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Art historian Zaixin Hong examines the enduring significance of the soundscape of music and calligraphy. The soundscape of calligraphy and music is a hallmark of Chinese civilization. This lecture explores their intricate connections and shared purpose, exemplified by Professor Lei Liang’s award-winning “A Thousand Mountains, A Million Streams,” and delves into Chou Wen-chung’s question, “When is a line not a line?” From Confucius’ “Six Arts” to modern masters like Huang Binhong, Pan Tianshou, Zao Wou-ki and Wang Dongling, the connections across centuries between music and calligraphy have bridged tradition and contemporary expression. In the age of AI, celebrating this human spirit becomes more vital than ever. The lecture will feature a special presentation of Huang Binhong’s masterpiece “Landscapes,” shown in stunning 4K projection with original music composed by Liang. Kuiyi Shen, professor of Asian art history, theory and criticism from UC San Diego, will provide a short commentary. Please join us for these events: Lecture in English, 4–5 p.m. Reception, 5–5:30 p.m. Lecture in Chinese, 5:30–6:30 p.m. (Professor Hong will deliver the lecture again in Chinese after the reception. Bilingual audiences may opt to register for either the English or Chinese lecture.) This public lecture is co-sponsored by the 21st Century China Center (21CCC) at the UC San Diego School of Global Policy and Strategy (GPS) and Haili Foundation. For more information on China activities, please visit china.ucsd.edu. If you have any questions, please contact GPS Events Coordinator Susan Zau at jszau@ucsd.edu.

A decade later, Arabella Benson's elaborate "Days of Future Past, Past" — reimagining the X-Men as 18th-century aristocrats — remains a fan favorite of the Comic-Con Masquerade stage.

The San Diego-based company General Atomics celebrated the shipment of a device it claims will make nuclear fusion possible. The world's most powerful magnet has been sent to France, where an international team is building a fusion power facility.

In this talk, scholar Che Gossett focuses on Kiyan Williams’s performance and sculpture especially: "Unearthing" (2016), Trash and Treasure" (2014) "Meditations on the Making of America" (2019), "Ruins of Empire II or The Earth Swallows the Master’s House" (2024). In Williams’s work, anti-black and racial capitalist World is negated and abolished — in its ruination new critical forms crystallize and figurations of the flesh emerge, reverberating and interinanimating each other. Che Gossett is a Black nonbinary femme writer and critical theorist specializing in queer/trans studies, aesthetic theory, abolitionist thought, and Black studies. Gossett’s writing appears in publications including the edited collections "Death and Other Penalties: Continental Philosophers on Prisons and Capital Punishment" (Fordham University Press, 2015), "Trap Door: Trans Cultural Production and the Politics of Visibility" (MIT Press, 2017), and "Trans Philosophy" (University of Minnesota Press, 2024). Che is co-editing, with Tavia Nyong’o, a forthcoming special issue of Social Text journal on Sylvia Wynter, culture, and technics. They are the recipient of a 2024 Creative Capital Andy Warhol Writers Grant, and are currently associate director of the Center for Research in Feminist, Queer, and Transgender Studies at the University of Pennsylvania.

A federal judge has ruled that Trump administration official Kari Lake can't unilaterally fire the director of Voice of America.

Wednesday, June 18, 2025 at 9 p.m. on KPBS 2 / Stream now with the PBS app. Examine a complex, talented, and passionate photographer, illuminating the fortitude it takes to be an outsider documenting outsiders. As is necessary in this moment, this film also probes the question of “who can tell whose story?” while spotlighting an overlooked, but richly deserving artist.

Nearly two dozen states have passed laws regulating how tech companies collect data from our faces, eyes and voices. It comes as Congress has yet to pass any facial recognition technology.

Rugs have a deep history as a textile art, but also as objects that create specific spaces. Using handheld tufting machines, participants can create and design their own rugs using colorful yarn. Learn how to create and translate a design for the medium as well as learn the basics of tufting and begin filling in your designs. We kindly ask that adults actively participate in this art activity alongside any child under the age of 11. Visit: https://www.hisawyer.com/artreach/schedules/activity-set/1271656?day=2025-02-28&view=cal&source=activity-schedule ArtReach San Diego on Instagram and Facebook

Saturday, April 26, 2025 at 1:30 p.m. on KPBS TV / Stream now with KPBS Passport and YouTube. Christopher Kimball goes on a fishing trip off the Pacific Coast of Mexico to learn the art of Mexican seafood. He prepares Slow-Roasted Snapper with Chili and Lime. Matt Card makes Mexican-Style Shrimp in Chili-Lime Sauce, Rosemary Gill gives a lesson on Chilis 101 and we visit Santiago Munoz at his tortilleria Maizajo.

Still-life painting is the study of everyday objects that take on a new life, tell a story and can act as a portal to another place or time. Emphasis in this class will be on an impressionist technique of painting using an alla prima (wet into wet) style of painting, keeping loose brushwork, thick paint, and eliminating detail. We will cover composition, color, form, and lighting. There will be a setup for each class along with photo images to create from. I do a painting demonstration in each class. One of our exercises will be a personal still life using objects that have meaning for us. The best part is that we will have fun as we share our discoveries together. Come join us! I cannot wait to see what you will create. This class is for all levels of painters, both beginning and experienced. You are also welcome to do your own work. This is a good place to be with other talented artists and enjoy the creative atmosphere here at the Athenaeum. Please let me know if you have any questions. I am happy to help. sharoncaroldemery@gmail.com Materials: Paints: Your preference of paints: oil, acrylic, watercolor, gouache … you name it! Please include Titanium White, Cadmium Yellow Light (cool yellow), Cadmium Yellow (warm yellow), Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Cerulean Blue, Viridian Green or Phthalo Green—plus any colors of paint that you would like to use. Brushes: Bring a variety of brushes for your choice of paints that include #2, #4, #6, #8. Good quality brushes make a difference. Other materials: 12” x16” paper palette pad; odorless Turpenoid and linseed oil for oils; soft vine charcoal; 1.5- or 2-inch palette knife; paper towels; two small jars with lids; spray bottle for acrylic painters; sketchbook; color pencils; four canvas or canvas boards, 11” x 14” or your preference. Good quality watercolor paper for watercolor painters. Suggested items: Masterson Sta-Wet Palette Seal to keep paints moist; glass palette to go inside the box making paint easier to mix; Silicoil jar with spring in the bottom to clean brushes; two tall containers to hold clean and used brushes at your station in the studio. Athenaeum Music & Arts Library on Instagram and Facebook