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  • Big Ma dashes off commands, pots clang, aunts and uncles shoot the breeze, little ones beg to lick the bowl, ham and candied yam. Family Feast! is about food, family and love.
  • Superstar cellist Santiago Cañón-Valencia returns to open our season with a dreamy duo program of French sonatas, unique transcriptions, and Stravinsky’s "Suite Italienne" (adapted from his ballet "Pulcinella"). Cañón-Valencia is a BBC Next Generation Artist and Tchaikovsky Competition silver medalist; his skill is hailed by The Strad as “technically flawless … totally under the skin of the composers’ idioms.” Program: Henri Duparc (1848–1933) - Lamento from "Melodies" Claude Debussy (1862–1918) - Cello Sonata Maurice Ravel (1875–1937) - “Posthume” Sonata Francis Poulenc (1899–1963) - "Suite Française" - "Pause" - "Ravel" - "Pavane pour une infante défunte" - "Pièce en forme de Habanera" Igor Stravinsky (1882–1971) - "Suite Italienne" Colombian cellist Santiago Cañón-Valencia is a prolific soloist, composer, commissioner, recording artist, painter, and photographer. A 2022 BBC New Generation Artist, he was born in Bogotá in 1995 and made his debut with the Orquesta Filarmónica de Bogotá at age six before going on to win the Silver Medal at the 2019 XVI International Tchaikovsky Competition, the 2018 Starker Foundation Award, third prize at the 2017 Queen Elisabeth International Competition, and first prize at the Carlos Prieto International Cello Competition, among many other accolades. During the 2025–2026 season, Cañón-Valencia takes on an international schedule, including solo recitals in Spain and Portugal, a performance with the Macedonian Philharmonic, and a seat on the jury for the Budapest International Cello Competition. In the United States, he performs with the Kansas City Symphony, Montgomery Symphony Orchestra, Grand Rapids Symphony, and Camerata Pacifica. He also appears in recitals with pianist Victor Asuncion at Stanford and in La Jolla. His Latin American schedule takes him to the Puerto Rico Symphony, the Festival de Música de Morelia in Mexico, and the Cartagena Music Festival in Colombia. Cañón-Valencia’s solo career has taken him worldwide, with multiple world and regional premieres. In 2025–2026, he premieres Amparo Angel’s Cello Concerto at the Morelia Festival in Mexico. Previously, he performed World premieres, including Carlos Andrés Mejía’s cello concerto “Aurora” at Colombia’s Pereira Music Fest, Jorge Pinzón’s cello concerto “Rapsodia a los 4 Elementos” at the Cartagena International Music Festival, and Carlos Izcaray's commissioned cello concerto Stringmaster with the Alabama Symphony Orchestra. In 2024, Cañón-Valencia released his debut single on Deutsche Grammophon, a recording of Arvo Pärt’s Fratres with pianist Naoko Sonoda. Two additional singles will follow. He has recorded four additional complete albums, the most recent being "Ascenso on Sono Luminus" (2022). Cañón-Valencia has been sponsored by the Mayra & Edmundo Esquenazi Scholarship through the Salvi Foundation since 2011. Learn more at www.santiagocanonvalencia.com. Hailed by the Washington Post for his “poised and imaginative playing,” Filipino American pianist Victor Santiago Asuncion has appeared in concert halls in Brazil, Canada, Ecuador, France, Italy, Germany, Japan, Mexico, the Philippines, Spain, Turkey, and the United States as a recitalist and concerto soloist. He made his orchestral debut at age 18 with the Manila Chamber Orchestra and his New York recital debut in Carnegie’s Weill Recital Hall in 1999. In addition, he has worked with conductors including Sergio Esmilla, Enrique Batiz, Mei Ann Chen, Zeev Dorman, Arthur Weisberg, Corrick Brown, David Loebel, Leon Fleisher, Michael Stern, Jordan Tang, and Bobby McFerrin. A chamber music enthusiast, he has performed with artists such as Lynn Harrell, Zuill Bailey, Andres Diaz, James Dunham, Antonio Meneses, Joshua Roman, Cho-Liang Lin, Giora Schmidt, and the Dover, Emerson, Serafin, Sao Paulo, and Vega String Quartets. He was a member of the chamber music faculty of the Aspen Music Festival, and the Garth Newel Summer Music