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  • The Data Pharmacy Speaker: Joshua Neves, Associate Professor and Canada Research Chair, Concordia University Respondent: Daisuke Miyao, Professor and Hajime Mori Chair in Japanese Language and Literature, UC San Diego Hosted by Wentao Ma, Ph.D. Student, Literature Department, UC San Diego This event will be held via Zoom Webinar -- registrants will receive the Zoom link prior to the event start time. Abstract This talk explores three insights from my current research and collaborations examining cultures of optimization and the entanglement of big data and big pharma. One key starting point for this work is what Paul Preciado, in Testo Junkie, calls somatechnics to describe processes whereby media technologies are not merely added to or encountered by bodies/subjects – as with McLuhanist “extensions” or ideas about spectatorship, and the like - but are rather “the very means by which corporeality is crafted.” While Preciado’s main concerns are the operations of sexuality and subjection under the new biocapitalism, his recognition that pharmaceutical and digital media industries are crucial to the reproduction of the present has yet to be taken seriously by media theorists. Building on these and related debates, this brief presentation focuses on somatechnics and three aspects of our techno-pharmacological condition – or what this lecture series terms media care – namely: changes in how we understand and perform resilience; the critical role of stimulation in animating modes of media enfleshment; and emergent forms of mood conditioning. These insights do not promise a comprehensive view, but rather signal intensifying relations between data and drugs in practices of self-making, wellness, and work. Biography Joshua Neves is Associate Professor of Film Studies and Director of the Global Emergent Media (GEM) Lab at Concordia University. His research focuses on global and digital media, cultural and political theory, and questions of development and legitimacy. Dr. Neves is co-author (with Aleena Chia, Susanna Paasonen, and Ravi Sundaram) of Technopharmacology (Minnesota University Press / Meson Press, 2022) and author of Underglobalization: Beijing’s Media Urbanism and the Chimera of Legitimacy (Duke University Press, March 2020). He is also co-editor (with Bhaskar Sarkar) of Asian Video Cultures: In the Penumbra of the Global (Duke University Press, 2017), as well as co-editor of recent or forthcoming journal issues examining convenience, paranoia, optimization, and populism. His work is published in Media Theory, Cultural Critique, Social Text, Discourse, Culture Machine, Film Quarterly, Cinema Journal, Sarai, The Routledge Companion to Risk and Media, among others. About the Media Care Talk Series Dozing at the movie theater, listening to the podcast on the subway, counseling via Zoom appointments, searching immigration policy on the internet…In this increasingly crumbling world, media offer maintenance and sustain our vitality while they also harm our well-being through abuse and addiction. This talk series examines the concept of care and showcases the process of knowledge production surrounding artificial care in media practice. We will browse a range of media objects and platforms - from cinema to teletherapy, from smart drugs to sleep apps - and explore the habitual, affective, and material potential of healing and solidarity within film and media theories. This series is co-organized by the Film Studies Program and the Suraj Israni Center for Cinematic Arts at UC San Diego with generous support from the following: 21 Century China Center, Department of Communication, Department of Visual Arts, Department of Literature, and the Institute of Arts & Humanities. Questions Email Suraj Israni Center By registering for this event you agree to receive future correspondence from the Suraj Israni Center for Cinematic Arts, from which you can unsubscribe at any time.
  • Discover a new perspective with the dozens of artists who took a chance and submitted their paintings to OTC’s Brooks Theater Gallery for our March exhibit. Debuting before the preview show of “Lucky Stiff”, the art opening is a free event offering live music and an artist demo. Follow on social media: Facebook | Instagram | Twitter
  • The Florida congressman is proud to be the one to oust former Speaker Kevin McCarthy. That move hasn't won him any prizes with House Republicans but his constituents want to see more just like it.
