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Astro Bot, Balatro, and Metaphor: ReFantazio claimed the most trophies at The Game Awards in a night dominated by sweeps, surprising reveals and fourth-wall breaks.

Pickleball is the fastest-growing sport and it's also popular with older athletes. All Things Considered went to the Florida Senior Games to find out why.

The series concludes Sunday, August 4, with Chilean-born guitarist-vocalist Camila Meza. She will be joined by Or Bareket on bass and Edward Simon on piano. NPR called Meza “one of the best-kept secrets in New York City,” commenting, “Camila Meza is poised to step into a broader spotlight.” The New York Times wrote, “A welcome presence in New York … Ms. Meza brings an appealing combination of lightness and depth to all the material, singing in a bright, clear voice. … Her improvising, on electric or acoustic guitar, is serious business.” DownBeat wrote, “Her impressive guitar playing serves the song as she seeks a perfect balance between poignant vocals and killer chops.” Born in Jerusalem to parents of Moroccan, Iraqi, Argentinian, and Eastern European descent, raised between Buenos Aires and Tel Aviv, and based out of Brooklyn since 2011, Or Bareket is one of the most prominent bassists of his generation, as well as a composer and bandleader with an eclectic yet meticulously cohesive style. Winner of the 2011 International Society of Bassists' jazz competition, Bareket's distinct lyricism, rhythmic dexterity, and groove-centric approach are clearly present in his playing and writing alike. Edward Simon, a native of Venezuela, has made a name for himself over decades in America as a jazz improviser, composer-arranger, and bandleader. His profile has grown in recent years as he has explored the commonalities jazz can have with the folkloric sounds of Latin America. JazzTimes summed up his influence on the music genre this way: “Simon is less talked about than many other important jazz pianists from the Caribbean and South America, but he may be the most complete creative artist among them.” Based in the San Francisco Bay Area, as a member of the all-star SFJAZZ Collective, Simon has received a Guggenheim Fellowship; multiple composition grants, as part of Chamber Music America’s New Jazz Works initiative; and South Arts Jazz Road Creative Residencies. He has recorded 16 albums as a leader or co-leader, with his latest, Solo Live (Ridgeway), released in 2021. This followed Simon’s 2020 album, 25 Years, and his 2016 album, Latin American Songbook. DownBeat praised Latin American Songbook’s “grand and sophisticated” sound, and the recording won Simon an NAACP Image Award for Outstanding Jazz Album. The New York Times has praised Simon’s “light, warm touch” as a pianist, while Jazz Journal International singled out “his deep emotional statements” as a composer and improviser. Simon is a Yamaha artist. For more information visit: ljathenaeum.org Stay Connected on Facebook and Instagram

The documentary features interviews with young people from six different countries. It premieres Friday at the Coronado Island Film Festival.

From the gallery: Quint Gallery is excited to present Los Angeles-based Glen Wilson's Constellation Dub, the artist’s second solo exhibition with the gallery following a 2023 presentation at ONE. With roots stretching back to documentary and street photography, his body of work spans sculpture, assemblage, installation, and filmmaking, often layering original imagery with found and constructed materials that encourage the viewer to engage the work's physical and conceptual qualities. In this presentation, Wilson uses dub as an organizing principle to form a sonic and visual landscape that resonates within and beyond the walls of the gallery. Dub music emerged out of reggae, wherein a song is created initially, and from these constituent parts emerges an ambient abstract. Wilson expands upon his lens-based practice with Elements, his interactive wall sculptures constructed from drum cymbals and photographs, and a continuation of his Gatekeeping series which presents images woven through grids of galvanized and interconnected steel wire of chain-link gates and salvaged fencing. In the rear gallery, the artist has constructed two new sculptural and light-based works honoring the lives of revolutionary thinkers and activists of the 1960s and 70s, Malcolm X and Gil Scott-Heron. Taken together, these works evolve into instruments from which the artist transmits temporal frequencies and invites the viewer to be an active participant by engaging the cymbal works and with the gates, negotiating the spaces in between perception and interpretation. The cymbals and lectern both invoke abstracted imagery of the ocean, which for the artist represents not only home, but also an infrasonic frequency created by the collision of opposing waves traveling on its surface. Infrasound has a frequency below the limit of human audibility, but at higher levels may be felt as vibrations in various parts of the body. Like the man made process of naming constellations, Wilson makes meditative connections on landscape, history, and humanity that forms an acoustic ghost, or dub, which echoes throughout his practice. This exhibition immediately follows and resonates with themes of Wilson’s solo exhibition Meridian Dub at Various Small Fires in Seoul, South Korea. He has been exhibited at The Getty Center, The Museum of Contemporary Art, Los Angeles, the California African-American Museum, ICA:LA, the Torrance Art Museum, Frieze Art: London and in public parks in New York and Los Angeles. His work is in the collection of the Los Angeles County Museum of Art, and other private collections. He completed an MFA at the University of California, San Diego, and received his BA from Yale University. Related links: Quint Gallery: website | Instagram

