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  • Become a Member today and join us for an evening of contemporary art celebrating MCASD’s new special exhibitions "Celia Álvarez Muñoz: Breaking the Binding" and "Griselda Rosas: Yo te cuido."Enjoy a first preview of the exhibitions, remarks from the curators, and a cash bar.The night will also feature a live performance from the electronic/experimental pop duo Rabbitlight, fronted by the transborder artist Francisco Eme from 6:30 P.M. - 7:30 P.M.Burn All Books will be creating risograph prints of artist Griselda Rosas’s son's work (her frequent collaborator) as a members’ takeaway.Tours of the exhibitions will be provided every 30 minutes.
  • After her father died when she was 24, Catherine Coldstream entered a Carmelite monastery where she lived a life of prayer and obedience for 12 years. Her new memoir is Cloistered: My Years as a Nun.
  • San Diego Unified School District continues its investment in school rebuilding and renovation projects breaking ground at Pacific Beach Elementary.
  • Sparks Gallery is pleased to announce San Diego artist Kathleen Kane-Murrell’s solo exhibition, “Wayfinding in Suspended Times,” opening on May 7, 2023 in conjunction with Sparks Gallery’s annual small works show, “minis 2023.” The small works exhibition will feature over 60 works that are 12×12 inches and under; each are $500 retail or less. This exhibition is a chance to collect a small work of art from both prominent and emerging artists from California. Below is a preview of several small works that were selected for the exhibition. Kane-Murrell’s work is inspired by her observation of the interconnectivity between humans and nature, and her longing to reconnect after isolation during the pandemic. Her solo exhibition brings her perceptions and musings to life through her highly textured collage techniques. Many of her works present themselves like a miniature ecosystem; reverse-painted plexiglass panel is placed between the viewer and the textural backdrop of the work. Highly detailed renderings of butterflies, gingko leaves, and other organic elements painted on the transparent plexiglass appear to float over the materials affixed to the layer behind. Kane-Murrell’s specific style of mixed media collage both unites and contrasts familiar icons of nature with abstraction and human-designed composition. She reflects “My work is abstractly narrative. I aim between spontaneous and controlled…patinas of layered mark-making reflect my perception of light, color, and sound. When a viewer reaches to touch my work to understand what is seen, I have achieved an elusive goal.” Kane-Murrell’s work investigates the human experience as but one aspect of the natural world. With work inspired by wondrous natural phenomena that scientists are only beginning to understand, the artist explores the concept of our place in this interconnected web of life. The idea that everything is intertwined, even in ways we may not expect or be aware of, also brought Kane-Murrell comfort during the isolating time of the pandemic. Kane-Murrell holds reverence for the mycorrhizal network (in which trees communicate with each other through their underground root systems), the migration patterns of monarch butterflies, and starling “murmurations” – birds that fly together collectively in groups of seven. This philosophy is visually explored in the repeating motifs within each work; the artist repeats butterflies, leaves, or cut paper shapes across the piece, drawing attention to their similarities and mass as a group. Subtle changes in these repetitions, such as unique colors or placement, differentiate individual elements from each other. Yet the abstract work is undoubtedly unified, communicating the connectedness of every unit to the entire composition as a whole. Regular Gallery Hours: M,TH,F 10 a.m. - 6 p.m., Saturday 11a.m. - 7 p.m., Sun 11a.m. - 5 p.m. Sparks Gallery on Facebook / Instagram
  • “Gifted with a gorgeous voice and a flair for composing resonant Hawaiian songs, [Kalani Pe’a] is a major, innovative figure in contemporary Hawaiian music.” – Maui News With his distinctive vocal range and a gift for composing soulful Hawaiian songs, Kalani Pe'a is one of Hawai'i’s brightest stars. His 2017 debut album, E Walea, won the Grammy Award for Best Regional Roots Music Album, making Kalani the first Hawaiian recording artist to ever win in the category. Kalani Pe’a’s third and most recent release, Kau Ka Pe’a, garnered him his 3rd Grammy for Best Regional Roots Music Album, as well as two Nā Hōkū Hanohano Awards (Hawai‘i’s “Grammy”), including the coveted Male Vocalist of the Year and Song of the Year. Influenced from an early age by classical and R&B music, Kalani blends his soothing melodies and powerful ballads with hauntingly gorgeous harmonies and resonant lyrics—creating a musical style all his own, delivered with the passion, poetry and soul of Hawai'i. For more information visit: artcenter.org Stay Connected on Facebook
  • The U.S. will bestow Congressional Gold Medals on members of a secret Army unit that carried out what came to be known as psychological operations.
  • To fight the skyrocketing cost of insulin, California is using multiple tactics, including making its own generic versions.
  • A delicate cleanup is underway in historic Lahaina on Maui. Cultural monitors are working closely with federal officials to assure the process protects cultural and archeological artifacts.
  • President Biden was in the battleground state of Arizona to make the biggest announcement yet in his plan to bring semiconductor manufacturing back to America.
  • BEST PRACTICE is proud to present Belly, an exhibition of new paintings and sculptures by Los Angeles-based artist Aaron Douglas Estrada. Belly examines the metaphorical expression “belly of the beast,” a phrase used throughout history for being in the heart of a challenging situation. The work explores identity, the dynamics of commodities, and navigating through life’s everyday struggles. Each artwork becomes a repository for acts of decolonization and a testament to self-preservation rituals. It serves as an archive for memories, with the intent to both honor and question. This exhibition contains a diverse array of materials, sounds, and paintings. These include chandelier webs crafted from chains, hand-painted subwoofer music boxes that serve as veladoras (candles) filled with bouncing beans accompanied by audio clips. The sculptural works incorporate salvaged materials from random encounters and gifts from loved ones. The paintings are transformed from drop cloth canvas into serged tapestries that reference Indigenous textiles and cobijas. These materials allude to the intricate nature of identity and its challenges within a consumption-driven economy. This intricacy forms a web of socioeconomic factors that ultimately shape the very essence of our being. What does it mean to confront adversity, honor heritage, and exist in a world both challenging and beautiful? Aaron Douglas Estrada is an artist whose work explores the relationship between the body and its surroundings, moments of play, and the process of decolonization. As a first-generation Salvadorian native of Los Angeles, he draws inspiration from his upbringing in the city and his interactions with diverse cultures and lifestyles. Through his artistic practice, he documents the materials he encounters and captures the energy embedded within them, reflecting on collective memories and everyday life. His work serves as an archive for these memories, incorporating songs, sayings, and cultural symbols that carry multi-layered histories into his sculptures, paintings, murals, public artworks, and installations. Related links: Best Practice: website | Instagram Aaron Estrada: website | Instagram
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