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  • Plastic has become embedded in everyday life. That’s because for the last 70 years, the plastics industry convinced consumers to embrace the material for its low cost and disposability.
  • Online ads touted free money for groceries to help lure people to call centers where some were enrolled in health insurance or unknowingly switched from their plans, a new lawsuit alleges.
  • A volunteer curator in Philadelphia puts on art exhibits to raise awareness of lives lost to gun violence.
  • Doctors say they can boost the odds donated organs will be usable by restarting blood circulation with a pump after donors are declared dead. Critics say the procedure blurs the definition of death.
  • Michigan suit is challenging lost wages for injured undocumented immigrants
  • The voluntary industry guidelines come amid a dramatic rise in accidental pediatric ingestions of melatonin. At the same time, more and more kids are using melatonin on purpose as a sleep aid.
  • Those who know Pelosi best say she's no Left Coast liberal zealot. Instead she's a calculating political realist — in her own words, "reptilian."
  • Ambassador Grossman served as the Under Secretary of State for Political Affairs, the State Department's third ranking official, until his retirement in 2005, after 29 years in the US Foreign Service. As Under Secretary, he helped marshal diplomatic support for the international response to the terror attacks of Sept. 11, 2001. He also managed US policies in the Balkans and Colombia and promoted a key expansion of the NATO alliance. As Assistant Secretary for European Affairs, he helped direct NATO's military campaign in Kosovo and an earlier round of NATO expansion. In Turkey, Ambassador Grossman encouraged vibrant US-Turkish political, military, and economic relations. Ambassador Grossman was a Vice Chairman of The Cohen Group from July 2005 to February 2011. In February 2011, President Obama and Secretary of State Clinton called Ambassador Grossman back to service as the US Special Representative for Afghanistan and Pakistan. Ambassador Grossman promoted the international effort to support Afghanistan by shaping major international meetings in Istanbul, Bonn, Chicago and Tokyo. He provided US backing for an Afghan peace process designed to end thirty years of conflict and played an important part in managing US relations with Pakistan. Ambassador Grossman returned to The Cohen Group in February 2013. Ambassador Grossman is the Chairman of the Board of the Senior Living Foundation of the Foreign Service. He also serves as a Trustee of the University of California Santa Barbara Foundation and is a member of the Board of the C&O Canal Trust. Raised in Los Angeles, California, Ambassador Grossman has a BA in Political Science from the University of California, Santa Barbara and an M.Sc in International Relations from the London School of Economics and Political Science.
  • Consider how the body is present through its absence in art by creating a papier mâché mask. We will draw inspiration from Eleanor Antin’s "100 Boots" (1971-1973), the poignant photographic novel with an intriguing journey; David Hammons "Champ" (1989), which highlights the precariousness of success; and My Barbarian’s "Universal Declaration of Infantile Anxiety Situations Reflected in the Creative Impulse" (2013), which incorporates handmade masks, props, and costumes into live performances and video performances. "Reflections" is an art-making workshop series designed to serve adults 55 and older. Session 3: November 10 & November 17 In this workshop series participants will explore how ideas about the body integrate into contemporary art. Through close looking, we will engage with artworks where the body is present, and where its notable absence invokes the body. Each workshop will include an investigation of contemporary art-making techniques and materials. No prior art experience is required. Transportation will be provided, if required. Participants may join one session (two days) or more!
  • Collectors Bram and Sandra Dijkstra saw value in "discarded art."
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