p.m. Friday, Dec 8 and 3 p.m. Sunday, Dec 10 We still don’t know how to talk about what happened in Los Angeles on April 29, 1992, and it’s a problem. A group of young actors come together to re-enact a “primal scene” from the Los Angeles unrest in 1992 using elements of group psychotherapy. Why don’t liberals acknowledge American empire? How do the unseen parts of empire structure what is visible? We’re just trying to live. To Red Tendons deals with seething anger turned inward, and a desire for reconciliation.  "Sound Place Love" Created by Braden Abraham and Gordon Hempton Based on recordings by Gordon Hempton, The Sound Tracker Directed by Braden Abraham 5 p.m. and 7 p.m. on Tuesday, Dec 5 and 5 p.m. and 7 p.m. Wednesday, Dec 6 A Without Walls work-in-progress! Sound Place Love is a captivating, immersive audio installation about celebrated sound artist Gordon Hempton, known as The Sound Tracker. Gordon spent decades capturing disappearing natural environments across the Earth, using a specialized microphone that emulates human hearing. Distilled from hundreds of hours of personal recordings and interviews, this project shares some of his most beautiful and engaging recordings around the globe and his personal struggle with hearing loss. Be the first audience to experience this moving auditory voyage, exploring how we perceive and appreciate the art of listening. Reserve free tickets All DNA readings are general admission seating. Tickets are free and reservations are required. Some shows may sell out. Related links: La Jolla Playhouse: website | Instagram | Facebook
  • Aren Skalman Community Room Artist in Residence July 31 to Aug. 20. 2023 About Aren’s Residency at Art Produce: Transforming an object’s form and function is an exercise in navigating the fluid and reciprocal boundaries between self and other. During this residency I will be revisiting my family’s history of traveling to other countries in order to pursue creative endeavors. By displaying objects and imagery, painting, sculpting, and conversing with the community, I will examine ideas around inspiration, hybridization, appropriation, and evangelism. About the Artist: Aren Skalman is an artist based in San Diego. In 2012 and 2013 he traveled to India as a Fulbright Scholar, where he constructed a rolling, musical sculpture. Aren presented a solo exhibition of sound-generating objects at the Athenaeum Music and Arts Library in winter 2016. His work has been included in group exhibitions at Bread and Salt, Space 4 Art, SDSU Downtown Gallery, San Diego Art Institute, the Los Angeles Municipal Art Gallery, San Diego City College and Centro Estatal de las Artes, Tijuana & Ensenada. In 2017—along with other Ready Lane participants—he exhibited site-specific objects, altering the space inside a decommissioned Boeing 747 aircraft on the campus of Instituto Tecnológico de Tijuana, in collaboration with the aeronautics department. Aren is currently the Lead Exhibits Designer + Fabricator at the San Diego Natural History Museum. Aren Skalman on Instagram Gallery Hours: Wednesday 5-8 p.m.* Thursday 2-8 p.m. Friday 2-8 p.m. Saturday 5-8 p.m. Sunday 5-8 p.m. *Entry through Botanica Wednesday-Sunday 5-8 p.m. Art Produce on Facebook / Instagram
  • Residents in San Diego County, similar to other communities across the state, are grappling with a worsening housing and homelessness crisis.
  • From New York City to Santa Fe, O’Keeffe studied and captured the intrigue of architecture. Simplified but never simple her work will inspire this studio. Subtle colors and high contrast, calm to dramatic, your work will have its own unique energy. Join Robin Douglas for this all-day immersion starting with art slides for inspiration, light snacks, and art making. Stay Connected with Oceanside Museum of Art! Facebook | Instagram | X - Twitter
  • DJ Quik, the Beat Architect, emerged from the streets of Compton, California, leaving an indelible mark on West Coast hip-hop. His debut album, “Quik Is the Name,” catapulted him to fame in 1991, with tracks like “Tonite” and “Born and Raised in Compton” becoming instant classics. Collaborating with rap icons like Tupac Shakur and Dr. Dre, Quik’s influence extended far beyond his own discography, shaping the very fabric of the genre. Jon B, an accomplished musician and songwriter, has carved his own path in the music industry with a career spanning over 25 years. His richly textured body of work, influenced by artists like Marvin Gaye and Prince, showcases his love for soulful music. With gold and platinum records under his belt, Jon B continues to evolve his sound, staying relevant in an ever-changing musical landscape. Rodney O and Joe Cooley, the dynamic duo from Los Angeles, are revered as masters of the West Coast groove. Their debut album, “Me and Joe,” dropped in the late ’80s, introducing bass-heavy tracks like “Everlasting Bass” to audiences nationwide. With Rodney O’s smooth lyricism and Joe Cooley’s turntable prowess, they commanded stages and solidified their status as hip-hop royalty, leaving an enduring legacy in the soul of the genre. Kahlil Nash, a rising star with a passion for R&B and soul, adds a fresh perspective to the West Coast music scene. With a background in musical theater and a string of successful EP releases, Kahlil Nash’s talent shines bright. From sharing the stage with Grammy-winning artists to captivating audiences with his soulful vocals, Nash’s journey is a testament to the power of passion and dedication in music. Stay Connected on Social Media! Instagram & X
  • Hive of creativity will hold a party on Tuesday.
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