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  • Blacktronika In collaboration with the Cross-Cultural Center at UC San Diego and Daunté Fyall, UC San Diego Lecturer in West African Dance Present Back to Source A night of love, life, and liberation Friday, February 9 Sound Bath 7-7:45 p.m. Dance Party 8-10 p.m. Conrad Prebys Music Center Experimental Theater, UC San Diego This special Black History Month collaboration brings together healing and celebration grounded in African Diasporic connections through time, space, and sound. Back to Source goes back to the roots of West African music and infuses it with Black futurism of Chicago House, Detroit Techno, Funk and more. For the first part of the night, immerse yourself in a healing sound bath of ambient electronics accompanied by the ancient West African kora played by Fode Sissoko of the Joko International & DAANSEKOU Cultural Arts Collective. The rest of the night, dance and celebrate community resiliency to the rhythm of live West African drums and Blacktronika music provided by Professor King Britt.
  • The leaders agreed that humans should control decisions to use nuclear weapons — not AI. And they talked about the importance of stability during the transition to a new U.S. administration.
  • Troves of artifacts were stolen from Japan during the Battle of Okinawa in World War II. Over 20 pieces of looted items were found in the attic of a Massachusetts home.
  • "Reflections" is an art-making workshop series designed to serve adults 55 and older. In this new workshop series, participants will explore materiality, push boundaries, and break out of the canvas. Through material exploration, we will investigate consumerism, everyday objects, and ephemerality in contemporary art. Participants will consider and learn the following: • The significance of everyday materials • The legacy of varied artmaking techniques • The importance of art movements that break down gender stereotypes Each workshop will include an investigation of contemporary art-making techniques and materials. No prior art experience is required. Transportation will be provided, if required. Participants may join one session (two days) or the full series (four sessions; eight days). Session dates in this series are: Session 1: Friday, January 19 and Friday, January 26 Session 2: Friday, February 2 and Friday, February 9 Session 3: Friday, February 16 and Friday, February 23 Session 4: Friday, March 1 and Friday, March 8
  • The "Shook Volume Two: Songs of the Dark Sirens" surpassed its Kickstarter goal and will be funded. Look for it to be available in mid-2024.
  • The Assistance League Thrift Store invites you to its once-a-year special sale, featuring contemporary and vintage jewelry, timeless clothing, chic accessories, unique household items, selected antiques, linens, crystal and china, plus distinctive furniture, fine art, and a showcase of watches and designer sunglasses. Each item is handpicked from year-round donations, ensuring that only the most special shopping treasures make their way to this exclusive event. Assistance League of Greater San Diego is an all-volunteer, 501(c)(3) organization run by 200+ members. By shopping at our Treasure Bazaar, you can help us with our mission to transform lives and strengthen community in the greater San Diego area.
  • Material Intimacies is a one night performance art gathering that invites viewers to contemplate the ephemeral edges between the self and the collective body curated by Jun!Yi Min. Performance artists JAX, Jun!, Hamsa Fae, and erika, fruiting will offer durational and staged works as portals of liminality, disruption, and soft ferocity. About the artists: erika, fruiting researches practices and states of <con/tending with> through the construction of {experimental} experiences and trace encounters. in surfacing the un/bounds of the body, they investigate the we(ight) of being alive. more at www.erikaaa.info / @softfruiting JAX is an interdisciplinary artist from Los Angeles, CA. (I’m not gonna talk in third person lol) My inspiration comes from following my MTDNA line to the Mitochondrial Eve, and unpacking the grief stored and transferred from the womb and body of the mothers before me. I use synthetic braiding hair along with Black coded items to create installations that incorporate my own performances, using lighting, sound, dance and action. I think of them as sets or stages that also present a subject and background for my video making, as well as supporting my sculptural and printed matter practice. I am interested in theatricality and the innate theatricality of Blackness; obsessed with exaggeration, layering and grandness, which both show up in the way I display and contextualize my work.Extremely long hair, dramatic lighting as well as presenting myself as an extension of the installation in ways that compromise my own mobility, are necessary repeating themes.It is important that I am visible in the work, though my presence is often obscured.It is also important that I do the most. (using AAVE terms). To take up space, encroach on the space and build a nest as if I’d always been there. I am an alumni at UC Berkeley, where I received my B.A in Art Practice, African American Studies and Creative Writing. I am currently attending UC San Diego as a MFA candidate for Visual Arts. Jun!yi Min (she/her) is a performance artist from singapore living and working in San Diego. She is currently pursuing her MFA in Visual Arts at uc San Diego. Jun!’s works deal with queering Asian familial ties and exploring the concept of home in a trans body. Her durational performances challenge her audience’s sensitivity to looking and calls the audience to witness and extend care to the enduring body. Jun! has performed at Bread and Salt, Teatro Morelos, and St Paul’s Episcopal Church. She was a part of a group exhibition at Project [Blank], The Northfield Arts Guild, and has also received a grant to perform at the Qualcomm Institute in 2022. Jun! also performed and curated Queering the Table at Mingei Museum, a one-day gathering dedicated to queer Asians in San Diego. Hamsa Fae (she/her) is a trans-Vietnamese woman and interdisciplinary artist who is native to Los Angeles. She comes from a rich lineage of mystics and healers, and has integrated such identities into her work. Hamsa’s artistic practice uses body and memory as medium for exploring the Asian American diaspora, ecological reverence, and queerness. Her process calls upon her poetry to re-narrate dreamscapes through performance. Her poetry book, Blood Frequency, was awarded by C&R Press and the Diasporic Vietnamese Artists Network in 2022. This work along with her recent performance, “Homework”, debuted at the Mingei International Museum to audiences in 2023. Related links: Project [BLANK] website | Instagram | Facebook
  • In 1944, as Allied troops celebrated D-Day victory, a French family experienced a trauma that would be felt for generations: a murder and sexual assault so traumatic they are only now coming to terms with it.
  • We catch up with Sahat Zia Hero, a winner last year of the Nansen Refugee Award for "outstanding work" helping displaced people. He is still making pictures: "This is a tough life."
  • Since 2023, more than two dozen lawsuits have been filed against Sean 'Diddy' Combs for sexual and physical assault. Here's who is officially involved in the allegations.
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