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  • The guys from the Zzymzzy Quartet (rhymes with “whimsy”) have simple ambitions: they just want to play it like it was when it was unamplified, melodic, swinging, dreamy, full of sly surprise. From the Prohibition through the Second Big War, the glory days of Louis Armstrong and Duke Ellington are being recaptured humbly and with humor in San Diego by four musicians who know it don’t mean a thing without that swing. Those four musicians are Beston Barnett on guitar and vocals, Matt Gill on clarinet, Paul Hormick on upright bass, and Pete Miesner on guitar and lead vocals. The Zzymzzy Quartet takes its name from a hypothetical “last word” in the dictionary: thus, their tagline, “The Last Word in Gypsy Swing.” The “Gypsy” sound is heard in much of the guitar work, heavily influenced by the stylings of French Gypsy jazz legend Django Reinhardt. But the group also pays tribute to the Swing Era with classic standards and idiomatic originals. Since the Zzymzzy Quartet came together in 2004, they have played dances, parties, weddings, festivals, art openings, and events throughout Southern California to unanimous enthusiasm, carving out a name for themselves as a tasty dance band and a classy addition to every wedding. Their second album, Petite Fleur, features cameos from a variety of beloved San Diego musicians. Visit: zzymzzy.wordpress.com/
  • In this workshop, students will learn about the origins of Kintsugi, the Japanese ‘art of golden repair,’ and its meaning as it relates to one’s own life. Instructor Luis Santiago explains, “In these uncertain and crazy times, I believe people can find some solace and comfort in realizing that their so called “scars” and imperfections are things that do not need to be hidden or ashamed of.” While the traditional craft of Kintsugi can take multiple months to complete, mastery in application, and involves toxic lacquer, the techniques used in this workshop to repair two ceramic pieces and embellish these pieces in two distinct Kintsugi-inspired ways brings it to a much wider audience and allows for completion in one workshop. All materials are included. Students will learn two distinct ways of highlighting the breaks of their provided ceramic pieces and will take home a unique piece. Ages 17+ are welcome. • Military and sibling discounts. • Scholarships available. • Homeschool funds accepted. • If this class is full, join the Interest List. • If you would like to be notified of future offerings, join the Interest List to be notified when new dates or spaces are available. Visit: Kintsugi San Diego Craft Collective on Instagram and Facebook
  • We are proud to announce the seventh San Diego Latinx New Play Festival will take place at La Jolla Playhouse, October 4 – 6, 2024. The Latinx New Play Festival expands the presence of Latinx stories and artists on the American stage, and spotlights the broad range of today’s Latinx experience. Four scripts will be selected to be rehearsed and developed at the Playhouse, culminating in a live public reading at the festival. The festival will be free for everyone to attend, and will include a schedule of in-person readings of new works, panel discussions and other events. Produced by Dr. Maria Patrice Amon, the Playhouse’s 2024/25 Artist-in-Residence, in partnership with La Jolla Playhouse, the Latinx New Play Festival was originally launched in 2016 by San Diego Repertory Theatre. La Jolla Playhouse is delighted to be able to provide this vibrant, important arts event a new home in San Diego. The submission period for the 2024 Latinx New Play Festival was from January to April 2024. Sign up for our newsletter to be the first to know when submissions for the 2025 Latinx New Play Festival open. The 2024 Latinx New Play Festival has been made possible in part by Prebys Foundation. Friday, Oct 4 6 p.m. Artistic and Literary Panel 7 p.m. I never asked for a gofundme, by Jayne Deely 10 p.m. Opening Reception Saturday, Oct 5 (Matinee) 2 p.m. Local Project Presentation 3 p.m. MOTHER OF GOD, by Ricardo Pérez González Saturday, Oct 5 (Evening) 7 p.m. The Man in the Maze, by Oliver Mayer 10 p.m. Reception Sunday, Oct 6 1 p.m. Scholar Panel 2 p.m. El Puente/The Bridge, by Sandra Ruiz 5 p.m. Closing Reception For more information visit: lajollaplayhouse.org Stay Connected on Facebook and Instagram
  • Welcome to the San Diego Black Arts + Culture District Music Festival! Come join us at Martin Luther King Jr. Community Park (MLK Park) for a day filled with amazing music, art, and culture celebrating the vibrant Black community in San Diego. Get ready to groove to live performances from talented artists, indulge in delicious food from local vendors, and immerse yourself in the rich heritage of the Black Arts + Culture District. Don't miss out on this unforgettable experience! Artistic Director: Kamau Kenyatta Musicians: Daneen Wilburn, Lyrical Groove, Geminelle, & Rebecca Jade (Special appearance by: Heartbeat Academy) Admission is free, but RSVP here to reserve a spot. Related links: San Diego Black Arts + Culture District: website | Instagram
  • The North Coastal Art Gallery presents a FREE interactive artist discussion and critique on how art is judged by professional judges, Helen Shafer-Garcia and Cathy Carey. Join us as you learn the ins and outs of the process. Please RSVP for your seating, and all walk-ins are welcome. Visit: https://northcoastalartgallery.com/demos-expression-artists/ North Coastal Art Gallery on Instagram and Facebook
  • Amy Sherald, Jeff Koons, Shepard Fairey and Rashid Johnson are among the visual artists who have donated works for an auction that will raise money for the Harris Victory Fund.
