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  • Photographer Nour El Massry captures ethereal images of Egyptian landscapes, interiors and architecture in one of the world's largest megacities.
  • Addressing a problem first identified 50 years ago, federal regulators say stricter new rules to limit miners' exposure to silica dust are expected to finally go on the books on Tuesday.
  • Attorney Keith Davidson, a key witness who represented Stormy Daniels and Karen McDougal, was back on the stand to continue testifying against Trump in New York.
  • Speaking alongside brother/collaborator Finneas, Eilish says she discovered a new self-awareness on Hit Me Hard and Soft, after years of seeing herself through others' eyes.
  • Director: Michael Roemer Run Time: 81 min. Release Year: 1971 Starring: Ben Lang, Henry Nemo, Jacquelyn Taylor, Martin Priest, Maxine Woods Tagline: Deadpan, small-time Kosher Nostra member and ex-con Harry Plotnick (Martin Priest) is just released from prison and trying to regain his lost turf in a neighborhood turned topsy-turvy. After a chance reunion with his ex-wife and grown children, Harry is suddenly immersed in middle-class normality and goes meshugga when he gets into the catering biz with his ex-brother-in-law (Ben Lang). Showtimes: Tuesday, November 7, 2023: 7 p.m. Ticket Prices: $10 Regular / $7 Members Stay Connected on Social Media! Facebook | Instagram | X
  • The newsroom union at The New York Times accuses the paper of targeting staffers of Middle Eastern descent during an inquiry into leaks about internal debates over a story on the Hamas attacks.
  • En su primer fallo sobre derechos reproductivos desde que se anuló Roe v. Wade, la Corte Suprema de Estados Unidos rechazó el jueves una demanda que cuestionaba la aprobación por parte de la FDA de la píldora abortiva mifepristona.
  • Internal emails, interviews and in-app messages show Uber and Lyft deployed a powerful lobbying playbook to stop minimum wage laws in Minnesota. But drivers had a playbook of their own.
  • From the museum: The special exhibition "Korea in Color: A Legacy of Auspicious Images" sheds light on the use of color in Korean painting—known as polychrome painting (chaesaekhwa)—and its role in Korean art and culture. Polychrome painting flourished during the Joseon Dynasty (1392–1910) and the colorful artworks created during this era, featuring symbolic images from sacred to secular, permeated all sectors of society. Highlighting contemporary works of art in dialogue with select masterpieces from the nineteenth and early twentieth centuries, the fifty works presented throughout these galleries highlight the continued influence of color and the legacy of auspicious images, long overshadowed by painting created in black ink, and span a variety of media, including painting, sculpture, prints, video, and multi-media installations. Korea in Color invites visitors to encounter the role art once played in everyday Korean life across four themes connected to a traditional household: protection offered by animals at the doorstep; symbols of abundance and longevity in the garden; scholarly objects and books in the study; and the appreciation of majestic mountains beyond the walls of the home. These four sections are organized around core elements of traditional Korean painting: Byeoksa, protection against evil spirits; Gilsang, good fortune; Gyohun, edification; and Gamsang, appreciation, and prompt consideration of how these qualities intersect with life today. Korea in Color: A Legacy of Auspicious Images is an exhibition of the National Museum of Modern and Contemporary Art, Korea, in collaboration with Korean Culture and Information Service, Korean Cultural Center, Los Angeles, and The San Diego Museum of Art. Related links: San Diego Museum of Art: website | Instagram | Facebook | YouTube
  • The high-stakes legal battle could determine the future of the popular app in the U.S. TikTok's legal filing calls the ban law an unprecedented violation of First Amendment rights.
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