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  • The U.S. Olympic Team trials for slalom kayak and canoe were held at Montgomery Whitewater, a new artificial watersports complex. The city hopes to draw more tourism, while the sport seeks new fans.
  • From the organizers: The San Diego Museum of Art is hosting a free celebration of art, folklórico dance and music inspired by the world-famous Guelaguetza festival from the Mexican state of Oaxaca. The culturally immersive event is presented alongside the Sergio Hernández:Embers of Oaxaca exhibition, which opened last fall and will be on view through February 12 in partnership with the Mexican Consulate General of San Diego and the Baja California Secretary of Culture. The festival will feature six traditional dances from regions throughout the state of Oaxaca, and regional songs performed by Lilly Rincón, directed by Mexicali-based Compañía Esplendor Folklórico. There will also be free, family-friendly art-making activities and artworks for sale by artist vendors from Oaxaca. Sergio Hernández (b. 1957, Huajuapan de León, Oaxaca, México) is among the leading contemporary Mexican artists today focusing on the wonders of the natural world, including native species of southern Mexico, the Pacific Ocean and constellations of the night sky. Hernández’s printmaking—following in the tradition of fellow Oaxaqueños Rufino Tamayo and Francisco Toledo, and his use of local materials such as cochineal (the beetle-based red pigment developed before the Spanish conquest by Indigenous Zapotec artists and subsequently exported around the world as the “perfect” red), tie his art-making practice to important local and Indigenous traditions. Guests can enjoy free Museum admission from 2:00 p.m. until 5:00 p.m., complementary to the event. Related links: Event information at SDMART.org SDMA on Instagram SDMA on Facebook
  • The Marine Corps says the private companies that make military uniforms fell behind because of COVID-related labor shortages and inflation.
  • We, The Voters — The Left. The Right. The Disillusioned is a special series from NPR exploring the issues most important to you when choosing your next leader.
  • The exhibit was scheduled to wind down at the end of December but has been extended with community support.
  • Livestreamers who bait scammers find creative ways to waste their time. This makes for entertaining viewing. But as scams spike, one streamer, Kitboga, wants to protect as many victims as possible.
  • One of the facilities Samsung is building will be the size of 11 football fields, Commerce Secretary Gina Raimondo said. The new investment will create thousands of jobs, the White House said.
  • It’s that time of the year again! Santa and his many elves at the SDFWA have been getting ready for our two-day “Annual Holiday Gift Showcase” on Friday and Saturday, Nov. 17-18 in our spacious new 5200 square foot Member Shop. We are the same organization that presents the world-famous Design in Wood competition at the San Diego County Fair. In fact, we are one of the largest woodworking clubs in the United States! Come join us and see what we've been creating the past year. Our elves have made 2,300+ unique, hand-crafted items. We’ve been busy carving, building, and turning a wide variety of wood species into heirloom quality gifts. The annual benefit event is part of a larger story as increasing numbers of residents from our diverse community take up woodworking as a creative endeavor. We’ve seen more women joining, as well as young members, and people of all nationalities. On Friday, Nov. 17 and Saturday, Nov. 18, we will silence the machine tools, clear the sawdust, and transform our member shop into a Holiday-themed Bazaar, full of hand-made wooden treasures such as jewelry boxes, cutting boards, turned bowls, kid’s toys, kitchen accessories and much, much more. San Diego Fine Woodworkers Association on Facebook / Instagram
  • We expect this concert to sell out. We recommend buying your tickets now. Tom Paxton has become a voice of his generation, addressing issues of injustice and inhumanity, laying bare the absurdities of modern culture, and celebrating the tenderest bonds of family, friends, and community. In describing Tom Paxton’s influence on his fellow musicians, Pete Seeger once said, “Tom’s songs have a way of sneaking up on you. You find yourself humming them, whistling them, and singing a verse to a friend.” Tom has been an integral part of the songwriting and folk music community since the early 1960s Greenwich Village scene, and continues to be a primary influence on today’s “New Folk” performers. The Chicago native came to New York via Oklahoma, which he considers to be his home state. Brought to New York courtesy of the U.S. Army, Tom remained there following his discharge. His early success in Greenwich Village coffeehouses, such as The Gaslight and The Bitter End, led to an