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  • Misleading and false information is muddying efforts to uncover who is responsible for the deadly blast that killed hundreds of people.
  • Big 3 autoworkers are voting on the record contracts that emerged after the six-week auto strike. While the overall tallies so far favor the deals, a majority voted no at two major truck plants.
  • Delays occurred after an incident that occurred just nine minutes into the first practice session. Fans waiting around were ultimately told to leave the viewing areas before the second practice run.
  • Pat Benatar's staggering vocals and take-no-prisoners attitude, along with Neil Giraldo's trailblazing artistry as a guitarist, producer and songwriter, forged the undeniable chemistry and unique sound that created some of Rock's most memorable hits, including "We Belong," "Invincible," "Love Is A Battlefield," "Promises In The Dark," "We Live For Love," "Heartbreaker" and "Hell Is For Children." Together they have created two multi-platinum, five platinum, and three gold albums and achieved nineteen Top 40 hits. They have sold over thirty million records worldwide and have won an unprecedented four consecutive GRAMMY® awards. Their rock and roll love affair has endured for more than three and a half decades. Pat and Neil continue to tour, selling out concerts everywhere. Opening the show is Chris Trapper, who The Huffington Post deemed "a brilliantly gifted songwriter," and whose work The New York Times has called "classic pop perfection." His most recent full-length album, Cold Water Waltz, offers a mostly stripped-down affair, focusing squarely on Trapper's achingly honest lyrics, honeyed tenor and delicate fingerpicking. Please note: the San Diego Symphony does not appear on this program. Stay Connected on Social Media! Facebook | Instagram | Twitter
  • Creedence Clearwater Revival was America’s greatest band…their music reached out and got an entire continent rocking. Hit after hit, no other band delivers that big a collection of instantly recognizable, toe tapping songs. Classic Albums Live will honor the legacy of CCR by performing their Chronicle, Vol. 1 album with joy and dedication, note-for-note, cut-for-cut. Classic Albums Live takes classic albums from the 60s and 70s and recreates those albums live onstage – note-for-note, cut-for-cut – using the world’s best musicians. Fans are treated to an exact replication of the album, followed by a second set of the featured artist’s greatest hits. Whatever it takes, the musicians treat these revered albums like a score-the way a symphony orchestra treats Mozart. Please note: the San Diego Symphony does not appear on this program. Stay Connected on Social Media! Facebook | Instagram | Twitter
  • Epidemic media can range from spanking new care affordances (like test-kits or self-check devices) to sophisticated aggregative technologies (disease surveillance networks like FluNet) and pioneering medical platforms (diagnostic and prognostic). Drawing on "The Virus Touch: Theorizing Epidemic Media" (forthcoming Duke UP, 2023), Ghosh argues that high epistemic value of "new," "smart," or "sophisticated" media habitually bypasses the significance of low-tech media crucial for the regulation and control of acute infection. Often located at clinical points of care, these media appear as mundane commodities circulating within global biomedical infrastructures; there seems nothing creative or innovative about them. Focusing on "patient files" as a case in point, Ghosh theorizes the ordinary "media care" of chronic infection at two HIV/AIDS health centers—the Site B clinic Khayelitsha (Cape Town) and Sanjeevani at Humsafar Trust (Mumbai). Following Cornelia Vismann (2008), Ghosh argues that files accumulative tendency readies these technologies for tracking infection beyond clinical confines. Files attune caregivers to the "interior milieu" of an individual patient but they are baggy enough to open into the greater disease milieu. As such, these are smart epidemic media that eschew an anthropocentric approach for a multispecies politics of health. Biography: Bishnupriya Ghosh is faculty in the English and Global Studies departments at UC Santa Barbara. She has published two monographs, "When Borne Across: Literary Cosmopolitics in the Contemporary Indian Novel" (Rutgers UP, 2004) and "Global Icons: Apertures to the Popular" (Duke UP, 2011) on global media cultures. Her current work on media, risk, and globalization includes the co-edited "Routledge Companion to Media and Risk" (Routledge 2020) and a new monograph, "The Virus Touch: Theorizing Epidemic Media" (forthcoming from Duke University Press, May 2023). She is starting research on media environments of viral infection in a book of essays tentatively entitled, "Epidemic Intensities." About the Media Care Talk Series: Dozing at the movie theater, listening to the podcast on the subway, counseling via Zoom appointments, searching immigration policy on the internet…In this increasingly crumbling world, media offer maintenance and sustain our vitality while they also harm our well-being through abuse and addiction. This talk series examines the concept of care and showcases the process of knowledge production surrounding artificial care in media practice. We will browse a range of media objects and platforms - from cinema to teletherapy, from smart drugs to sleep apps - and explore the habitual, affective, and material potential of healing and solidarity within film and media theories. This series is co-organized by the Film Studies Program and the Suraj Israni Center for Cinematic Arts at UC San Diego with generous support from the following: 21 Century China Center, Department of Communication, Department of Visual Arts, Department of Literature, and the Institute of Arts & Humanities. Speaker: Bishnupriya Ghosh, professor, UC Santa Barbara Respondent: Lisa Cartwright, professor, Departments of Visual Arts and Communication, UC San Diego Hosted by Wentao Ma, Ph.D. student, Department of Literature, UC San Diego By registering for this event you agree to receive future correspondence from the Suraj Israni Center for Cinematic Arts, from which you can unsubscribe at any time.
  • Historically, trust in Spanish-language television news is what keeps the Latinx communities in the United States tuned into the news.
  • Grammy®-winning singer, songwriter, producer and best-selling author Richard Marx has sold more than 30 million albums worldwide, landing a #1 song on the charts (for himself and others) in each of the past four decades. He remains the only male artist in history whose first seven singles reached the Top 5 on the Billboard charts. John Waite will be performing his catalogue of hits from his 40-year career as a solo artist and with The Babys and Bad English. Waite’s catalogue of hits features some of the most loved songs of the 80s and 90s – the #1 Worldwide hit "Missing You," The Babys' "Isn't It Time" and Bad English's "When I See You Smile" rank amongst some of his biggest international hits and are still heard on radio today. Others include "Tears," "Change" and "These Times Are Hard For Lovers." "Every Step Of The Way" and "If Anybody Had A Heart" appeared on the soundtrack to the 1986 Demi Moore film About Last Night. "Deal for Life," penned by Martin Page and Bernie Taupin, was featured in the Days Of Thunder soundtrack. Please note: the San Diego Symphony does not appear on this program. Stay Connected on Social Media! Richard Marx: Facebook | Instagram | Twitter John Waite: Facebook & Twitter
  • April 20 through Aug. 31, 2023 Created in collaboration with the MIDI Association, "MIDI@40" celebrates the possibilities enabled by MIDI in the 40 years since its public introduction. Through a collection of stories and media from manufacturers, musicians, and engineers, visitors will learn about the ways MIDI has impacted music. The exhibition provides a brief history of MIDI along with a look to its future and an overview of its functionality. Finally, an interactive area with MIDI-enabled instruments and other devices will give visitors a glimpse at what MIDI has made possible. For more information: https://www.museumofmakingmusic.org/exhibits/midi40 or call 760-438-5996 Parking is free at the Museum of Making Music. The parking lot is reserved for museum visitors and is located directly behind the building. The lot also includes two spaces reserved for bus and RV parking. Museum of Making Music on Facebook
  • The House voted late Tuesday night to censure Rep. Rashida Tlaib, D-Mich., over her comments related to Israel and Palestinians.
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