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  • About the exhibit: Quint Gallery is thrilled to present Nancy Blum: Gathered this summer, her first solo exhibition with the gallery. An installation of 9x12 inch works from her ‘Black Drawings’ series will be situated throughout the front and back rooms of the 7722 Girard Avenue gallery interspersed with a selection of other recent ‘Star’ and ‘Flame’ drawings, all on black paper. Blum’s ongoing series of ‘Black Drawings’ radiate and transform within/beyond each 9x12 in sheet of paper, etched softly by colored pencil and graphite. She begins this daily practice with an image in mind and makes intuitive decisions underpinned by careful sensitivity to plant intelligence and movement, and the spatial geometry of nature. Taken as otherworldly species or mystic equations, these Untitled compositions evade definition. What results, however, is often a labyrinthine, curvilinear meditation on cycles of existence. By setting them in a black, non-illuminated space, the inherent potential of abstracting concrete form emerges, providing space for its subjects to glow, move outward, or curl inward, always in the process of leaving or becoming something new. “Everyone carries a room about inside them,” wrote Franz Kakfa in Blue Octavo Notebooks, one of his posthumously published journals. Under Blum’s guidance, the endless knot of her forms breathe an air of secrecy and can feel like a door to her own inner world. In drawings which repeat variations on the four elements of nature, they may be approached like a meditation or prayer. This sentiment is influenced by the Tibetan Buddhism tradition of thangka paintings, which illustrate the story of Buddha and have served a multitude of purposes, among them to aid in contemplation or give thanks. Blum has made hundreds of these drawings and each one is unique. If regarded as small parts of a larger whole, an interconnected ecosystem develops. Attuned to fire, earth, water, and air, drawing as a discipline gives form to Blum’s visioning of consciousness and what lies beyond those four elements, without which we couldn’t exist. Upon this foundation, a set of larger Flame works more directly reference the element of fire and how it has been historically illustrated and mythologized in South and East Asian art. Additionally, several new Star drawings are made from graphite and dark blue colored pencil, burnished and lightly embossed onto black paper. About the artist: Beyond the solitude of her drawing practice, Nancy Blum enjoys the often-collaborative process of developing large-scale public works using a variety of media. For New York City’s MTA Arts-in-Transit program she created a suite of large botanically themed mosaics at the historic 28th Street Station (2019). In the spring of 2024, this project was included in the book Contemporary Art Underground: MTA Arts & Design New York. Blum has completed numerous other public commissions throughout the United States, including enameled glass windows at the San Francisco General Hospital, San Francisco, CA; a series of billboards in the sculpture park of the North Carolina Museum of Art, Raleigh, NC; a resin flower wall at Sea-Tac International Airport, Seattle, WA; among many others. Blum received her MFA from Cranbrook Academy of Art and has since become a widely sought-after visiting artist, critic, and lecturer at universities nationwide. Her work has also been recognized through fellowships from the Pollock‐Krasner Foundation, Peter S. Reed Foundation, Mid‐Atlantic Arts Foundation, and New York’s Lower East Side Printshop. The first monograph of her work was published in 2017 and features essays, interviews and documentation of her drawing, sculpture, and public artworks. Nancy lives and works in Brooklyn, NY. Related links: Quint Gallery website | Instagram
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  • From the gallery: Quint Gallery is excited to present Los Angeles-based Glen Wilson's Constellation Dub, the artist’s second solo exhibition with the gallery following a 2023 presentation at ONE. With roots stretching back to documentary and street photography, his body of work spans sculpture, assemblage, installation, and filmmaking, often layering original imagery with found and constructed materials that encourage the viewer to engage the work's physical and conceptual qualities. In this presentation, Wilson uses dub as an organizing principle to form a sonic and visual landscape that resonates within and beyond the walls of the gallery. Dub music emerged out of reggae, wherein a song is created initially, and from these constituent parts emerges an ambient abstract. Wilson expands upon his lens-based practice with Elements, his interactive wall sculptures constructed from drum cymbals and photographs, and a continuation of his Gatekeeping series which presents images woven through grids of galvanized and interconnected steel wire of chain-link gates and salvaged fencing. In the rear gallery, the artist has constructed two new sculptural and light-based works honoring the lives of revolutionary thinkers and activists of the 1960s and 70s, Malcolm X and Gil Scott-Heron. Taken together, these works evolve into instruments from which the artist transmits temporal frequencies and invites the viewer to be an active participant by engaging the cymbal works and with the gates, negotiating the spaces in between perception and interpretation. The cymbals and lectern both invoke abstracted imagery of the ocean, which for the artist represents not only home, but also an infrasonic frequency created by the collision of opposing waves traveling on its surface. Infrasound has a frequency below the limit of human audibility, but at higher levels may be felt as vibrations in various parts of the body. Like the man made process of naming constellations, Wilson makes meditative connections on landscape, history, and humanity that forms an acoustic ghost, or dub, which echoes throughout his practice. This exhibition immediately follows and resonates with themes of Wilson’s solo exhibition Meridian Dub at Various Small Fires in Seoul, South Korea. He has been exhibited at The Getty Center, The Museum of Contemporary Art, Los Angeles, the California African-American Museum, ICA:LA, the Torrance Art Museum, Frieze Art: London and in public parks in New York and Los Angeles. His work is in the collection of the Los Angeles County Museum of Art, and other private collections. He completed an MFA at the University of California, San Diego, and received his BA from Yale University. Related links: Quint Gallery: website | Instagram
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