ever-increasing circle of work. Then, in 1965, he made his first tour of the United Kingdom — the beginning of a still-thriving professional relationship that has included at least one tour in each of the succeeding years. Tom has performed thousands of concerts around the world. That these fans still enjoy his work is a testament to the quality of his recent work, and to the enduring power of modern standards like "The Last Thing On My Mind," "Ramblin’ Boy," "Bottle Of Wine," "Whose Garden Was This?," "Goin’ To The Zoo," and "The Marvelous Toy." Tom’s songbooks, critically acclaimed children’s books, award-winning children’s recordings, and a catalog of hundreds of songs (also recorded by many renowned artists including Willie Nelson, Placido Domingo, Paul Simon, Townes Van Zandt, and Tiny Tim), all serve to document Tom’s sixty-year career. Tom received a 2009 Lifetime Achievement Award from the Recording Academy during the 51st Annual GRAMMY® Awards. He has received the Lifetime Achievement Award from ASCAP, and a Lifetime Achievement Award from the BBC in London. Tom Paxton’s place in folk music is secured not just by hit records and awards, but by the admiration of three generations of fellow musicians. An internationally recognized and loved cultural figure, he has always chosen goodwill over commercial success. This is the man who wrote and lives the words, “Peace will come, and let it begin with me.” By their name you might assume that the Don Juans rely merely on their good looks. However, you will be impressed to know that the group includes two GRAMMY® Award-winning songwriters, Don Henry and Jon Vesner. Their song, "Where’ve You Been" (recorded by Kathy Mattea) was the first song in country music history to sweep all major song of the year honors including the GRAMMY®, ACM®, CMA, and the Nashville Songwriter’s Association International (NSAI) awards. In the nearly 25 years since, Don and Jon have performed in venues from the Bottom Line in New York City to the Bluebird Café in Nashville, sharing stages with artists as diverse as Joey Ramone, John Hartford, Michael Johnson, and David Crosby. Their songs have been recorded by a multitude of artists including Janis Ian, Ray Charles, John Mellencamp, and Miranda Lambert to name a few. Working as a duo, the Don Juans bring an impressive array of songs, experience, and gifted musicianship. The DonJuans on Facebook / Instagram
  • From the gallery: Quint Gallery is pleased to present an exhibition of paintings by San Diego-based artist Perry Vásquez from January 25-February 18, 2023. Some Palms centers the palm tree as a symbol for the idealism of California, simultaneously mythologizing and interrupting its appeal. Date palms, synonymous with the California landscape, were imported by Franciscan monks in the late 1600s as ornamental nods to the plant’s appearances in the bible, transforming Southern California from an arid desert into an oasis. These palms, with only one species native to California, provide neither shade nor fruit, and require vast resources of water from near and far watersheds in order to thrive. Vásquez has considered this ecological quandary to create paintings of palms engulfed in flames, an image which has become synonymous with accelerated rates of wildfires across the region. In other paintings, he further dissects the myth of the palm tree with paintings of Monopalms, the concealed utility structures that use synthetic materials to conform to the foliage that encapsulates the Southern California ideal. At times, Vásquez’s lone, burning palm confers quasi-religious comparisons to Roman-Catholic representations of purgatory and the anima sola (or lonely spirit). Prayed to in devotional art in Europe and Central America, the image of the anima sola depicts a woman breaking free from her chains in a fiery prison in between heaven and hell, marking her destiny to reach the afterlife. From this perspective, the artist explores the palm tree’s symbolic past and uncertain future as iconography of an increasingly unwelcome environment. Ultimately, Perry Vásquez reframes these icons as fixtures of cultural impermanence, moving between realist renderings to atmospheric gestural compositions emphasized by impasto flames against an otherwise flat surface. Perry Vásquez, originally from Los Angeles, has been working in the San Diego region since 1987 and earned his MFA in Visual Art from the University of California, San Diego. He is a recipient of the 2021 San Diego Art Prize. Vásquez has exhibited his artwork in group and solo exhibitions locally and internationally and is in the permanent collections of the Museum of Contemporary Art San Diego and Laguna Beach Art Museum, the City of San Diego and the County of San Diego. Vásquez is currently a Professor of Art at Southwestern College, CA. Related links: Quint Gallery on Instagram
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