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  • Live performance by London West End stage star, Dean Chisnall. Dean Chisnall recently concluded his run as Jean Valjean in the London West End production of "Les Misérables" at the Sondheim Theater and performed the lead role in two separate UK & Ireland tours. For five years, the actor portrayed Shrek on the West End stage and the UK & Ireland tour. Other West End and international theater credits include "The Woman In White", "Never Forget", "Blood Brothers", "Mama Mia!", "Evita", "Cinderella", and "La Cage aux Folles". He has a variety of television, recording and concert credits to his name. He serves as Actor-in-Residence at the Charter House School, Godalming, England. Afternoon event will also include a Q&A session with Mr. Chisnall and an ensemble performances with the Steele Canyon High School theatre and music students. Proceeds benefit the SC high school theatre and music departments. Ticket information: $12 to $15 Open to the general public, reserved tickets are $12 online through here or $15 at the door. Proceeds benefit the theatre and music departments at Steele Canyon High School. Stay Connected on Social Media! Facebook | Instagram | Twitter
  • The Sacramento, CA based band CAKE continues to maintain a wealth of originality. If Hank Williams Sr. and Sly Stone were having a party together, and they played AC/DC records backwards... that would be this band. CAKE's adherence to their original guiding principles has only grown stronger. Originally formed as a somewhat antagonistic answer to grunge, CAKE’s democratic processes, defiant self-reliance, and lucid yet ever-inventive music has made them a nation-state unto themselves, with no evident peers in sound or perspective. In addition to writing, arranging, producing and performing their own music, they have taught themselves to engineer their recording projects in their own solar-powered studio, which regularly generates more power than is needed to run it, causing the building’s electrical meter to run in reverse. CAKE’s most recent album, Showroom of Compassion, debuted at #1 on the Billboard Top 200 Album Chart and was touted as “deadpan brilliance” by The New Yorker. While seamlessly blending many genres and influences, CAKE truly issues forth a sound and vision unlike any other band. The band is currently at work on their ninth album due for release during 2023. Note: the San Diego Symphony does not appear on this program. Stay Connected on Social Media! Facebook | Instagram | Twitter
  • A voiceover artist adds hilarious voices to pet videos submitted by his fans on social media.
  • The temporary truce that collapsed early Friday followed seven weeks of fighting in Gaza sparked by simultaneous attacks on southern Israel by Hamas militants on Oct. 7.
  • The ethics report released Thursday blasted George Santos, a Republican from New York, for committing widespread fraud and theft. He says he won't seek a second term.
  • Pat Benatar's staggering vocals and take-no-prisoners attitude, along with Neil Giraldo's trailblazing artistry as a guitarist, producer and songwriter, forged the undeniable chemistry and unique sound that created some of Rock's most memorable hits, including "We Belong," "Invincible," "Love Is A Battlefield," "Promises In The Dark," "We Live For Love," "Heartbreaker" and "Hell Is For Children." Together they have created two multi-platinum, five platinum, and three gold albums and achieved nineteen Top 40 hits. They have sold over thirty million records worldwide and have won an unprecedented four consecutive GRAMMY® awards. Their rock and roll love affair has endured for more than three and a half decades. Pat and Neil continue to tour, selling out concerts everywhere. Opening the show is Chris Trapper, who The Huffington Post deemed "a brilliantly gifted songwriter," and whose work The New York Times has called "classic pop perfection." His most recent full-length album, Cold Water Waltz, offers a mostly stripped-down affair, focusing squarely on Trapper's achingly honest lyrics, honeyed tenor and delicate fingerpicking. Please note: the San Diego Symphony does not appear on this program. Stay Connected on Social Media! Facebook | Instagram | Twitter