This exhibition explores how artists embrace art in many forms for mental wellness and healing. ARTIST OPEN HOUSE/ART WALK: This special event features artists who use visual art as a gift to share their thoughts and emotions; as a tool to look deeper as they explore their mental health journey; as a way to communicate and connect and teach others better understanding and support. Visit: oceansidetheatre.org/brooks-theater-gallery/

Beading Workshop Nov. 25 | 1-2:30 p.m. | Intertribal Resource Center Learn how to make beautiful powwow-style beaded earrings or bring your beading project! Beading holds a deep significance in many Native communities, serving as a form of artistic expression and a way to pass down culture, stories and traditions through generations. Don’t miss this opportunity to connect and create! This workshop is beginner-friendly and open to everyone. The Intertribal Resource Center is located on the 1st floor of the Student Services Center in SSC Room #187. We are located at the corner of Rupertus Way and Myers Drive, south of Price Center East. Every November, UC San Diego recognizes and celebrates the achievements, cultures, and contributions of Native American people and tribes during Native American Heritage Month. The UC San Diego community greatly respects the land and the Kumeyaay people of the area where our campus is located. We acknowledge their tremendous contributions to our region and thank them for their stewardship.

This December you will have the rare opportunity to witness a living Nativity Scene, one that sings with the voices of angels and shepherds! Musica Vitale invites you to a staged performance of Laud to the Nativity by Italian composer Ottorino Respighi on 12/13 (St. Paul's Cathedral) and 12/18 (Christ Church Coronado). Although Lauda per la Natività del Signore is generally presented as a concert piece, Respighi's wife Elsa left detailed instructions for a staged production. Our director, the noted singer-actress Angelina Réaux, might not follow these to the letter, but she is excited to bring this lesser-known work to life in the form of a popular Italian tradition, the presepe vivente or living nativity scene. Our distinguished soloists--Alberto Estanol, Shepherd (Opera Tijuana), Janelle de Stefano, Mary (Professor of Music, Santa Monica College) and Lisa Parente, Angel (San Diego Opera Singing Artist)--along with the chorus of Musica Vitale and a woodwind ensemble will breathe new life into the Christmas story, as told by the imaginative and innovative Ottorino Respighi. The concert will also include Marian songs by Rachmaninov, Liszt, Grieg, Schnittke, Poulenc, etc. Visit: https://www.musicavitale.com/performances Musica Vitale on Instagram and Facebook

The Roy L. Brooks Distinguished Lecture Series was established in response to the social unrest of 2020 and demonstrated by calls from students, alumni, staff and faculty to actively take a stand against anti-Black sentiment. Specifically, the 2020 Black Faculty letter, asked for the establishment of an annual lecture series that would bring an African American scholar to campus. While the establishment of this lecture series is in direct response to that request, it also signals the University's commitment to listen to and improve the experiences of Black Faculty on campus. The award is named after Professor Roy L. Brooks who has been a long standing member of our community, an award-winning and engaging teacher, broadly recognized legal scholar, prolific author of legal books and articles, and a respected and distinguished member of the legal profession and community. This year's Roy L. Brooks Distinguished Lecture Series will feature Dr. Renetta Garrison Tull, the University of California Davis' inaugural Vice Chancellor for Diversity, Equity, and Inclusion (DEI). Join us for Dr. Tull's talk titled, "Getting What You Came For: How to Position Yourself as a Changemaker Through Mentoring, Perseverance and Agility" where she will share her journey to where she is today. This will be followed by an interview with Dr. Regina Dixon-Reeves on 4 key themes: (1) Mentoring (2) Being the only one or one of few (3) Persevering in the face of inevitable disappointments (4) Being strategic while remaining nimble and taking advantage of opportunities as they arise. Dr. Tull will also weave in stories of how she became interested in her career, steps she took, experiences she had, and what she might have done differently, if she had known differently.

En la medida, que cumple con una orden ejecutiva firmada el 20 de enero por Trump, se menciona a la venezolana Tren de Aragua, a la salvadoreña MS-13 y a otras agrupaciones.