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The bells of Notre Dame Cathedral rang on Saturday evening in Paris for the first time since a fire heavily damaged the Paris landmark in 2019.

Ensenada-based artist Guadalupe Vidal will open her first exhibition in the United States at Bread and Salt, in the main gallery, on view beginning Feb. 10. Guadalupe Vidal's work is architectural, often using engraved clay bricks and other constructions to form sculptures and installations. Vidal also uses clay and brick dust on canvases. Opens with a reception from 5-8 p.m. on Saturday, Feb. 10 during Barrio Art Crawl. Related links: Bread and Salt: website | Instagram

An address on the legacy of Regents of the University of California v Bakke, the seminal 1978 case that upheld race-based affirmative action programs in education, recently overturned by SFFA v Harvard. Louis Menand is the Lee Simpkins Family Professor of Arts and Sciences and the Anne T. and Robert M. Bass Professor of English at Harvard University. He has contributed to The New Yorker since 1991, and has been a staff writer since 2001. His book The Metaphysical Club was awarded the 2002 Pulitzer Prize for history and the Francis Parkman Prize from the Society of American Historians. His book "The Free World: Art and Thought in the Cold War" was published in 2021 and named a notable book of the year by the New York Times Book Review. In 2016, he was awarded the National Humanities Medal by President Barack Obama. This event made possible by CWSL’s Dean and Professor Robert K. Castetter and Marjorie B. Castetter Fund.

Join the Zoom or livestream! “Body Modification: Anatomy, Alteration, and Art in Anthropogeny“ is the topic of a free, virtual public symposium hosted by the CARTA: UC San Diego/Salk Center for Academic Research & Training in Anthropogeny on Friday, Feb. 9, 2024 (Beginning 10 a.m. Pacific with Q&A and expert discussion and commencing ~ 1:30 p.m. Pacific), co-chaired by Mark Collard (Simon Fraser University) and Francesco d'Errico (University of Bordeaux). Event Summary: Permanent body modification is an intriguing phenomenon. It is regularly practiced by living humans but is not seen in other extant mammals. It is highly variable within and between cultures. It is also often both expensive and risky. All of these characteristics—its uniqueness, its variability, and its actual or potential costliness—make permanent body modification an important behavior for scientists to understand. However, the scientific study of permanent body modification is in its infancy. The goal of this symposium is to provide a snapshot of where we are at with regard to research on permanent body modification and to identify questions that should be prioritized over the next decade. The symposium will bring together academics from a number of disciplines as well as practitioners from the permanent body modification industry. We will cover a wide range of historical and contemporary permanent body modification practices, including but not limited to tattooing, piercing, finger amputation, and cranial modification. In addition to considering the ‘when’ and ‘where’ of permanent body modification, we will delve into the motivations behind this behavior, considering both the personal justifications offered by participants and the scientific hypotheses proposed to explain it. Additional Information: For updates regarding the Zoom and live webcast on Friday, Feb. 9, 2024, follow CARTA’s X/Twitter (@CARTAUCSD), Facebook (@ucsdcarta), and LinkedIn accounts. Funding for this online-only symposium was provided by many generous CARTA friends like you. Closed captioning for recordings was made possible by CARTA Patrons Ingrid M. Benirschke-Perkins and Gordon C. Perkins. For more information, please email: khunter@ucsd.edu or carta-info@anthropogeny.org or visit carta.anthropogeny.org

Many Ukrainians continue to leave their coal mining towns, with the front line of the war with Russia nearby.

Vows to shrink the deficit, pay down the debt and run government more like a business have long been a stock element of politics. Candidates for office who have business backgrounds made it a mantra.

After a 4-year-old boy broke a 3,500-year-old vase, a museum in Israel viewed it as an educational opportunity and invited him and his family back to learn about how they would restore the item.

Queen Bee’s Arts and Cultural Center is brimming with talent this January, promising a month of music you simply can’t afford to miss! Known both globally and regionally as the Queen of Boogie Woogie, Sultana of Swing, and Lady Who Skates on the 88s, Sue Palmer has been a beloved presence in the live music scene in San Diego and across the world for over 30 years. Her remarkable talent has led her to be inducted into the San Diego Music Hall of Fame in 2018, have a day named after her by the city in 2008, and win numerous San Diego Music Awards for her bands and albums. On Tuesday, January 16 at 6 p.m., Queen Bee’s Arts and Cultural Center will be hosting the Sue Palmer Band for an evening full of rhythm and spunk. Dance till you drop with lively music from the Queen of Boogie Woogie! Sue Palmer on Facebook Queen Bee's Art & Cultural Center on Facebook / Instagram

Renée Westbrook's award-winning one-woman show will be performed in Los Angeles on Friday.

Kline Swonger is a cross-disciplinary artist whose research and sculptural work revolves around perception and psychology of space. She imagines place as residing simultaneously in both physical and emotional landscapes, the moments experienced in-between offering new perspective and opportunity for discovery. Through her work she explores the relationship formed when the boundary between internal and external dissolves, and the consequence of separation or fragmentation. She formally integrates spatial boundaries, subtle shifts in light and details, and manipulated materials which engage the senses into her works. Through aesthetically quiet sculpture installations with the world through their senses, space for reflection is created. Viewers are invited to explore their own thresholds of perception, noticing their engagement with the world through their senses. On view: Feb. 6 – March 1 (Closed: Feb. 16 and 19) Reception: Wednesday, Feb. 21, 11:30 a.m. to 2 p.m. Artist talk: Wednesday, Feb. 21, noon Weekend Reception: Feb. 24, 12-2 p.m. Gallery hours: Mon-Tue 2:30 p.m. - 7:30 p.m. Wed-Friday 11:00 a.m. - 3:00 p.m. Stay Connected with Kline Swonger on Instagram!