  • Epidemic media can range from spanking new care affordances (like test-kits or self-check devices) to sophisticated aggregative technologies (disease surveillance networks like FluNet) and pioneering medical platforms (diagnostic and prognostic). Drawing on "The Virus Touch: Theorizing Epidemic Media" (forthcoming Duke UP, 2023), Ghosh argues that high epistemic value of "new," "smart," or "sophisticated" media habitually bypasses the significance of low-tech media crucial for the regulation and control of acute infection. Often located at clinical points of care, these media appear as mundane commodities circulating within global biomedical infrastructures; there seems nothing creative or innovative about them. Focusing on "patient files" as a case in point, Ghosh theorizes the ordinary "media care" of chronic infection at two HIV/AIDS health centers—the Site B clinic Khayelitsha (Cape Town) and Sanjeevani at Humsafar Trust (Mumbai). Following Cornelia Vismann (2008), Ghosh argues that files accumulative tendency readies these technologies for tracking infection beyond clinical confines. Files attune caregivers to the "interior milieu" of an individual patient but they are baggy enough to open into the greater disease milieu. As such, these are smart epidemic media that eschew an anthropocentric approach for a multispecies politics of health. Biography: Bishnupriya Ghosh is faculty in the English and Global Studies departments at UC Santa Barbara. She has published two monographs, "When Borne Across: Literary Cosmopolitics in the Contemporary Indian Novel" (Rutgers UP, 2004) and "Global Icons: Apertures to the Popular" (Duke UP, 2011) on global media cultures. Her current work on media, risk, and globalization includes the co-edited "Routledge Companion to Media and Risk" (Routledge 2020) and a new monograph, "The Virus Touch: Theorizing Epidemic Media" (forthcoming from Duke University Press, May 2023). She is starting research on media environments of viral infection in a book of essays tentatively entitled, "Epidemic Intensities." About the Media Care Talk Series: Dozing at the movie theater, listening to the podcast on the subway, counseling via Zoom appointments, searching immigration policy on the internet…In this increasingly crumbling world, media offer maintenance and sustain our vitality while they also harm our well-being through abuse and addiction. This talk series examines the concept of care and showcases the process of knowledge production surrounding artificial care in media practice. We will browse a range of media objects and platforms - from cinema to teletherapy, from smart drugs to sleep apps - and explore the habitual, affective, and material potential of healing and solidarity within film and media theories. This series is co-organized by the Film Studies Program and the Suraj Israni Center for Cinematic Arts at UC San Diego with generous support from the following: 21 Century China Center, Department of Communication, Department of Visual Arts, Department of Literature, and the Institute of Arts & Humanities. Speaker: Bishnupriya Ghosh, professor, UC Santa Barbara Respondent: Lisa Cartwright, professor, Departments of Visual Arts and Communication, UC San Diego Hosted by Wentao Ma, Ph.D. student, Department of Literature, UC San Diego By registering for this event you agree to receive future correspondence from the Suraj Israni Center for Cinematic Arts, from which you can unsubscribe at any time.
  • Teens share photos or videos of themselves with guns and cash, sometimes calling out rivals, on social media. When posts go viral, fueled by "likes" and comments, the danger is hard to contain.
  • Creedence Clearwater Revival was America’s greatest band…their music reached out and got an entire continent rocking. Hit after hit, no other band delivers that big a collection of instantly recognizable, toe tapping songs. Classic Albums Live will honor the legacy of CCR by performing their Chronicle, Vol. 1 album with joy and dedication, note-for-note, cut-for-cut. Classic Albums Live takes classic albums from the 60s and 70s and recreates those albums live onstage – note-for-note, cut-for-cut – using the world’s best musicians. Fans are treated to an exact replication of the album, followed by a second set of the featured artist’s greatest hits. Whatever it takes, the musicians treat these revered albums like a score-the way a symphony orchestra treats Mozart. Please note: the San Diego Symphony does not appear on this program. Stay Connected on Social Media! Facebook | Instagram | Twitter
  • A high-speed rail line connecting Southern California with Las Vegas got a major boost Tuesday with the approval of $2.5 billion in bonds.
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