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  • A new program takes a bottom-up approach to help source healthy food in low income neighborhoods.
  • The Museum for the United Nations has partnered with musicians to re-release some of their songs with added nature sounds to generate royalties for conservation efforts.
  • With demand for jobs like HVAC technicians, electricians and wind turbine installers, enrollment is ticking up at vocational schools as four-year college costs continue to soar.
  • Looking for a gift for the person who always has their nose in a book? Here's a list of suggestions from San Diego County bookstores.
  • Half the inductees in the performer category were nominated for the first time this year. The ceremony will stream live on Disney+ in October.
  • From the artist: “Sky To A Machine” is the original text I typed into the prompt of a visual AI tool just to see how it would render back images to me. The initial results were exciting and so I spent another hour refining the prompt with additional modifiers until I reached a composition I wanted to paint. Is AI a valid tool for use in exploring artistic expression as I just described or has it somehow corrupted my creativity? The AI debate regarding the art-making process has been very loud with artists posting "NO AI" across social media and lobbying platforms and galleries to remove AI-generated "works". One of the biggest concerns is that the use of AI in art may lead to a dehumanization of the creative process and the concept of “artist”. As an oil & acrylic painter, I do not feel that AI is a substitute for my human creativity. Instead, I find it to be a powerful tool that can be used to augment and enhance my creativity. By leveraging the power of machine learning algorithms to generate new source material, I have been able to create works of art in a more efficient manner than my previous tools of internet image searching and Photoshop editing. My painting process itself is not changed and during the evolution of transforming the source material into a painting my own interpretation ultimately becomes the final work produced. In this show, you will find experimental compositions from keywords such as "sky to a machine", "robot riot protests", "visual kei punk portraits", tyrannosaurus rex visual shock", and "walls Mexico border". All in the quest to tell stories about our modern condition as we navigate the digital age. Related events: Opening reception: 5-7 p.m. Mar. 4, 2023 Artist talk: 1-3 p.m. March 5, 2023 Related links: BFree Studio on Instagram Adrian Huth on Instagram
  • Artists at work every day! Come explore Spanish Village Art Center located in Balboa Park. Watch local artists working daily in their historic studios and on their colorful courtyard. Gallery 21 currently has Small Image Show! Free admission Open everyday from 11a.m. - 4 p.m. Visit: www.spanishvillageart.com or call 619-233-9050 Spanish Village Art Center - Balboa Park on Facebook / Instagram
  • North Korea on Monday test-fired suspected short-range ballistic missiles into the sea, the country's neighbors said, as speculation swirled that it could soon launch a banned satellite into orbit.
  • MiraCosta College choral singers and music majors perform cherished classics paired with re-imagined versions of well-known pieces. This eclectic artistic presentation runs 50 minutes without intermission. Directed by Dr. Arlie Langager. This event will be held at the Concert Hall (Building 2400), Oceanside Campus. For more information visit: miracostatheatre.universitytickets.com
  • Tourmaline is an activist, filmmaker, and writer. Her work highlights the capacity of Black queer and trans people and communities to make and transform worlds. In her films, Tourmaline creates dreamlike portraits of people whose stories tell the history of New York City, including gay and trans liberation activists, drag queens, and queer icons Marsha P. Johnson and Sylvia Rivera (Happy Birthday Marsha, co-directed with Sasha Wortzel, 2018), Miss Major (The Personal Things, 2016), and Egyptt LaBeija (Atlantic is a Sea of Bones, 2017). Tending to the histories and haunts of disabled, poor, Black, queer, and trans life that echo and vibrate beneath neighborhoods and cultural landmarks, Tourmaline’s films undulate between narrative and non-narrative and illuminate the mundane acts that form the fabric of historical events and mutually supportive communities. Presented by the UC San Diego Department of Visual Arts and the Black Studies Project.
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