Festival. He was also the pianist for the Garth Newel Piano Quartet for three seasons. Festival appearances include the Amelia Island, Highland-Cashiers, Music in the Vineyards, and Santa Fe. His recordings include the complete Beethoven Sonatas with cellist Tobias Werner, Sonatas by Shostakovich and Rachmaninoff with cellist Joseph Johnson, the Rachmaninoff Sonata with cellist Evan Drachman, and the Chopin and Grieg Sonatas, also with cellist Evan Drachman. He is featured on the award-winning recording "Songs My Father Taught Me" with Lynn Harrell, produced by Louise Frank and WFMT-Chicago. Asuncion is the founder and artistic and board director of FilAm Music Foundation, a nonprofit foundation dedicated to promoting Filipino classical musicians through scholarship and performance. He received his Doctor of Musical Arts in 2007 from the University of Maryland at College Park under the tutelage of Rita Sloan. He is a Steinway artist. All concerts are preceded by a pre-concert talk at 6:45 p.m. and are followed by a reception with the artists in the Sharon & Joel Labovitz Entry Hall. Athenaeum Music & Arts Library on Facebook / Instagram
  • Dozens of countries had called for a clear "roadmap" to transition away from the use of coal, oil and natural gas. The U.S. did not participate in the negotiations.
  • San Diegans in the workplace and in education are hoping artificial intelligence will enhance what we can do without replacing us in the process.
  • Due to ongoing rainfall, a flood advisory was in effect early Friday morning for the county. Between 0.75 to 1.25 inches of rain have fallen and an additional 0.5 inches was expected. Minor flooding in poor drainage areas such as some urban zones could occur, according to the National Weather Service.
  • El papa León XIV solucionó un problema técnico el viernes en una ley del Vaticano que se volvió problemática luego que el papa Francisco nombrara a la primera mujer en dirigir la Gobernación del Estado de la Ciudad del Vaticano.
  • Cinema Under The Stars presents "To Die For" Friday, March 21 at 8 p.m. Saturday, March 22 at 8 p.m. Cinema Under The Stars 4040 Goldfinch Street San Diego, CA 92103 Phone: 619-295-4221 Website: www.topspresents.com “TO DIE FOR” 30th Anniversary (1995. 106 min. R): Gus Van Sant delivers a deliciously subversive satire of our All-American obsession with celebrity and true crime. Nicole Kidman plays a small-town TV weather reporter whose perky facade hides a dark heart, her ruthless pursuit of fame ensnares three disaffected teens in a tabloid-style scandal. With Joaquin Phoenix, Casey Affleck and Matt Dillon. Cinema Under the Stars is an intimate outdoor movie theater in Mission Hills with single and double zero-gravity reclining lounge chairs, sky-boxes and love seat cabanas. Heaters, pillows and blankets are provided. A vintage cartoon is shown before most films. Seating is limited and reservations are recommended. Members may make phone reservations up to one week in advance. Online reservations for Members begin on Mondays at 9 a.m. Online reservations for Non-Members begin on Tuesdays at 9 a.m. The box office opens at 6 p.m, Fridays - Sundays. Admission Prices: Members - $17. Non-members (at the box office) - $18. Non-members (with online reservations) - $20. Annual Memberships - $125 (for two people). Pay with Cash, Checks, or Venmo. All concessions are $3.00 each Free popcorn for Members. Reservations must be cancelled by 5 p.m. online, or call the Cinema before 6 p.m. Come early to avoid a line. For more information, call (619) 295-4221, or visit the website (www.topspresents.com)
  • A plan proposed Thursday by the Interior Department would open up new drilling on federal waters off California and off the coast of Florida for the first time in decades.
  • This weekend in the arts in San Diego: Pop Art at MCASD; affordable small artworks at Secret Sister; LITVAKdance; the Verbatim Books Dollar Sale; "Because We Eat" and more.
  • Even as sombr and Rosalía hit new career highs, there's a major churn taking place just below the top 10, as a wave of Christmas songs begin their ascent.
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