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Matthew Bowler is an award-winning journalist from San Diego. Bowler comes from a long line of San Diego journalists. Both his father and grandfather worked as journalists covering San Diego. He is also a third generation San Diego State University graduate, where he studied art with a specialty in painting and printmaking. Bowler moved to the South of France after graduating from SDSU. While there he participated in many art exhibitions. The newspaper “La Marseillaise” called his work “les oeuvres impossible” or “the impossible works.” After his year in Provence, Bowler returned to San Diego and began to work as a freelance photographer for newspapers and magazines. Some years later, he discovered his passion for reporting the news, for getting at the truth, for impacting lives. Bowler is privileged to have received many San Diego Press Club Awards along with two Emmy's.

Dejamos nuestro último episodio preguntándonos sobre los costos de construir una casa con derivados de la arcilla. ¡Resulta que es barato! Entonces, si es barato, ¿más personas han aprovechado la oportunidad de construir de esta manera? y ¿por qué no se ha popularizado en entornos urbanos? Para responder a estas preguntas, continuamos la conversación con Miguel Ángel Pérez, un bioconstructor de Baja, y hablamos sobre los costos de la construcción con arcilla. Tambien charlamos con Rachel Formanek, una neoyorquina que se mudó de California a Baja para encontrar condiciones de vida mejores y más asequibles. Por último, nos sentamos con Alex Ruiz, director de planificación urbana en Tecate y nos dió una nueva perspectiva sobre la viabilidad de la construcción con tierra en entornos urbanos. Foto de portada: Carlos Jaime and Cuahtémoc Herrera Sobre la temporada 6 Port of Entry tiene una nueva temporada con más historias de nuestra región fronteriza. En esta ocasión, estamos mostrando las perspectivas de algunos moldeadores y visionarios de las tierras fronterizas. Te contamos historias de personas que están impactando la región, y en algunos casos, el mundo con su trabajo e investigación; desde urbanismo hasta arquitectura, educación y política, y hasta arte y robótica. ¡Escucha nuestra nueva temporada! Redes sociales y contacto De KPBS, Port of Entry cuenta historias que cruzan fronteras. Para escuchar más historias visita www.portofentrypod.org Facebook: www.facebook.com/portofentrypodcast Instagram: www.instagram.com/portofentrypod Puedes apoyar nuestro podcast en www.kpbs.org/donate, escribe en la sección de regalos (gift section) “Port of Entry” y como agradecimiento podrás recibir un regalo. Si tu empresa u organización sin fines de lucro desea patrocinar nuestro podcast, envía un correo a corporatesupport@kpbs.org Nos encantaría recibir tu retroalimentación, envíanos un mensaje al 619-500-3197 o un correo a podcasts@kpbs.org con tus comentarios y/o preguntas sobre nuestro podcast. Créditos Hosts: Alan Lilienthal y Natalie González Escritor/Productor: Julio C. Ortiz Franco Productor Técnico/Diseñador Sonoro: Adrian Villalobos Productora Técnica: Rebecca Chacon Editora: Elma Gonzalez Lima Brandao y Melissa Sandoval Episodios traducidos por: Natalie González, Julio C. Ortíz Franco y Melissa Sandoval Directora de Programación de Audio y Operaciones: Lisa Morrisette This program is made possible, in part, by the Corporation for Public Broadcasting, a private corporation funded by the American people

Critic Ann Powers considers musical performances that have left audiences stunned in utter silence, and what you can hear when sound falls away.

A reader is taken aback by her best friend's reaction to the possibility that she might want kids. He says that if she had kids, it would change everything between them. Friendship experts weigh in.

The pop star's early catalog was acquired in 2019 and sold again in 2020, igniting a years-long saga in which Swift set out to re-record new versions of the albums to compete with the originals.

Adams sued over an allegation in a 2016 documentary that he sanctioned the 2006 killing of a British spy in Ireland. A jury in Dublin's High Court awarded Adams damages of 100,000 euros ($113,000).

The annual Kyoto Prize winners came to San Diego for this year’s symposium. Kyoto Laureate John Pendry talked about the theory of bending light rays that’s led to technologies that do that and more.

James Lee Stanley is an American singer, songwriter, musician, composer, and producer whose six-decade career spans numerous artistic mediums. He is the true renaissance man, born in Philadelphia, and has been recording and performing since the age of fourteen, with 37 album releases and television and film credits to his name. James Lee is an outspoken proponent of good music, good government, and generally good behavior toward our fellow earthlings. He is coming down from Tehachapi to demonstrate how he makes every show a special event for everybody who attends. “It is simple, really. With James Lee you get great songs, great guitar playing, great voice and a gifted comedian as well. You are in for a very entertaining evening.” Village Voice Local singer, songwriter, and guitar player, John Katchur, will open. Visit: James Lee Stanley James Lee Stanley on Facebook

"Art of Navigation" draws upon some of the finest and most beautiful examples of period instruments, charts, and voyage accounts, illuminated by the work of documentary maritime artist Gordon Miller. The showcase is embellished by exquisite models of the storied ships which conducted the enterprise from the Museum’s own collections, and even majestic full-scale operational versions such as the galleon San Salvador, man-of-war H.M.S. Surprise, schooner Californian, and the Maritime Museum of San Diego flagship Star of India, veteran of twenty-one navigations around the earth. As a powerful and mysterious art, navigation and the territorial claims of trade and empire it conveyed drew much of its authority and mastery from the same aesthetic as did all art. In consequence, the instruments, reference texts, and nautical charts which were its tools and products were therefore also objects of exquisite beauty. Exhibit entry included with general admission. Maritime Museum of San Diego is open daily 10 a.m. - 5 p.m. Last visitor entry 4 p.m. For tickets visit sdmaritime.org.

You no longer need to be a software engineer to build software — you can "vibe code" it by prompting chatbots to build apps and websites. Could that put programmers out of a job?