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  • From the organizers: November 11th, we are extremely lucky to have @catekennan_ coming through in support of her upcoming album “The Arbitrary Dimension of Dreams,” being released through Los Angeles’ @postpresentmedium records. Joining Cate will be Tijuana-based gentle folk & sound artist, @surcarilita , and San Diego-based electronic performer 288__am , who will also be curating visuals for the evening. A little more on Cate’s sonic exploration: “Kennan’s sonic palette is vast yet harmonized, deftly matching spectral synthesizers to hazy lap steel guitars and watery analog effects. Existing in the sparsely occupied world of early melodic electronic music, her songs call to mind the sonic landscape’s of Malcolm Cecil, Hans-Joachim Roedelius, and Deux Filles.” Beautiful flyer by @lightgreenfellow Related links: The Brown Building on Instagram The Brown Building Arts on Instagram
  • State and local governments, and some private funders, are launching dozens of pilot projects making direct, monthly payments to low-income residents to help meet basic needs. Researchers will study what happens next. Key question: will this money add to, reform, or supplant current welfare programs?
  • "The Far Voice" Speaker: Hannah Zeavin, Assistant Professor, Indiana University Respondent: Alain J.-J. Cohen, Professor, Department of Literature, UC San Diego Hosted by Wentao Ma, PhD Student, Department of Literature, UC San Diego This event will be held via Zoom Webinar -- registrants will receive the Zoom link prior to the event start time. Abstract “The Far Voice” describes the rise of mass telecommunication therapies, focusing on the suicide crisis hotline (originated by Protestant clergy) in England and the United States in the 1950s and 1960s and investigates how this service first became thinkable, and then widely adopted and used. I redescribe the hotline as psycho-religious in origin and intent, rather than as the secular service it has usually been assumed to be. I argue that these services, in their use of the peer-to-peer modality, radically upset former regimes of pastoral care and counseling, as well as those of psychodynamic therapy. Hotlines generate a new, hyper-transient frame for the helping encounter, removing nearly all the traditional aspects of the therapeutic setting except for speech and listening. At the same time, these hotlines devalue the need for expertise and rescind the fee associated with that expertise. They challenge every clinical concept associated with the structure and dynamic of the analytic encounter. It is contingent, it is not in person, and requires (or permits) a distanced intimacy with no guarantee of repeating; and it makes use of the phone—an appliance paradoxically thought of as capable of bringing people together and as responsible for their greater alienation. I will conclude by examining the afterlives of these radical early hotlines in our contemporary, when algorithmic surveillance, datafication, and tracking have relinked the hotline with forced hospitalization and carceral intervention. Biography Hannah Zeavin is a scholar, writer, and editor, and works as an Assistant Professor at Indiana University and a Visiting Fellow at the Columbia University Center for The Study of Social Difference. Zeavin is the author of The Distance Cure: A History of Teletherapy (MIT Press, 2021) In 2021, Zeavin co-founded The Psychosocial Foundation and is the Founding Editor of Parapraxis, a new popular magazine for psychoanalysis on the left, which will be releasing its first issue in Fall 2022, and serves as an Associate Editor for Psychoanalysis and History and an Editorial Associate for The Journal of the American Psychoanalytic Association. About the Media Care Talk Series Dozing at the movie theater, listening to the podcast on the subway, counseling via Zoom appointments, searching immigration policy on the internet…In this increasingly crumbling world, media offer maintenance and sustain our vitality while they also harm our well-being through abuse and addiction. This talk series examines the concept of care and showcases the process of knowledge production surrounding artificial care in media practice. We will browse a range of media objects and platforms - from cinema to teletherapy, from smart drugs to sleep apps - and explore the habitual, affective, and material potential of healing and solidarity within film and media theories. This series is co-organized by the Film Studies Program and the Suraj Israni Center for Cinematic Arts at UC San Diego with generous support from the following: 21 Century China Center, Department of Communication, Department of Visual Arts, Department of Literature, and the Institute of Arts & Humanities. Questions Email surajisranicenter@ucsd.edu. By registering for this event you agree to receive future correspondence from the Suraj Israni Center for Cinematic Arts, from which you can unsubscribe at any time.