  • been creating connections between its San Diego audience, its renowned guest artists and its diverse range of musical programming. This September Camarada concluded their second successful tour of Argentina, performing in concert halls throughout Buenos Aires and Cordoba. Camarada will present Musica Latina; a sizzling and passionate program for flute, violin, double-bass and piano in celebration of Latin American heritage month. Musica Latina includes the music of Miguel del Aguila, Manuel Ponce, Astor Piazzolla and Andres Martin. Andres Martin is a native Argentinian and a world-renowned composer and bass player. His arrangements and commissions for Camarada reflect the flavor and fervor of contemporary Tango as well as the pulse of Latin America. Other performers include Beth Ross Buckley, flute; David Buckley, violin; and CSUSM adjunct professor Dana Burnett, piano. Camarada’s commitment to the music of Latin America has been developed and refined over many years of research and performance. Come stimulate your senses with the luscious melodies and rhythms of Latin American chamber music. “Before entrepreneurial chamber music presentations became viable, even cool…there was Camarada…” Jim Chute- San Diego Union Tribune Music and & Arts Critic Visit: https://www.camarada.org/ Camarada Chamber Music on Instagram and Facebook
  • Built for the 1935 California Pacific International Exposition, a complex of now 32 single-story cottages, known as the House of Pacific Relations International Cottages, occupies an area of under two acres. The variety of cultures represented is matched by an equally diverse floral landscape from around the world. While the charming buildings draw most visitors’ attention, it’s worth taking a closer look at the rich variety of trees and other flora. Forever Balboa Park offers thematic park tours that focus on the park’s unique biodiversity and highlight the park’s horticultural wonders on the second Saturday of each month. Led by park volunteer and horticultural enthusiast Bill Edwards, the free tours leave from the Visitors Center at 10 a.m. unless otherwise indicated. Walks last 1.5 to 2 hours and are typically less than 1 mile on level terrain. It is advised that potential attendees contact the Balboa Park Visitors Center prior to the scheduled walk to determine if there are any last-minute changes or cancellations to the tours. Visit: House of Pacific Relations International Cottages Forever Balboa Park on Facebook / Instagram
  • An authoritative artist has many rules for his still life painting. Too bad! Because the mouse, the dragon, the knight, and the princess are here to break them in this raucous new picture book.
  • The Photographer’s Eye Gallery will present "Inner Space," an exhibit of underwater images by Steve Eilenberg and Marie Tartar, who have been photographing the ocean’s creatures, great and small, for nearly 30 years. The exhibit opens on Oct. 26 and will run through Nov. 30. "Inner Space" will feature images made during their black water dives, in which they photograph minute, translucent creatures that rise at night from the ocean’s depths to its surface to feed. The Photographer’s Eye Gallery will host a reception for the artists from 5 p.m. to 7 p.m. on Oct. 26, and artists Eilenberg and Tartar will conduct walk-throughs of their exhibit on Nov. 9 and Nov. 30 at 3 p.m. The nonprofit Photographer’s Eye Gallery is open from 11 a.m. to 5 p.m. on Fridays and Saturdays, and by appointment by calling 760-522-2170. Free parking is available in front of and behind the gallery. Eilenberg and Tartar are San Diego-based radiologists and a married couple who collaborate as Aperture Photo Arts. Their work has been displayed in several venues, including the Birch Aquarium in La Jolla, the San Diego Natural History Museum and Smithsonian National Museum of Natural History. The couple began diving in 1989 and undertook underwater photography about six years later. Their photography ranges from shooting the planet’s largest creatures, sperm whales, to some of the smallest, like the wunderpus, a color-shifting octopus that emerges at dusk to hunt. “In black water, these are small, translucent larval forms of life that come up from the deep at night,” Tartar said. Shooting at night in the deep presents a set of unique challenges, the first of which is diving proficiency. “The better diver you are the better photographer you’ll be,” Tartar said. “You’re on a life-support system, (and) you have to have excellent buoyancy,” because if you drift to the ocean floor you may stir up a cloud of sand and foul your studio. Diving in black water presents the obvious challenge of how see your subject. To shoot at night the couple position themselves along a line dropped into the sea from a buoy; the line has flashlights attached. They also use their own lighting array, so that when something interesting comes into view they can follow and photograph it. Such a creature is a tube anemone larva, which lives in waters off the Philippines and rises from great depths, as much as 1,000 meters. Nutrients in the water stick to the larva’s “fingers,” which the organism licks. “As it slowly tumbles in the water column, I wait for a good body position and shoot,” Eilenberg said. “Intense strobe light defines them and accentuates features and organelles that otherwise would go unnoticed.” Not all their quarry is so small. Tartar recently visited Argentina to photograph Southern right whales, an endangered species that was hunted extensively until the 1960s. “Whales are simply too big to light with strobes or a flash,” Tartar said. Much of that photography is done at or just below surface level. The reward, they said, is in sharing images of creatures that few of us get to see. “In the end it’s about showing people a hidden world,” Tartar said. “A world that we value greatly and everyone should value, that our planet pretty much depends on. You can’t really appreciate or conserve something you don’t understand. You can’t value it if it’s an abstraction to you. It’s kind of a miracle what’s in there and we only know a fraction of it.” Eilenberg said he hopes their photographs help people realize how important it is to respect and protect the ocean. And he hopes that viewers are amazed by what they see. “I’d love for some people to just have their mouth drop open and say, ‘I can’t believe this even exists on this planet. This is not a real creature, is it?’” Eilenberg said. The Photographer’s Eye Collective on Facebook / Instagram
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