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Carmen Winant is a Professor in the Department of Art at Ohio State University, where she is the Roy Lichtenstein Chair of Studio Art, and an affiliated faculty member in Women's Gender and Sexuality Studies. Winant’s work poses a challenge to the ways that we understand women’s power, pleasure, labor, healing, and liberation to function, querying the aesthetic and political legacy of second-wave feminism. Winant’s appropriative installations and artist's books grapple with this question for all of its contradictory impulses: the awe of living in a revolutionary moment, a shared preoccupation with the female body as a zone of political strife, cognizance of the racial and class-based limitations of the second-wave movement; the mine- and not-mine nature of historical legacy. In using found photographs, Winant acts upon primary evidence (rather than indexical reference); the images incorporated into her work contend directly with the complex notion of socio-political inheritance. Winant has taught in Ohio prisons through The Ohio Prison Education Exchange Project (OPEEP) has also served as the Dean of Skowhegan School of Painting and Sculpture (2013-2015); and is a 2019 Guggenheim fellow in photography. Visit: https://visarts.ucsd.edu/news-events/20250210_carmenwinant.html UC San Diego Visual Arts on Instagram and Facebook

Days after the president's call for a "new" census, the top official overseeing the Census Bureau told employees that Congress, not Trump, has final say over the tally, NPR has exclusively learned.

This dynamic professional development session is designed for all educators, not just art teachers, who are seeking innovative ways to meet California’s new Ethnic Studies graduation requirement. Exploring the Ethnic Studies Model Curriculum theme of Identity, participants will explore how visual art can serve as a powerful tool to deepen students' understanding and enhance learning outcomes. Aligned with the National Core Art Standards, this session equips educators with contemporary art resources, creative techniques, and adaptable project ideas that can be seamlessly integrated into various subjects. Attendees will leave with practical strategies to foster student engagement, promote cultural awareness, and build a stronger sense of community in any classroom. *At checkout, use CODE: PD10 to get $10 off of a bundle of three sessions! Visit: Exploring Identity: Integrating Art & Ethnic Studies ArtReach San Diego on Instagram and Facebook

California lawmakers have spoken on average for more than six hours this year. Others have said comparatively little. How effective can you be if you stay silent?

From fantasy to food, these five books made waves for our staff this year with their fresh perspectives and compelling narratives.

The TV prequel to the Alien movies calls back to the best elements of those original films — including questions about corporate exploitation and technological advancements.

Trump’s spending bill includes cuts to Medicaid, food assistance and more. But it also increases a federal tax credit that helps build affordable housing in California.

Concert Hour is a music enrichment series presented on the campus of Palomar College for our students, staff, and community by the Palomar College Performing Arts Department. Enjoy a range of exciting artists and musicians in the beautiful Howard Brubeck Theatre or Performance Lab D-10. The program is presented weekly during the Fall and Spring Semesters at 1 p.m. and ends at approximately 2 p.m. Admission and Parking are FREE. This Week’s Performing Arts Will Be Located in Performance Lab D -10 Dr. Michael D. Munson is the organist of the First United Methodist Church of Escondido, a Life Member of the American Guild of Organists (AGO) and current Dean of the Palomar Chapter of the AGO. He has concertized in Southern California, the eastern United States, and Europe. He has also given four concerts at the Spreckels Organ Pavilion in Balboa Park as part of the weekly Sunday Concert Series there.** **Munson earned his Doctor of Musical Arts in Piano Accompanying and Chamber Music from the Eastman School of Music in 1992. Since 1994, Dr. Munson has been working at Palomar College when he started accompanying ballet classes, which he still does. Currently, he teaches class and applied piano, plays for ballet, and accompanies the choirs and voice class. He has taught beginning piano, music theory, and organ. He also accompanies and coaches students in the music program at Mira Costa College. Visit: Michael Munson – Concert Hour Palomar Performing Arts on Instagram and Facebook

Art Nouveau, 1890–1915 Presented by Diane Kane Mondays, March 31, April 7, 14 & 21, 2025 The international art movement known as Art Nouveau flourished from the early 1890s to 1914. Rejecting historical references and traditional geometric forms, it featured florid vegetation, sinuous lines, and asymmetry. Although the design approach encompassed all visual art forms, it was most prevalent in architecture and the decorative arts. Furniture, mirrors, metalwork, art glass, carved plaster, and intricate paneling all featured the signature “whiplash” lines of Art Nouveau. Originating in Brussels, and highlighted in the Exposition Universelle of 1900 (better known in English as the 1900 Paris Exposition), the style is strongly associated with the wealthy and fashionable. Popularized in smaller cities, the style easily integrated into new building types—elegant apartments, boutique retail, brasseries, bistros, and cabarets—associated with sophisticated urbanization. In four richly illustrated lectures, this series will examine the style’s Belgian origins and its regional variations in Paris, Vienna, and Barcelona during the 1890–1915 period.

El director de la oficina de campo del Departamento de Seguridad Nacional en Los Ángeles testificó el lunes que los agentes del Servicio de Inmigración y Control de Aduanas necesitaban desesperadamente de la ayuda del personal militar para llevar a cabo arrestos.