Play Live Radio
Next Up:
0:00
0:00
Available On Air Stations
Watch Live

Search results for

  • On Thursday, SDG&E begun power restoration patrols in areas where weather has improved.
  • Swift has made over $2 billion in ticket sales and spent over 25 hours singing the 10-minute version of "All Too Well" since March 2023. Here's a look at the historic tour and what might come next.
  • This American Life host Ira Glass doesn't care about how people will remember him, "I'm not making a radio show for them"
  • A report by Democrats on the Judiciary Committee found additional travel taken in 2021 by Thomas but not reported on his annual financial disclosure, including trips on private jets and a yacht trip.
  • Professor Bryan H. Wildenthal of the Thomas Jefferson School of Law will discuss the current thinking on certain subjects related to the composing of the plays and sonnets in the Shakespearean canon, including the overarching authorship question, the co-authorship theories popular amongst orthodox scholars, as well as the status of the Thomas North authorship theory. Visit: Update on Scholarly Controversies over Shakespeare San Diego Shakespeare Society on Instagram and Facebook
  • Mental health professionals warn that the quality and level of mental health care people in western North Carolina receive in the coming months will be critical.
  • After a storm devastated parts of eastern Spain last week, survivors are becoming impatient at the steady government rescue efforts. On Sunday, it all went down in the town of Paiporta.
  • On October 4, Birch Aquarium at Scripps Institution of Oceanography at UC San Diego will unveil their latest exhibition blending art and science into one unique experience with "Embodied Pacific: Ocean Unseen" "Embodied Pacific: Ocean Unseen" invites you to explore Scripps Institution of Oceanography and Indigenous science through the eyes of contemporary artists. These installations offer guests the chance to engage in scientific exploration through immersive, interactive experiences. Collectively, the exhibition asks us to consider how ocean science technology is not just about “high-tech” but also very much about the tools we use to shape our understanding of the ocean’s unseen mysteries. 18 artists across 10 projects come together in one immersive exhibition. Installations include: Archiving an Aquarium, Hans Baumann and James Nisbet + Birch Aquarium Birch Aquarium uses technology to pump, filter and adjust seawater for its animals, simulating a real ocean experience. In this installation, artists Hans Baumann and James Nisbet explore how this technology shapes our understanding of ocean ecologies. Using archival footage and blueprints from the 1992 Hall of Fishes they create a “virtual aquarium” that highlights the evolution of the aquarium's efforts to bring the ocean to the public. Fish Phone Booth, Ash Eliza Smith and Robert Twomey Ash Eliza Smith and Robert Twomey create an interactive audio and sensory media experience where storytelling meets a guided sound bath. This project brings research from ocean acoustics and the internet of animals to life, translating data from outside the limits of human perception into bodily and sonic experiences. How to Look Into the Ocean, Claudine Arendt + Zooglider Large-scale biomorphically shaped sculptures draw us into a dimly lit space. The sculptures, created by Claudine Arendt in collaboration with Scripps Oceanography scientists Mark Ohman (PI of the California Current Ecosystem project) and Sven Gastauer, are snapshots of plankton drifting through ocean water. Guests will interact with these sculptures by touch to bring them into the world of these tiny organisms. Kumeyaay Ha Kwaiyo, Stan Rodriguez with Priscilla Ortiz, Andrew Pittman and Nan Renner In the Ha Kwaiyo installation, a mid-size tule boat (by Priscilla Ortiz) hangs above guests, as if floating on the ocean surface. A nearby film by Andrew James Pittman tells the behind-the-scenes story of how boatmaking embodies Indigenous resilience, resistance and revival. La Jolla Forest, Dwight Hwang and Oriana Poindexter + Mohammad Sedarat of the Smith Laboratory La Jolla Forest is an immersive artwork created by Oriana Poindexter and Dwight Hwang to highlight both the beauty and the fragility of Giant Kelp. The installation draws attention to the biodiversity of La Jolla’s marine ecosystems by blending their expertise in cyanotype creation and traditional Japanese Gyotaku fish printing. Mosaic Ocean, Judit Hersko + Jaffe Laboratory In Mosaic Ocean, Judit Hersko explores the diversity of zooplankton by blending traditional and cutting-edge technology. In this installation, guests view images of plankton through the portals of multiple stereographic lenses, a plankton-observation methodology developed by Scripps Oceanography researcher Jules Jaffe. Our Worlds, Catherine Eng and Kilma Lattin Our Worlds is an immersive storytelling application by Catherine Eng and Kilma Lattin that uses augmented reality technology to overlay interactive Indigenous narratives onto real-world locations. Through this app, guests will unlock stories, videos and 3D models of tule boats and Kumeyaay oceangoing stories, narrated by Embodied Pacific artist and educator Stan Rodriguez. Passengers of Change, Danielle McHaskell, Joe Riley and Audrey Snyder + the Smith Laboratory An invasive species can act as both a “driver” and a “passenger” in ecosystems. In this collaboration with marine ecologist Danielle McHaskell, the artists investigate whether global shipping has turned the algae Wakame into a major invasive species. Guests will explore how human trade affects marine ecosystems and reflect on our role in this process. R/P FLIP R.I.P., Rachel Mayeri + FLIP The FLoating Instrument Platform (FLIP) debuted in 1963 as a first-of-its-kind strategy for understanding ocean water columns. To shed light on FLIP’s second act as a marine acoustics platform, Rachel Mayeri – in collaboration with humanities scholars Deborah Forster and David Serlin and Scripps staff – produced a large-scale triptych video artwork to take us inside the recently decommissioned vessel through new and archival footage. Superradiance. Embodying