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  • Queen Bee’s Arts and Cultural Center is brimming with talent this January, promising a month of music you simply can’t afford to miss! Known both globally and regionally as the Queen of Boogie Woogie, Sultana of Swing, and Lady Who Skates on the 88s, Sue Palmer has been a beloved presence in the live music scene in San Diego and across the world for over 30 years. Her remarkable talent has led her to be inducted into the San Diego Music Hall of Fame in 2018, have a day named after her by the city in 2008, and win numerous San Diego Music Awards for her bands and albums. On Tuesday, January 16 at 6 p.m., Queen Bee’s Arts and Cultural Center will be hosting the Sue Palmer Band for an evening full of rhythm and spunk. Dance till you drop with lively music from the Queen of Boogie Woogie! Sue Palmer on Facebook Queen Bee's Art & Cultural Center on Facebook / Instagram
  • Taylor Acorn is coming your way! The rising pop-punk artist will be on the road with Dashboard Confessional and Boys Like Girls this fall, performing at SOMA on October 4. Taylor Acorn recently announced her debut album "Survival In Motion," which is set to be released on September 13. Featuring recent singles “High Horse”, "Greener", and latest track "Survival In Motion," Taylor's debut full-length is an empowering collection born from struggle but showing that there is always hope for a better tomorrow. Taylor Acorn on Facebook / Instagram / TikTok
  • Bowen Yang talks to Wild Card about his proudest moment as a kid, hard truths from Tina Fey and why he thinks there's more to reality than we can see or touch.
  • On the aching Dunya, the artist stands at an east-west crossroads, trying to resolve a young striver's years of trauma with a folklorist's drive to preserve what's left.
  • Three superb actors — Zendaya, Mike Faist and Josh O'Connor — star in this sweaty, sexy, entertaining drama about tennis stars with a very complicated past.
  • In the fall of 2022, the Humanities Center commenced an ambitious three-year exploration of the connection between the human imagination and the diverse array of landscapes in our world. In the first three parts of this series, we focused on the ocean, the desert and the forest. This semester, we investigate the frozen realms — the wintry worlds of icefields, ice plateaus, glaciers and polar landscapes. Aspects of these strange and dreamlike environments will be showcased in our gallery exhibitions, while in a wide-ranging series of panel discussions and presentations, scholars from a diverse array of disciplines will reflect upon the qualities and the evocative appeal of the earth’s icy regions. Humanities Center, Saints Tekakwitha and Serra Hall, Room 200 February 13 | The Frozen Realms: An Interdisciplinary Introduction and Opening Reception Brian Clack, PhD | Philosophy Ron Kaufmann, PhD | Environmental and Ocean Sciences The Science of Ice and Coldness| February 20 Sue Lowery, PhD | Biology Michael Mayer, PhD | Biology Maren Mossman, PhD | Physics Illume Guest Lecture: Arctic Art Now | February 27 Christopher P. Heuer, PhD | University of Rochester Imagining the Cold in Literature and Music | March 5 Christopher Adler, PhD | Music Fred Miller Robinson, PhD | English (ret.) Lisa Smith | English After Icebergs: Mark Dion and Farrah Karapetian in Conversation with Derrick Cartwright| March 12 Derrick Cartwright, PhD | Art, Architecture + Art History Mark Dion, BFA | Artist Farrah Karapetian, MFA | Art, Architecture + Art History Human Communities in Frozen Realms | March 19 Jennifer Parkinson, PhD | Anthropology Thomas Reifer, PhD | Sociology Meaghan Weatherdon, PhD | Theology and Religious Studies The Fate of the Ice | April 9 Michel Boudrias, PhD | Environmental and Ocean Sciences Colin Fisher, PhD | History Sarah Gray, PhD | Environmental and Ocean Sciences Exploring the Frozen Realms | April 16 Hugh Ellis, PhD | Biology Ron Kaufmann, PhD | Environmental and Ocean Sciences Bryson Patterson | Alum, ‘22 (BA) and ‘23 (MS) For information on parking, visit www.sandiego.edu/parking/parking-information/guests.php
  • Renée Westbrook's award-winning one-woman show will be performed in Los Angeles on Friday.
  • PacArts new executive director talks about the 24th annual film festival and telling Asian stories.
  • We are inviting our community to celebrate Purim with us! We will have entertainment, nosh, festive mashke, and a Purim costume contest. This event is a fundraiser for assisting with expenses associated with our big schlep to Cabo Punta Banda in Baja California happening shortly after Purim. Additionally, we will have surprise Yiddishland gifts for people who purchase Yiddishland merchandise and who donate a minimum of $180 that evening. Tickets: Early bird (available until Wednesday, March 20, or until sold out): $20, Regular: $25 For more information visit: yiddishlandcalifornia.org
  • For the past fifteen years, Lauren Lee McCarthy has worked in performance, video, installation, software, artificial intelligence, and other media to address how an algorithmically determined world impacts human relationships and social life. "Bodily Autonomy" is McCarthy’s largest solo exhibition in the United States to date. The show brings together two major works —"Surrogate and Saliva"—to examine bio-surveillance. Surrogate takes the form of performances, videos, and installations wherein McCarthy offers her body up as a remote-controlled surrogate to individuals and couples interested in having a child. This proposition is never fully realized by the artist, but it prompts important conversations regarding familial norms, legal barriers, genetic manipulation, gender, and reproduction. Saliva is a series of performances, installations, and videos about DNA sampling and data harvesting through the routine collection of swabs and spit. In a newly commissioned installation at the Mandeville Art Gallery, as a counter-gesture McCarthy has devised a saliva exchange station where visitors can trade their own samples with one another through the assistance of an attendant. The process sidesteps the anonymity of medical and corporate entities, and invites active discussions on data privacy, race, gender, and class as they pertain to genetic material. Together, "Surrogate and Saliva" encourage a potent and timely dialogue regarding bodily autonomy in times of rapid technological development and increased corporate and government surveillance. "Bodily Autonomy" marks the official premiere of "Saliva and Surrogate", both Creative Capital–funded projects. The opening coincides with UC San Diego Graduate Open Studios at the Visual Arts Facility.
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