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  • The vote came after numerous writers joined striking actors on picket lines.
  • As you may know, we had previously planned a Yiddish-tango-themed fundraiser for YAAANA and Yiddishland for this November. However, following October 7th’s hair-raisingly horrific pogrom, massacre, and abduction of innocents in Israel, we decided to postpone tango for another time while we mourn for the lives lost and pray for the rapid return of the abducted, the safety of the people of Israel, and the return of peace to the Land. The event will focus instead on tikkun olam and half of the fundraiser proceeds will be provided to San Diego-based Adopt a Family Foundation, which provides support to terrorism victims in Israel. Highlighting the event will be several internationally known artists including Yuval Ron, coming to us from Los Angeles, and our board members Yale Strom, and Elizabeth Schwartz, who all generously agreed to volunteer for this special event. The program will feature storytelling and musical selections representing Yiddish and Israeli cultural traditions, intended to connect Yiddishkeit with the cultural traditions of Medines Yisroel. We hope you will take this opportunity to come together, partake in some incredible music and Israel-themed food and drink, and contribute to important causes, keeping in mind the importance of staying together, as a caring community and nation, facing multiple challenges, with resilience and determination. The Zoom link will be sent to the registrants closer to the event date. For more information visit: yiddishlandcalifornia.org Stay Connected Facebook
  • Class Description This class for all genders who identify as a warrior, or who are trying to find the Muse warrior inside, is for beginning or seasoned poets. The native “respect” is a noun which weaves through identities, male, female, two-spirited, more: Indian women performed what Europeans considered to be men’s work. But, from the Native American perspective, women’s roles reflected their own cultural emphases on reciprocity, balance, and autonomy. Most scholars agree that Native American women at the time of contact with Europeans had more authority and autonomy than did European women…However, most cultures shared certain characteristics that promoted gender equality. Two quotes by Joy Harjo, the first Native American Poet Laureate of our nation, help form our perspective in this respect. The first quote is: Poetry is the art that is closest to music, standing between music and narrative orality (which can be speechmaking, sermon or theater). Poetry is the voice of what can’t be spoken, the mode of truth-telling when meaning needs to rise above or skim below everyday language in shapes not discernible by the ordinary mind. It trumps the rhetoric of politicians. Poetry is prophetic by nature and not bound by time. Because of these qualities poetry carries grief, heartache, ecstasy, celebration, despair, or searing truth more directly than any other literary art form. It is ceremonial in nature. Poetry is a tool for disruption and creation and is necessary for generations of humans to know who they are and who they are becoming in the wave map of history. Without poetry, we lose our way. — On the art of poetry in “An Interview with Joy Harjo, U.S. Poet Laureate” in Poets.org (2019 Mar 31) The second quote is: I am seen as a feminist poet. The way I interpret feminism in my own work is the power of a woman to be a warrior—to recognize the warrior characteristics within herself, which include self-love, vulnerability, honesty, integrity, a sense of morals, and so on…Part of the way I am comes from being around Native American people, but I wouldn’t really use the world ‘spiritual.’ It is natural for human beings to be in awe of the sacred and to realize that the sacred is everywhere. But humans seem to have lost their way, although every once in a while someone may find it, and I think that’s the artist. The artists and the poets are the ones who search for the sacred place. — On finding ways to honor women in “Joy Harjo: An Interview” in Poets & Writers (July/August 1993) How do we define what poetry is for us, what the process is about, not the event, as we put pen to page or tap the keyboard. And what is the role of the poet holding the pen? Traditionally, the warrior is seen as a man. Joy Harjo’s above definition expands the gender possibilities for the warrior’s identity when such terms as self-love, vulnerability (being receptive to themes, images, stories), honesty, integrity, etc. Harjo: Most readers assume that the events in a poem actually happened to the poet. Not everything I write is autobiographical. In my work, I add to or change the truth. It is still the truth, just presented in a different form…If my style didn’t change and evolve, I would quit writing. Poetry is reciprocal. As poetry feeds you, you have to nurture the art and give it time and attention. It does give back to you, I suppose like anything else (Ibid). Participants in this class will hear poems by Joy Harjo, Georgiana Valoyce Sanchez, Louise Erdrich, N. Scott Momaday, Jimmy Santiago Baca, Sherwin Bitsui, Sherman Alexie, Kim Shuck, and others. These poets will help the above definitions in concrete, figurative, and indigenous ways. Film clips will also help you in your search to define your warrior or feel like one. Jim Moreno’s poem-making workshop will