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  • BEST PRACTICE is proud to present Belly, an exhibition of new paintings and sculptures by Los Angeles-based artist Aaron Douglas Estrada. Belly examines the metaphorical expression “belly of the beast,” a phrase used throughout history for being in the heart of a challenging situation. The work explores identity, the dynamics of commodities, and navigating through life’s everyday struggles. Each artwork becomes a repository for acts of decolonization and a testament to self-preservation rituals. It serves as an archive for memories, with the intent to both honor and question. This exhibition contains a diverse array of materials, sounds, and paintings. These include chandelier webs crafted from chains, hand-painted subwoofer music boxes that serve as veladoras (candles) filled with bouncing beans accompanied by audio clips. The sculptural works incorporate salvaged materials from random encounters and gifts from loved ones. The paintings are transformed from drop cloth canvas into serged tapestries that reference Indigenous textiles and cobijas. These materials allude to the intricate nature of identity and its challenges within a consumption-driven economy. This intricacy forms a web of socioeconomic factors that ultimately shape the very essence of our being. What does it mean to confront adversity, honor heritage, and exist in a world both challenging and beautiful? Aaron Douglas Estrada is an artist whose work explores the relationship between the body and its surroundings, moments of play, and the process of decolonization. As a first-generation Salvadorian native of Los Angeles, he draws inspiration from his upbringing in the city and his interactions with diverse cultures and lifestyles. Through his artistic practice, he documents the materials he encounters and captures the energy embedded within them, reflecting on collective memories and everyday life. His work serves as an archive for these memories, incorporating songs, sayings, and cultural symbols that carry multi-layered histories into his sculptures, paintings, murals, public artworks, and installations. Related links: Best Practice: website | Instagram Aaron Estrada: website | Instagram
  • R.B. Stevenson Gallery is pleased to present the exhibition "Seen & Forgotten" featuring new paintings by San Diego artist Stephen P. Curry. How to visit: The exhibition opens with a reception for the artist: 5-8 p.m. Saturday October 21. Gallery will be open at 1 pm. for early viewing. On view through November 22, 2023. Gallery Hours: 11 a.m. to 5 p.m. Tuesday through Saturday Contact: Phone: 858.459.3917 rbstevensongallery@sbcglobal.net "Still life painting is a questioning of beauty in light of our immediate reality. These paintings begin with imagery of current events that are depictions of destruction, violence, and death in the initial underpainting process as a way to influence, contradict and subvert the act of observation and the painting process as well as the final opposing representation of the beauty of nature. These contradictory images exist simultaneously to engage in a conversation in the seen and the unseen or forgotten. At the same time challenging, yet playful compositional choices are meant to break with traditional still life and illusionistic representational effects are intentionally brought up short by the physical nature of the paint itself. Drips and splatters, dabs and smears, paint does what paint does." -Stephen P. Curry Related links: R.B. Stevenson Gallery website | Instagram | Facebook
  • Vikings were ruthless warriors, but also preserved art. This has inspired a new album of Lullabies for Piano and Cello from composer Gabríel Ólafs.
  • Artonic Quartet is thrilled to partner with Soprano Tasha Koontz, FF Collective, and the University of San Diego to present a program premiering music from The Schemes and Scandals of "Fat Leonard" Francis. Experience modern sonic storytelling with this dramatic ensemble composed of Artonic Quartet, made up of San Diego Symphony members, joined by soprano Tasha Koontz, featuring music by Caroline Shaw, John Adams, Phillip Glass, and San Diego's own Tommy Dougherty. Each piece on the program has its own tale to tell, including the world premiere of music from Dougherty's Schemes and Scandals of Fat Leonard, based on a true story of epic bribery and blackmail aimed at the U.S. Navy, and selections from Evergreen, the newest classical album from Pulitzer Prize winner Caroline Shaw where the singer improvises fresh melodies. In 2013, Malaysian military contractor Leonard Glenn Francis (known as “Fat Leonard”) was arrested in San Diego in an NCIS raid after years of maintaining control of the U.S. Navy’s massive Seventh Fleet by subording Navy officers with lavish parties and extravagant gifts which included luxury goods and prostitutes. At his hands, the Navy—a pillar of the American understanding of honor— had fallen prey to unthinkable corruption and the largest military security breach since the Cold War. Schemes and Scandals unearths the unheard female voices buried in the rubble of the far-reaching but largely under-publicized scandal to ask what is left when “honor,” patriotism, and the men who cling to them crumble. The program will also include a pre-concert informational session with Robert Gonzales, the world's leading "Fat Leonard" scholar. Related links: Artonic Quartet website FF Collective website | Instagram California Festival website | Instagram
  • Four-time Newberry Honoree, three-time Coretta Scott King Award winner, MacArthur Fellow, and National Book Award-winning bestselling author Jacqueline Woodson visits the San Diego Central Library @ Joan Λ Irwin Jacobs Common to present her latest Young Adult novel, Remember Us. An audience Q&A and book signing will follow the presentation.
