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  • Earthaven Ecovillage fared remarkably well after Hurricane Helene. The community had backup power and water systems, as well as food supplies, but members also knew how to work together in a crisis.
  • The county Board of Supervisors on Tuesday unanimously approved $4.3 million in emergency funding for a program that provides free developmental check-ups to children from infancy to 5 years.
  • The San Diego City Council Wednesday approved turning a former skydiving facility in East Village into 164 affordable housing units under an agreement with Father Joe's Villages.
  • Premieres Tuesday, May 13, 2025 at 11 p.m. on KPBS TV. James Morrison is widely recognised as one of Britain’s finest landscape artists. His work hangs in the homes of JK Rowling and the Royal Family, as well as in museums and private collections around the world. As the documentary opens, Morrison faces his greatest challenge: his eyesight is fading fast, and he has one more major painting to complete.
  • The Swedish hard-rock band Ghost has never topped the Billboard 200 albums chart — until this week. Elsewhere, Kendrick Lamar's "Luther (feat. SZA)" holds at No. 1 for an 11th week, tying a record for hip-hop songs.
  • The amendment bans public events held by LGBTQ+ communities and allows authorities to use facial recognition tools to identify people who attend prohibited events.
  • A tentative agreement between Kaiser Permanente and the National Union of Healthcare Workers could end the strike — and kick off a new battle in Sacramento.
  • A Martinez visits a slow strength gym and goes toe-to-toe with a senior weightlifter to see if this type of exercise lives up to the hype.
  • Ana Maria Herrera: Layered Memories January 11–March 14, 2025 Opening Reception: Saturday, January 11, 5 p.m. – 8 p.m., during the Barrio Art Crawl Ana María Herrera’s work explores identity, displacement, and cultural coexistence through an intricate blend of found objects and diverse materials, such as wood, glass, metal, and fabric. Her compositions reflect the ephemeral nature of existence, particularly in the border region, where the complexities of migration and cultural negotiation are ever-present. By incorporating photographs, textiles, and three-dimensional elements, Herrera examines the emotional and physical boundaries that shape personal and collective identities, addressing themes of vulnerability, resistance, and resilience within the contemporary sociopolitical landscape. Herrera engages with layered complexities of human existence, crafting assemblages that challenge traditional notions of representation and foster dialogue about the realities of border life. Using windows and frames as both physical and symbolic elements, Herrera invites viewers to contemplate the tension between visibility and obscurity. These pieces serve as portals into narratives of migration and belonging while subtly addressing issues of surveillance and power dynamics. This exhibition encourages a critical examination of the intersection of culture, history, and memory in the shaping of individual and collective identities in an increasingly interconnected world. Ana María Herrera—Artist Statement In my assemblage art, I draw from the aged and textured materials of the past—pieces like rusted metal chains, weathered wood from light poles, bicycle wheels, pressure gauges, and electrical meters. These objects, marked by time and mystery, serve as silent witnesses to countless stories, histories, and transformations, much like the wisdom of an elder etched by years of experience. I am drawn to their deep tones and weathered surfaces, each item resonating with lives lived and “time stories” I may never fully understand. This uncertainty around their origins only enhances my appreciation, allowing me to create without the constraints of their original purpose and instead invite viewers to interpret their own narratives within these materials. In each assemblage, I work to honor the age, history, and hidden memories within these objects. Through layering and reimagining, I hope to give them new life, encouraging viewers to look closely, question, and connect with the unseen past that each object holds. Ultimately, my art celebrates the beauty in things long overlooked, encouraging a reverence for the history that surrounds us and inviting curiosity about what once was. Visit: https://www.ljathenaeum.org/upcoming-exhibitions Ana Maria Herrera on Instagram and Facebook
  • A new study details the evolutionary change of Anna's Hummingbirds, finding their beaks have grown longer and more tapered to get the most from common feeders.
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