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  • Ready to explore? These staff picks will motivate you to hit the trails, hop on a bike or reconnect with nature.
  • In 2021, California allowed college athletes to earn money, profiting off their name, image and likeness. University records show which student athletes are benefitting and how.
  • A Sacramento wellness group is helping Latino seniors build community, improve their health and find renewed purpose.
  • From Padres playoff magic to Alex Morgan’s farewell, these moments highlighted San Diego’s year in sports.
  • San Diego came alive in 2024 with festivals celebrating dance, food, film and quirky traditions.
  • The House wants to raise the SALT deduction cap, which would help wealthy Californians pay less in federal taxes. The Senate wants to keep it where it is.
  • Art has the unique ability to reflect culture and offer us a mirror through which we can see ourselves in new and revealing ways. This program will feature selections chosen by choir members that resonate with their personal identities or cultural backgrounds. Additionally, it will highlight the talents of several conductors from within San Diego’s premiere professional choir. Visit https://www.sacraprofana.org/ SACRA/PROFANA on Facebook / Instagram
  • The three-time Olympic champion improved on her record time for a female runner in the one mile, set two years ago, but couldn't get under 4-minute mark.
  • Ana Maria Herrera: Layered Memories January 11–March 14, 2025 Opening Reception: Saturday, January 11, 5 p.m. – 8 p.m., during the Barrio Art Crawl Ana María Herrera’s work explores identity, displacement, and cultural coexistence through an intricate blend of found objects and diverse materials, such as wood, glass, metal, and fabric. Her compositions reflect the ephemeral nature of existence, particularly in the border region, where the complexities of migration and cultural negotiation are ever-present. By incorporating photographs, textiles, and three-dimensional elements, Herrera examines the emotional and physical boundaries that shape personal and collective identities, addressing themes of vulnerability, resistance, and resilience within the contemporary sociopolitical landscape. Herrera engages with layered complexities of human existence, crafting assemblages that challenge traditional notions of representation and foster dialogue about the realities of border life. Using windows and frames as both physical and symbolic elements, Herrera invites viewers to contemplate the tension between visibility and obscurity. These pieces serve as portals into narratives of migration and belonging while subtly addressing issues of surveillance and power dynamics. This exhibition encourages a critical examination of the intersection of culture, history, and memory in the shaping of individual and collective identities in an increasingly interconnected world. Ana María Herrera—Artist Statement In my assemblage art, I draw from the aged and textured materials of the past—pieces like rusted metal chains, weathered wood from light poles, bicycle wheels, pressure gauges, and electrical meters. These objects, marked by time and mystery, serve as silent witnesses to countless stories, histories, and transformations, much like the wisdom of an elder etched by years of experience. I am drawn to their deep tones and weathered surfaces, each item resonating with lives lived and “time stories” I may never fully understand. This uncertainty around their origins only enhances my appreciation, allowing me to create without the constraints of their original purpose and instead invite viewers to interpret their own narratives within these materials. In each assemblage, I work to honor the age, history, and hidden memories within these objects. Through layering and reimagining, I hope to give them new life, encouraging viewers to look closely, question, and connect with the unseen past that each object holds. Ultimately, my art celebrates the beauty in things long overlooked, encouraging a reverence for the history that surrounds us and inviting curiosity about what once was. Visit: https://www.ljathenaeum.org/upcoming-exhibitions Ana Maria Herrera on Instagram and Facebook
  • Brad Pitt is in the driver's seat this week in F1, while M3GAN 2.0 follows up on the surprise 2022 hit about a killer robot. After something referred to as the "bad thing" occurs, an English professor confronts the emotional fallout in Sorry, Baby.
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