Earth., Memo Akten and Katie Peyton Hofstader + SOARS Superradiance. Embodying Earth. is a data dramatization of complex ocean simulations, distilled and re-imagined in the form of abstract visuals and sounds inspired by the Scripps Ocean Atmosphere Research Simulator (SOARS). SOARS is a 120-foot-long wave tank researchers use to replicate and study air and sea interactions under controlled laboratory conditions. Unbleached, Scott McAvoy + Sandin and Smith Laboratories Unbleached is a digitization and visualization of key coral reef environments over time. Projected video re-creates coral clusters at Palmyra Atoll, a small island in the central Pacific Ocean, on a 3D printed reef to explore changes to the reef over time. This installation was created in collaboration with the Sandin and Smith Laboratories and archaeologist Dominique Rissolo and the 100 Island Challenge. "Embodied Pacific: Ocean Unseen" is one of the six locations of "Embodied Pacific" which features projects by 30 artists working with researchers in laboratories, field sites and archives in Southern California and the Pacific Islands. This partnership between UC San Diego Visual Arts and Birch Aquarium at Scripps invites immersive engagement in oceanography, Indigenous design and critical craft through exhibitions, workshops and programs. "Embodied Pacific" is among more than 70 exhibitions and programs presented as part of PST ART. PST ART is a groundbreaking cultural collaboration.  Every five years, PST ART unites hundreds of artists around a single, electrifying theme at more than 70 exhibition spaces. While the theme is different each time, the heart of PST ART is always the distinctive cultural identity of Southern California, and the universal hunger for artistic and intellectual discovery. In a region famed for its films and theme parks, PST ART provides a different kind of gripping experience — and the most distinctively Southern Californian of all. Birch Aquarium is open daily and "Embodied Pacific: Ocean Unseen" is included with General Admission. Visit aquarium.ucsd.edu for more information including the Daily Schedule. Birch Aquarium at Scripps on Facebook / Instagram
  • About the exhibit: Quint Gallery is thrilled to present Nancy Blum: Gathered this summer, her first solo exhibition with the gallery. An installation of 9x12 inch works from her ‘Black Drawings’ series will be situated throughout the front and back rooms of the 7722 Girard Avenue gallery interspersed with a selection of other recent ‘Star’ and ‘Flame’ drawings, all on black paper. Blum’s ongoing series of ‘Black Drawings’ radiate and transform within/beyond each 9x12 in sheet of paper, etched softly by colored pencil and graphite. She begins this daily practice with an image in mind and makes intuitive decisions underpinned by careful sensitivity to plant intelligence and movement, and the spatial geometry of nature. Taken as otherworldly species or mystic equations, these Untitled compositions evade definition. What results, however, is often a labyrinthine, curvilinear meditation on cycles of existence. By setting them in a black, non-illuminated space, the inherent potential of abstracting concrete form emerges, providing space for its subjects to glow, move outward, or curl inward, always in the process of leaving or becoming something new. “Everyone carries a room about inside them,” wrote Franz Kakfa in Blue Octavo Notebooks, one of his posthumously published journals. Under Blum’s guidance, the endless knot of her forms breathe an air of secrecy and can feel like a door to her own inner world. In drawings which repeat variations on the four elements of nature, they may be approached like a meditation or prayer. This sentiment is influenced by the Tibetan Buddhism tradition of thangka paintings, which illustrate the story of Buddha and have served a multitude of purposes, among them to aid in contemplation or give thanks. Blum has made hundreds of these drawings and each one is unique. If regarded as small parts of a larger whole, an interconnected ecosystem develops. Attuned to fire, earth, water, and air, drawing as a discipline gives form to Blum’s visioning of consciousness and what lies beyond those four elements, without which we couldn’t exist. Upon this foundation, a set of larger Flame works more directly reference the element of fire and how it has been historically illustrated and mythologized in South and East Asian art. Additionally, several new Star drawings are made from graphite and dark blue colored pencil, burnished and lightly embossed onto black paper. About the artist: Beyond the solitude of her drawing practice, Nancy Blum enjoys the often-collaborative process of developing large-scale public works using a variety of media. For New York City’s MTA Arts-in-Transit program she created a suite of large botanically themed mosaics at the historic 28th Street Station (2019). In the spring of 2024, this project was included in the book Contemporary Art Underground: MTA Arts & Design New York. Blum has completed numerous other public commissions throughout the United States, including enameled glass windows at the San Francisco General Hospital, San Francisco, CA; a series of billboards in the sculpture park of the North Carolina Museum of Art, Raleigh, NC; a resin flower wall at Sea-Tac International Airport, Seattle, WA; among many others. Blum received her MFA from Cranbrook Academy of Art and has since become a widely sought-after visiting artist, critic, and lecturer at universities nationwide. Her work has also been recognized through fellowships from the Pollock‐Krasner Foundation, Peter S. Reed Foundation, Mid‐Atlantic Arts Foundation, and New York’s Lower East Side Printshop. The first monograph of her work was published in 2017 and features essays, interviews and documentation of her drawing, sculpture, and public artworks. Nancy lives and works in Brooklyn, NY. Related links: Quint Gallery website | Instagram
  • When Donald Trump returns to the White House, he's expected to issue a series of orders with far-reaching impact on global health — from abortion services to support for the World Health Organization.
691 of 9,774