  • Over the past 25 years, OMA has presented over 300 diverse and engaging exhibitions that reflect their core interest to explore the stories of Southern California artists. Legacy: 25 Years of Art and Community is a survey of artwork selected from many of OMA’s past exhibitions. Compelling pieces from landmark community-building exhibits such as Worn with Pride (2000), Chouinard: A Living Legacy (2001), Artifacts: Allied Craftsmen of San Diego (2018), Lowbrow Art: Nine San Diego Pop Surrealists (2009), and Masterpieces of San Diego Painting: Fifty Works from Fifty Years, 1900-1950 (2008), will tell the story of how a volunteer-based organization grew from its humble beginnings in 1997 to the cultural destination it is today. Featuring work by James Hubbell, Wendy Murayama, William Glen Crooks, Allison Renshaw, Italo Scanga, and Charles Arnoldi, among others, this exhibition will create new narratives while remembering the seminal role OMA has played in the history of contemporary art in our region. WHEN| Saturday, September 10, 2022 from 11 a.m. to 5:00 p.m. WHERE| Oceanside Museum of Art ‣ 704 Pier View Wy, Oceanside, CA 92054 ADMISSION| Tickets can be purchased here! ‣ General admission is $10, seniors 65+ are $5 ‣ Free admission with ID for OMA members, NARM and ROAM members, children under 18, students, and active-duty military and their dependents. SOCIAL MEDIA| Follow the Oceanside Museum of Art on Facebook | Instagram | Twitter
  • The union representing the magazine's staff said that SI's publisher plans to cut "a significant number, possibly all" of its union-represented staff.
  • Electronic music producer and DJ Jennifer Lee — aka TOKiMONSTA — underwent two brain surgeries in 2016 that temporarily stripped her of her ability to understand words or music.
  • They used to be called Kremlinologists — American experts on the Soviet Union. Now there's a new generation of Putinologists who seek to interpret Russia by analyzing its authoritarian leader.
  • A friend and I discuss the perks of buying local with Drew Bent of the restaurant Papalo and rap legend Imani of the Farside (Pharcyde) shares some highlights from his remarkable career including how he eats on tours.
  • From the organizers: San Diego’s premiere contemporary fine art fair, Art San Diego, is back! Join us, in partnership with Presenting Sponsor UBS Wealth Management, at the San Diego Convention Center, September 9-11, for this immersive fine art experience. Enjoy music, entertainment, cutting-edge talent, artistic expression, diversity through multifaceted programs, and more. This year’s program benefits non-profits Humble Design, Monarch School and ArtReach. Get tickets and more information here! Related links: Redwood Art Group on Instagram
  • September 10–November 5, 2022 Opening Reception: Friday, September 9, 6:30–8:30 p.m. From the museum: British-born artist Derek Boshier presents a visual survey of various Occupations rendered in his characteristic heads. “I have of late been making many drawings from the size in this exhibition to larger seven-foot drawings,” he describes. Boshier first came to prominence with his paintings as a student at the Royal College of Art in London in the early 1960s, with fellow students David Hockney, Allen Jones, R.B. Kitaj, and others in the British Pop Art movement. Subsequently he has worked in other media, drawing, printmaking, film, books, three dimensional objects, installations, and photography among them. His graphic work with popular music groups such as The Clash and with David Bowie have brought his work to a wider audience. Boshier was awarded an Honorary Fellowship from the Royal College of Art, London in 2016, a Guggenheim Fellowship in 2017, and an Honorary Doctorate of the Arts from Solent University in Southampton, UK, in 2021. In addition to his art practice, Boshier has a long and distinguished record as an educator, teaching at the Central School of Art and Design, London, 1963–1979, the Royal College of Art, London, 1973–1979, the University of Houston,1980–1992, and the CalArts in Los Angeles, from 1997 to the present. He lives and works in Los Angeles. Related links: The Athenaeum Music & Arts Library on Instagram Visiting information
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