  • Sparks Gallery is pleased to announce San Diego artist Kathleen Kane-Murrell’s solo exhibition, “Wayfinding in Suspended Times,” opening on May 7, 2023 in conjunction with Sparks Gallery’s annual small works show, “minis 2023.” The small works exhibition will feature over 60 works that are 12×12 inches and under; each are $500 retail or less. This exhibition is a chance to collect a small work of art from both prominent and emerging artists from California. Below is a preview of several small works that were selected for the exhibition. Kane-Murrell’s work is inspired by her observation of the interconnectivity between humans and nature, and her longing to reconnect after isolation during the pandemic. Her solo exhibition brings her perceptions and musings to life through her highly textured collage techniques. Many of her works present themselves like a miniature ecosystem; reverse-painted plexiglass panel is placed between the viewer and the textural backdrop of the work. Highly detailed renderings of butterflies, gingko leaves, and other organic elements painted on the transparent plexiglass appear to float over the materials affixed to the layer behind. Kane-Murrell’s specific style of mixed media collage both unites and contrasts familiar icons of nature with abstraction and human-designed composition. She reflects “My work is abstractly narrative. I aim between spontaneous and controlled…patinas of layered mark-making reflect my perception of light, color, and sound. When a viewer reaches to touch my work to understand what is seen, I have achieved an elusive goal.” Kane-Murrell’s work investigates the human experience as but one aspect of the natural world. With work inspired by wondrous natural phenomena that scientists are only beginning to understand, the artist explores the concept of our place in this interconnected web of life. The idea that everything is intertwined, even in ways we may not expect or be aware of, also brought Kane-Murrell comfort during the isolating time of the pandemic. Kane-Murrell holds reverence for the mycorrhizal network (in which trees communicate with each other through their underground root systems), the migration patterns of monarch butterflies, and starling “murmurations” – birds that fly together collectively in groups of seven. This philosophy is visually explored in the repeating motifs within each work; the artist repeats butterflies, leaves, or cut paper shapes across the piece, drawing attention to their similarities and mass as a group. Subtle changes in these repetitions, such as unique colors or placement, differentiate individual elements from each other. Yet the abstract work is undoubtedly unified, communicating the connectedness of every unit to the entire composition as a whole. Regular Gallery Hours: M,TH,F 10 a.m. - 6 p.m., Saturday 11a.m. - 7 p.m., Sun 11a.m. - 5 p.m. Sparks Gallery on Facebook / Instagram
  • When a group of startups set out to solve an age-old problem with new technology, they met unexpected resistance from conservationists who saw the idea as misguided at best — and dangerous at worst.
  • Choreo & _______ is a performance plus an activity that allows for people to engage in something physical between short dance performances. This intersection of performance and participation creates a unique embodiment opportunity for dancers and audiences-participants alike. Choreo & _______ is about engaging with meaningful opportunities to move our bodies, play, enjoy physical expression, and build community through movement. Under the direction of Lead Artist Martin Anthony Dorado, Choreo & SCARYaoke will include dance performance + karaoke, spooky style. Between performances by Meesh Herd & Giovanna Francisco, The Tchotchkes, Tina Carreras, Erin Kracht, and Brianna Pilkinton (Accipiter Dance), the audience will have the opportunity to perform karaoke featuring '80s, '90s, and early '00s jams, and mingle in a festive costume party environment. Tickets are $15 for all participants. Related links: Disco Riot website | Instagram | Facebook
  • An exhibition at the Museum of Contemporary Art San Diego downtown features Carmen Argote's thoughtful, disruptive use of materials, chemistry and a walking-based process.
  • A former Venezuelan political prisoner got the idea to create a virtual reality tour from the Anne Frank museum.
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