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  • The Arctic National Wildlife Refuge is home to dozens of species — and to an ongoing political fight over oil and gas. Now, the Biden administration is hoping ending oil and gas leases will be a win.
  • Health officials Thursday are recommending consumers and restaurants throw away any oysters imported from locations in Mexico until further notice.
  • San Diego streets earned a "fair" rating from an assessment of the conditions of every paved street segment in every neighborhood.
  • When Roger Lynn's wife was in the cancer ward, a nurse went out of her way to make her last days more comfortable.
  • António Costa asserted his innocence but said he must resign amid an investigation implicating members of his government.
  • Over the past decade, jazz pianist and Origin Records recording artist Danny Green has earned recognition as a bandleader and as a composer with a gift for spinning supple, absorbing narratives. Green’s growing portfolio of vibrant sounds—an enchanting mix of jazz, classical, and Brazilian rhythms—has garnered Green two San Diego Music Awards for Best Jazz Album and an additional award for Best Jazz Artist. His long-time trio, joining him for the Wu Tsai QRT.yrd Concert Series, includes bassist Justin Grinnell and drummer Julien Cantelm, noteworthy musicians in their own right. Together they have developed a nearly psychic connection as they perform Green’s original compositions and jazz standards. Green takes listeners on a journey that is equal parts introspective and exuberant, and always compelling. Gates open at 4 p.m.
  • From the KPBS weekend arts preview: Annalise Neil: "Relational Gradient" is a new solo exhibition at Sparks Gallery. Neil, a San Diego mixed media artist, creates striking cyanotype and watercolor pieces. Blended in her pieces are complex topics and ideas like time and quantum physics with the almost comforting inclusion of familiar subjects like animals, feathers, mushrooms and oceans. —Julia Dixon Evans From the gallery: Sparks Gallery is pleased to show the work of Annalise Neil this summer. We have been exploring the theme of “imagination” in our exhibitions this year, and Neil’s work is a wonderful example of how the development of complex ideas can be brought to physical form through a unique vision. Neil’s cyanotype and watercolor works are conceptually driven, with inspiration coming from both recognizable subjects like nature and animals, to abstract, philosophical topics like quantum theory, perception, and time. In particular, Neil has been investigating the work of physicist Carlo Rovelli, psychologist and economist Daniel Kahneman, Professor of Forest Ecology Suzanne Simard, and essayist Rebecca Solnit. Starting with ideas prompted from research, Neil processes these topics in her sketchbook, writing down quotes and theoretical diagrams, which are then edited down to form the visual composition of the piece. Once she is satisfied with the visualization phase, Neil starts the cyanotype process: “Taking pictures throughout my extensive travels and time spent in nature has allowed me to build a library of images that I have subsequently turned into hand-cut, individual negatives. I have hundreds of them grouped into categories such as mushrooms, birds and plants, which I use to build my cyanotype compositions. After completing the photographic stage of the work–which often involves complex, sequential exposures–I may employ bleaching and toning to shift the color. I then use watercolor paint to sharpen and enhance formal qualities and to weave in narrative elements.” Neil hopes her work will help encourage public discourse around these topics, especially what it means to be human in an interconnected world: “… I am keenly interested in discussing states of awareness and connection. All properties of all things are relational, and life is only possible through a collaborative symphony—nothing exists independently. Every living thing is a complex, multidimensional universe that interacts with others to form a prismatic web of energy. I endeavor to create work that will lead to contemplation and reflection, and that invites a thoughtful examination of our relationship to reality and our surroundings.” ABOUT THE ARTIST: Annalise Neil received a BFA in Printmaking from the College of Saint Rose in Albany, NY, with a minor in Art History (summa cum laude). In this program, Neil gained a strong technical and image planning foundation, along with a penchant for delicate mark-making. In 2010, she worked as an illustrator on packaging and product information campaigns for Anthropologie. She completed an Artist Residency in Motherhood between 2016-2017. Neil is a member of the San Diego Watercolor Society, the Artist Alliance at the Oceanside Museum of Art, and the Los Angeles Art Association. Her work resides in private collections across the U.S. and in Europe. Neil’s works will be on view at Sparks Gallery from August 13 – October 15, 2023 with an opening reception on Sunday, August 13, 2023 from 5-8 p.m. Connect with Annalise Neil on Instagram!
  • In January 12, 2010 a devastating earthquake hit Haiti that caused a massive exodus of Haitian nationals to look for a better future in other parts of the world. Elena and Petiane are two Haitian refugees who left their home country for South America to find work. They eventually made it to Tijuana as they set their sights on getting to the US, but after a turn of events they decided to make Tijuana their new home. @portofentrypod ************** Port of Entry is back after a long hiatus and is excited to share a whole new set of stories with you, this time centered around food and migration. This season we share several stories about how food has changed cities in the borderlands, including episodes on folks who have made Valle de Guadalupe, the famous wine region of northern Baja, their home. Follow hosts Natali Gonzalez and Alan Lilienthal as they sit down with these fascinating people and share their personal and family stories. Listen in and join us! If you like this episode, show us some love @portofentrypod ************** From KPBS, PRX, and California Humanities, “Port of Entry” tells cross-border stories that connect us. More stories at www.portofentrypod.org Find us on Facebook at www.facebook.com/portofentrypodcast Find us on Instagram or at www.instagram.com/portofentrypod Support our show at www.kpbs.org/donate. Search “Port of Entry” in the gifts section to get our sling bag as a thank-you gift. If your business or nonprofit wants to sponsor our show, email corporatesupport@kpbs.org. Feedback is a gift. Text or call the "Port of Entry" team at 619-500-3197 anytime with questions or comments about the show. Email us at podcasts@kpbs.org. “Port of Entry'' is written, produced and directed by Julio C. Ortiz Franco. Luca Vega is our Technical Producer and Sound Designer. Alisa Barba is our editor. Episodes are translated by Julio C. Ortiz Franco and Natali Gonzales. Elma Gonzalez and M.G. Perez are our Spanish Editors. Lisa Morrisette-Zapp is Director of Audio Programming and Operations and John Decker is the Director of Content Development. This program is made possible, in part, by the Corporation for Public Broadcasting, a private corporation funded by the American people.
  • The San Diego County Board of Supervisors unanimously approved a policy Wednesday that would let developers self-certify projects in open space between existing structures as a way to speed up housing construction.
  • American suburbs mandated single-family homes generations ago, often to segregate areas by race and class. New laws allow more-affordable options like townhomes but construction so far has been slow.
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