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The scale of a scam to recruit Native Americans into fake treatment for substance in Phoenix and bill the government fraudulently is now emerging. It's huge.

The Case Study House Program: Then and Now Guest Speaker: Barbara Goldstein The Case Study House program, created by John Entenza, editor and publisher of Arts & Architecture magazine, was an experiment that came at the right time in the right place. The materials shortages of World War II were ending, the GI Bill helped veterans purchase new homes, and the population of California was growing. The program promoted the American Dream of home ownership while offering a vision of modern architecture and living. The houses were advertised broadly, and thousands of people flocked to visit them, admiring both their design and the contemporary furniture and modern appliances they featured. In this lecture, Barbara Goldstein, publisher and editor from 1980 to 1985, of the briefly revived Arts + Architecture, will discuss the program, her friendship with Esther McCoy who wrote extensively about the houses, and the relevance of the Case Study houses today. Enjoy a fascinating lecture, delicious brunch, live music, and unmatched ocean views! Access to MCASD's galleries also included with ticket purchase. Barbara Goldstein is an independent public art consultant and architecture critic focusing on urban design and placemaking. She was the editor of the anthology Arts and Architecture: The Entenza Years, which features a collection of Entenza's articles written during his storied tenure at the magazine. Ms. Goldstein was the Public Art Director for the City of San Jose Office of Cultural Affairs; directed the public art programs in Seattle and Los Angeles; and was editor of Public Art by the Book. She has lectured and participated in workshops on public art in the United States, Japan, China, Taiwan, Korea, Canada, the Netherlands and Abu Dhabi. She is past Chair of the Public Art Network for Americans for the Arts, and has served on the boards for ArtSpace Projects; Friends of the Schindler House; Forecast Public Art; and ZEROI: The Art and Technology Network, where she served as Chair from 2015-2020. Tickets are $75 for LJHS Members, $85 for Non-Members

Those insects you see flying in crazed circles are trying to keep their backs towards the light because they think that direction is up, new research suggests.

Republicans on the homeland security committee voted to approve the articles along party lines early on Wednesday, setting up a vote on the full House floor as early as this week.

State regulators made it official yesterday. California will stop the sale of new gas-powered vehicles by the year 2035. Then, California’s county governments would be responsible for carrying out the state’s controversial CARE Court proposal. But counties have concerns about a shortage of mental health workers and funding for the program. And in our weekend preview, visual art inspired by a mix of chemistry and long walks in the park, a Broadway show, the symphony and more.

This weekend in the arts: Sofie Ramos at Bread and Salt; Armando de la Torre at Athenaeum Art Center; Mensah Bey at Bread and Salt; Jan Van Munster at Quint ONE; SPACE TIME and Project [BLANK]; The La Jolla Symphony and Chorus; Drowse and Neutral Shirt at Tower Bar; a City Heights graphic novel release and more.

Brought together to showcase their explorations in portraiture and reflective consciousness, the Hyde Art Gallery’s second exhibition of the Fall 2022 semester, The Living Hand, presents the works of two San Diego artists in conversation. Vicki Walsh’s paintings and Gail Schneider’s sculptures establish a repertoire of provocative, sensuously surfaced forms and character narratives to investigate the human body as visual language and to explore the mysticism surrounding identity. Modeled and rendered through a historical lens of antiquity and classical treatment of media, both artists are drawing upon fundamentalist ideals of portraiture, spanning global traditions, to address important structures of modern society utilizing surrealist, often enigmatic figures. "The Living Hand" will be on view at the Hyde Art Gallery from October 10 until November 10, 2022 at Grossmont College’s Hyde Art Gallery and an artist reception will be hosted by the gallery on October 18th from 5 - 7pm. The gallery’s daily walk-in hours are Monday through Thursday from 10:00am to 4:00pm and closed Friday through Sunday and legal holidays. Student and visitor parking for the Fall 2022 semester is complimentary. Please only use the unmarked white, student parking stalls. Follow on social media! Facebook + Twitter

Ketamine, approved as an anesthetic in 1970, is emerging as a major alternative mental health treatment. But more than 500 clinics have popped up with little regulation, and treatment varies widely.

From the KPBS weekend arts preview: The Nunavut Inuit indigenous community in Canada follows at least six seasons on their calendar, based on hunting and migration cues. This calendar informed a new work from composer and UC San Diego professor of music Lei Liang, based on a long collaboration with Scripps Institute of Oceanography scientists — specifically recordings made from the floor of the remote Chukchi Sea by oceanographers. In a live performance, Liang weaves new music with those sounds from the ocean, including water noises, the movement of ice and the sounds of belugas and other ocean creatures. The composition's title might suggest Vivaldi, but Liang's piece explores the transitions and journeys found in the sea, inspired by each Inuit season. The piece is for electronics (the recordings) and strings (primarily in response to the recordings), commissioned by Mivos Quartet, and they'll perform the work in a unique and immersive concert presented by ArtPower UCSD. Details: 5 p.m. and 8 p.m. on Saturday, Oct. 15, 2022. Conrad Prebys Music Center, 9500 Gilman Dr., UC San Diego. $9-$30. —Julia Dixon Evans, KPBS From ArtPower: UC San Diego Chancellor’s Distinguished Professor, composer Lei Liang has been collaborating with Scripps oceanographers John Hildebrand and Joshua Jones in exploring the sound of the Chukchi Sea in the Arctic—one of the most inaccessible places to humans on earth. The resulting composition, Six Seasons, combines the sound of the ambient environment (ice, waves, wind), its inhabitants (beluga whales, bowhead whales, bearded seals)—captured by hydrophones deployed at the sea floor—and creative response from one of the world’s leading contemporary music string quartets, Mivos Quartet. Related links: Event information from ArtPower Mivos Quartet on Instagram

About this event The Suraj Israni Center for Cinematic Arts is pleased to invite you to the screening of Transborder Film Fellowship with Omar Lopex, Jafet Arzate, and Marinthia Gutierrez on Saturday, November 19, 2022 at 6 p.m. at the Mosaic 113 Auditorium in the North Torrey Pines Living and Learning Neighborhood. About the Program Providing youth in the US/MX transborder region with resources & 6 months of mentorship to produce a short analog 16mm film. The inaugural Fellows and projects for 2022/23 are Jafet Arzate (Las Señales Ya No Están en el Cielo / The Signs Are No Longer in the Sky) and Marinthia Gutiérrez (She Stays / Ella Se Queda). Location The Mosaic 113 Auditorium is located in the Suraj Israni Center for Cinematic Arts at UC San Diego (Mosaic Building). Parking The closest visitor parking is located in the Scholars Parking underground parking structure. Weekend parking is $2/hour. Questions Email surajisranicenter@ucsd.edu. By registering for this event you agree to receive future correspondence from the Suraj Israni Center for Cinematic Arts, from which you can unsubscribe at any time.