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  • The San Diego Chorus is currently auditioning treble singers for all voice parts. RSVP for our Guest Open House on May 24 to learn more! Women and non-binary treble singers are welcome! RSVP to an upcoming Guest Open House or drop in on any of our casual weekly rehearsals to learn more about our year-round, soft audition process. The San Diego Chorus meets on Wednesdays from 6:45 p.m. to 9:45 p.m. in Room 207 of the Casa del Prado building of Balboa Park. Experience the JOY of singing 4-part, a cappella harmony for yourself. You'll meet a dedicated, talented and passionate group of singers ready to welcome you with open arms. RSVP today and we'll be standing by to greet and guide you every step of the way.
  • As part of the City of San Diego's Park Social Initiative, DISCO RIOT is excited to present Choreo & Kickball on September 17 & 18, 2022. The event is just like it sounds: an event of short dance performances and rousing games of kickball! Between performances, the audience will have the opportunity to play kickball on the field and mingle! The theme of the event is summer’s end, with new works by Tina Carreras, Sara Celaya, Martin Anthony Dorado, Marlene Garcia, Zaquia Mahler Salinas, Aisha Reddick, Robi Ruocco, and Chelsea Zeffiro. Event Start Times: 4 p.m. & 6 p.m. Performances will take place on a rotating schedule (4:30 p.m., 5:30 p.m., 6:30 p.m. and 7:30 p.m.) with kickball activities and games occurring in between. Come ready to play and cheer! Bring your sunscreen, hat, sneakers, your lawn chairs, and team spirit. We'll provide kickballs, good tunes, refreshments, and some additional seating. Park Social is a citywide initiative that introduces social-specific contemporary art into the City’s vast and varied park system. Follow Disco Riot on Instagram!
  • Mariachi Los Camperos – led by Jesus “Chuy” Guzman and considered by many to be among the finest mariachi ensembles in the world – is joined by the San Diego Symphony Orchestra for an evening celebrating the Golden Era of Mariachi music with composers and singers such as Agustin Lara, Maria Grever, Javier Solis and Manuel M. Ponce to more contemporary musicians like Juan Gabriel, Vicente Fernandez and many more. Los Angeles–based Mariachi Los Camperos’ abundant accolades, including multiple Grammy® awards and nominations and highly praised performances on premier concert stages such as Lincoln Center, the Kennedy Center, Walt Disney Concert Hall and the Getty Center, can easily obscure the fact that its leaders come from humble roots, deep within a mariachi tradition shaped by family and community. The group’s founder, Nati Cano, was a third-generation mariachi musician from the small town of Ahuisculco in the west Mexican state of Jalisco. From 1961 to his death in 2014, he lived his dream, forging his own group from his artistic vision and determination. Over his musical career, he challenged the attitudes that, during his youth in Mexico, led formally trained musical peers to look down on his beloved rural and working-class music. In the United States, he worked against class and racial prejudice that relegated Mexicans and their music to second-class status. In the end, he succeeded both socially and artistically, as borne out by the group’s and his own many honors and performances in prestigious venues across the United States and Mexico. In the words of Jesús “Chuy” Guzmán, his disciple and successor as Camperos leader, “He wanted to have a mariachi that would have dignity, that would have heart, that would have soul, and he made Los Camperos.” Today, Chuy Guzmán leads the Camperos legacy, providing the vision for its sound and repertoire. He continues Cano’s legacy of teaching the tradition throughout the United States and parts of Latin America. Chuy Guzmán is living his dream, and he is dreaming ever bigger. Looking back on his career, he says, “I’m not going to tell you that the work was easy, but... I feel good about what has happened in my life, in my path as a musician.” Looking ahead, he adds, “There’s still a lot to do... My dream will come to an end when I am gone.”
  • A portrait is defined as a depiction of a particular individual. The traditions of European portraiture extend back to antiquity in early Rome and Greece. The earliest Renaissance portraits were not individual paintings, but rather inclusions in pictures of Christian subjects. By the fifteenth century in Italy for example, important men and women realized that a likeness could function as a means of announcing one's piety, power, or virtue. During the Baroque era, artists such as Frans Hals showed sitters sometimes looking out at the viewer with a mix of emotions which highlighted their status and personalities. By the time of the Rococo, subjects were often depicted as elegant, graceful, slender and tall in peaceful and natural settings. Exploring the evolution of portrait painting from the 15th-18th centuries will be the subject of this docent-led talk. Join the Zoom here: https://us06web.zoom.us/j/86148328476?pwd=UmpTRGhYZS9UQnAxeHd6aHpCbENFdz09
  • From the museum: The Institute of Contemporary Art, San Diego is pleased to present Aesthetics of Commodity, a solo exhibition, by Los Angeles-based artist Carolina Caycedo at ICA San Diego North. The exhibition features a unique series of digital collages in which Caycedo overlays 19th and 20th-century stocks and bonds from the commonwealths of Puerto Rico, Virginia, and Pennsylvania. Carolina Caycedo deconstructs the visual language of financial bonds and their implication of a colonial legacy in her show Aesthetics of Commodity. In a series of digital collages, Caycedo overlays 19th and 20th century stocks and bonds from the commonwealths of Puerto Rico, Virginia, and Pennsylvania, calling attention to the symbolic text and imagery emblematic of the consumption of land and the economic and social systems formed through the sale of those bonds. Elaborate tableaus, vignettes, and borders extracted from historical documents highlight themes parallel to Manifest Destiny, slavery, and modern day capitalization of public infrastructure. Learn more here. Related links: ICA San Diego on Instagram ICA San Diego on Facebook
  • Lakehouse Resort, located on the 80 acres recreational Lake San Marcos, is bringing back a summer of unforgettable music with its Summer Concert Series on the lakeside stage. To close out the summer, Young Guns (Superstars of County) will tear up the lakeside stage with songs from iconic country artists old and new on Saturday, August 12. Each concert is performed on the Lakeside Lawn with all lawn seating, so guests are encouraged to bring a blanket or low-back chair. Tickets are $45. Click here to learn more information about this event!
  • Welcome Ages 6-12. Instructor Lydia Kardos teaches this introductory ceramic hand-building course. Students will create functional and nonfunctional ceramic art. Learn how to create with coils, slab construction and clay pinching methods. See the beauty of the final results as your pieces come out of the kiln. Students will create multiple pieces and learn how to glaze finished artwork. All materials included. Different projects every month. Repeats welcome! Follow on social media! Facebook + Instagram
  • Looking for some not-so-scary fun? Come to the Mission Valley Library for a hauntingly good time with Halloween STEAM-powered (Science, Technology, Engineering, Art and Math) crafts and activities. There will be ghost making, a scavenger hunt, and more. This program is suitable for preschool and elementary ages. Costumes are encouraged but not required. View this event on Facebook
  • When luggage and its owner can't be reunited, airlines sell it to a store in Alabama, where its contents are sold to the public. The result is a grab bag of normal and odd things people travel with.
  • San Diego housing prices are the highest they have ever been. How did we get to now? And how do we cope? Also, COVID-19 cases are on the rise nationally and in San Diego County. We’ll bring you the latest on the surge. Plus, Barrio Logan has a new center for the arts.
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