  • On Monday, Feb. 13, Scripps Institution of Oceanography at UC San Diego hosts a media and public open house from 10 a.m. to noon to promote the launch of EPCAPE, a year-long study of clouds and aerosols that will be conducted from Scripps Pier and Mount Soledad. The project is led by the federal Department of Energy (DOE) Atmospheric Radiation Measurement facility and Scripps Oceanography scientists. The chief scientists from Scripps - Lynn Russell and Dan Lubin -, as well as Gerald (Gary) Geernaert, DOE Director, Earth and Environmental Systems Sciences Division and other DOE officials, will be in attendance. Researchers will launch an instrumented balloon at 11 a.m. that will produce data of atmospheric conditions as it rises. Members of the public are welcome to explore the pier and the science taking place. Visit: https://scripps.ucsd.edu/events/scripps-oceanography-host-public-tour-pier-site-marine-cloud-experiment Scripps Institution of Oceanography on Facebook / Instagram
  • The singer-songwriter, who popularized beach bum soft rock with the escapist song and turned that celebration of loafing into an empire of restaurants, resorts and frozen concoctions, has died.
  • San Diegans voted yes on Measure B last month to allow the city to charge for trash collection that many have been enjoying for free, but it’ll be a while until they see any bills. In other news, a new report breaks down the improvements needed at Balboa Park. Plus, children in Liberia are set to have a merrier Christmas this year, thanks to a woman from Del Mar.
  • WEDS@7 presents incandescent tongues Susan Narucki, soprano and Donald Berman, piano Soprano Susan Narucki and pianist Donald Berman continue their exploration of the songs of women composers in a concert to be presented on March 8, 2023, at the Conrad Prebys Concert Hall at the UC San Diego Department of Music. The duo's recording of songs by women composers, "This Island," featuring songs by Nadia Boulanger, Marion Bauer, Henriette Bosmans, Elizabeth Claisse and Irene Fuerison, was released by London's AVIE Records in February 2023. The upcoming program features works by two illustrious living composers, Tania Leon and Judith Weir as well as little known works by African American composer Margaret Bonds, French composer Elizabeth Claisse, and more. Although written in a wide array of compositional styles, each composer has an uncommon sensitivity to the fusion of text and music, and exceptional skill in writing for the combination of voice and piano. British composer Judith Weir's "The Voice of Desire," a song cycle written in 2003, is a series of conversations between humans and birds, in which, according to the composer, "the birds seem to have a more sophisticated viewpoint than their human hearers." With texts by John Keats, Thomas Hardy Robert Bridges and a setting of Yoruba Poetry translated by Ulli Beier, Weir's luminous, intricate writing for the piano provides a perfect framework for vocal writing of immense variety and uncommon skill. Cuban-born American Tania Leon was recently awarded the Pulitzer Prize and honored at the Kennedy Center. Her music is characterized by its rhythmic vitality, bold use of instrumental timbre and color and inventive and expressive vocal writing. The Atwood Songs, with poems by the well-known novelist Margaret Atwood, are by turns exuberant, irreverent and wistful. Margaret Bonds is best known for her settings of texts by Langston Hughes; our program will present four little known setting of Edna St. Vincent Millay. In addition, Elena Ruehr's exquisite piano solo, Erinnerung, and selections from "This Island" will complete the program. Ticketing information: Wednesday, March 8, 2023 at 7 p.m. Conrad Prebys Concert Hall Purchase Tickets: music.ucsd.edu/tickets General Admission: $15 UC San Diego Faculty, Staff, Alumni: $10 Students: Free with ID Livestream: Watch Livestream: music.ucsd.edu/live Social media: View this event on Facebook
  • Thursdays, July 31 and Aug. 7, 2025 at 8 p.m. on KPBS TV / Stream now with KPBS Passport! This two-part, four-hour series, takes viewers on a journey through more than 10,000 years of North American history and across some of the continent’s most iconic landscapes, tracing the animal’s evolution, significance to the Great Plains, near demise, and relationship to the Indigenous People of North America.
  • Legal and business experts say the ruling in New York state threatens assets such as Trump Tower and also empowers state Attorney General Letitia James, one of Donald Trump's main legal critics.
  • Convenient as it may be, beware of getting your blood drawn at a hospital. The cost could be much higher than at an independent lab, and your insurance might not cover it all.
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