be taught on Sunday, March 26, 2023, online in his Zoom meeting room. Participants in the class are welcomed to the Container of respect and safety that are the staples of Moreno’s classes. The first 90-minute segment will include Native women poets, film clips, and poems. The second 90 minutes will feature Native men poets, film clips and poems. Disclaimers You will be emailed the Zoom link 24 hours before the start of the class. If you sign up less than 24 hours before the start of the class, please either send us a message via this website or send an email to request your link. Please note that it is best to register at least a week before the start of a class to help our instructors prepare and ensure that a class does not get canceled or rescheduled. Policies on registration, refunds, cancellations, etc. can be found on our policies page. If you would like to provide feedback regarding this class, please feel free to complete an evaluation form. Stay Connected on Social Media! Facebook | Instagram | Twitter
  • January 21st! San Diego, choose your date! Dive into a Magic world of Epoxy Resin Art. Create a unique ocean themed table tray even if you never made any art in your life, using our step by step guidance. And even skilled artists can learn something new. Epoxy Resin Art has become increasingly popular during the past years. You can do it to no matter what skills or experience you have. Dive with us into the world of magic Epoxy Resin Art. Learn all the secrets of how to create a perfect ocean wave and get inspired by Pacific Ocean. The Ocean tray that you create will become a beautiful centerpiece of your home, your own mini Ocean. Even if you don’t have any artistic skills or even maybe never created any art in your life, you can create a real masterpiece using our step by step guidance. And skilled artists can learn something new too. Learn secrets and main techniques of working with Epoxy and create your own serving Ocean tray. The workshop will cover the following topics: - Introduction to Resin Art - Safety rules and PPE - Mixing techniques - Working with mica powders, paints, inks and tints. - Creating ocean and waves using Epoxy Resin – Finishing the tray. Waiting for the tray to set so you can take it home. Table tray with folding legs is included with general admission. You can also bring your own project: lazy susan, tabletop, tray or anything else. (Includes project up to 220 square inches (14 oz of epoxy will be provided) If your project is larger, additional epoxy is $3 per 1 oz.) Features: - All materials are provided: tray, epoxy resin, micas, paints, ppe, etc. For additional information about the event and to purchase tickets, please visit here. Stay Connected on Social Media! Facebook & Instagram
  • Write Out Loud presents "Myths & Legends" Heroes, Immortals, Gods, and Monsters! Hear familiar and obscure myths and legends from across the ancient world come to life, read aloud by professional actors. Compare both classic and contemporary tellings of characters who have survived over two and a half millennia!
  • A new bill would make it illegal for homeless residents to camp in certain places, such as near schools, throughout California. Its authors say such a ban has had great success in San Diego. But a closer look at that city paints a more nuanced picture.
  • Simpson's gridiron legacy was forever overshadowed by the 1994 knife slayings of Nicole Brown Simpson and her friend Ronald Goldman.
  • If the current conflict between J. Cole, Kendrick Lamar and Drake feels confusing, it's because the artists often hailed as hip-hop's "big three" have never played by the same rules.
  • From the organizers: The San Diego Museum of Art is hosting a free celebration of art, folklórico dance and music inspired by the world-famous Guelaguetza festival from the Mexican state of Oaxaca. The culturally immersive event is presented alongside the Sergio Hernández:Embers of Oaxaca exhibition, which opened last fall and will be on view through February 12 in partnership with the Mexican Consulate General of San Diego and the Baja California Secretary of Culture. The festival will feature six traditional dances from regions throughout the state of Oaxaca, and regional songs performed by Lilly Rincón, directed by Mexicali-based Compañía Esplendor Folklórico. There will also be free, family-friendly art-making activities and artworks for sale by artist vendors from Oaxaca. Sergio Hernández (b. 1957, Huajuapan de León, Oaxaca, México) is among the leading contemporary Mexican artists today focusing on the wonders of the natural world, including native species of southern Mexico, the Pacific Ocean and constellations of the night sky. Hernández’s printmaking—following in the tradition of fellow Oaxaqueños Rufino Tamayo and Francisco Toledo, and his use of local materials such as cochineal (the beetle-based red pigment developed before the Spanish conquest by Indigenous Zapotec artists and subsequently exported around the world as the “perfect” red), tie his art-making practice to important local and Indigenous traditions. Guests can enjoy free Museum admission from 2:00 p.m. until 5:00 p.m., complementary to the event. Related links: Event information at SDMART.org SDMA on Instagram SDMA on Facebook
  • Doxxing campaigns have been used to "name and shame" people who have expressed opinions about the Israel-Hamas war.
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