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  • Sparks Gallery’s programming in 2023 will explore the theme and concept of “Imagination” from exhibited and represented artists at the gallery. The artists will bring their visions and dreams to life through their craft and process, often using abstraction, mixed media elements, and layering. San Diego artist Daniel Ketelhut kicks off 2023 with his solo exhibition, “Figmented Reality”. The series invites the viewer to bring his or her own perceptions to each piece and, with open sensibilities, allow the imagery to let them experience their own figmented reality.Ketelhut’s works will be on view at Sparks Gallery from January 8 – March 5, 2023 with an opening reception on Sunday, January 8, 2023 from 11 a.m. to 2 p.m. Follow on Socials! Facebook | Instagram | Twitter
  • Tech companies are in a race to roll out AI chatbots and other tools. As technology gets better at faking reality, there are big questions over how to regulate it.
  • “Lush movement, infectious music and magnetic dancers” (New York Times) in an enticing program A.I.M by Kyle Abraham brings a unique program to UC San Diego that ranges from the bold to the sensual to playful. The program includes Big Rings choreographed by A.I.M company member and Dance magazine’s “25 to Watch”, Keerati Jinakunwiphat. This powerful, yet fun, work is a celebration of the unique style and camaraderie of this dynamic dance tribe, as well as an ode to her hometown Chicago. Also featured is Our Indigo: If We Were a Love Song, a series of poetic vignettes that explore the intimacy, intricacies, and vulnerabilities of Black Love set to the songs of Nina Simone. The film adaptation of this work has been nominated for a 2023 NY Emmy. This flavorful gumbo of cultural expression is one you won’t want to miss. Follow on social media! Facebook + Instagram
  • Watch the 2nd San Diego Filipino Film Festival's closing film, "We Don't Dance for Nothing" followed by a Q&A with filmmaker Stefanos Tai. “We Don’t Dance For Nothing” is a photo-montage love letter to the Filipina Domestic Workers of Hong Kong. This visual recreation of true memories shared by this community of 400,000 women (millions globally) follows one woman’s plan to run away. Captured on Super-16 amidst the Hong Kong Protests, stills blend with motion to highlight the passionate street dancing of these women, and touch upon LGBTQ+ themes, issues of Workers’ Rights, and Hong Kong’s changing political landscape. From Chinese – Greek – American director Stefanos Tai, the film has been described as “La Jetée” meets “La La Land”, and its use of stills vs. motion represent a bold new method of filmmaking: one which invites the viewer to viscerally experience the entrapment felt by these women, and their release into freedom when they dance. Among saturated and staid media coverage of these women, WDDFN paints these heroes beyond their job descriptions, as people full of talent, joy, and grace. "We Don't Dance For Nothing" is on Facebook
  • The use of field sobriety tests to determine if a driver is under the influence of THC may be effective in certain situations.
  • In his first interview since thousands of subreddits went dark in protest, Huffman said he is not going to reverse his plan to start charging for outside access to Reddit data.
  • Analysis of records of use-of-force incidents involving police in San Diego County finds officers are far more likely to shoot if the suspect is a person of color. Meanwhile, a local doctor and company that makes prosthetic limbs help amputees caught in the war in Ukraine. Plus, the San Diego Air and Space Museum uses new NASA images as teaching tool.
  • COVID-related hospitalizations are rising, but far fewer people are in ICUs or on ventilators. Meanwhile, new overnight camping options are being considered at Silver Strand Beach in San Diego’s South Bay region. Plus, San Diego scientists create a new video game that takes kids on a scientific journey inside their body’s cells.
  • Movie: "Settembre" (September), 2022 In Italian with English subtitles The quest for happiness, for authentic human relationships and for new beginnings, whether at 15, 40 or 60 years of age, is the thread tying together the three stories told in "Settembre", actress/screenwriter Giulia Louise Steigerwalt’s brilliant directorial debut. It’s a fresh and brilliantly written ensemble comedy which combines emotion and the painful irony of Italian-style comedy with a classic American narrative structure, all in a well-balanced mix of light-heartedness and melancholy. Follow on social media: Facebook & Instagram
  • The annual report says instances of harassment, assault and propaganda are all on the rise. It warns public officials and social media stars have helped normalize longstanding antisemitic tropes.
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