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Lawyer Joseph Tacopina irritated Carroll by using the word "supposedly" to cast doubt on her rape claim, drawing an immediate and stern rebuke from the writer. "Not supposedly. I was raped," she said.

Debt ceiling dramas have been going on a long time. The first one happened exactly 70 years ago. President Eisenhower asked Congress for an extra $15 billion and the Senate said, "No dice."

In another ruling issued late Tuesday, U.S. District Judge Edward Davila ordered Elizabeth Holmes to pay $452 million in restitution to the victims of her crimes.

Learning to save and invest is more accessible than ever thanks to social media. But there are potential pitfalls, say personal finance experts — including influencers themselves.

Come watch Blue October at The Magnolia on October 30th, 2022. Follow on social media! Facebook + Instagram

The singer and co-founder of the psychedelic group died at home in São Paulo.

Please note: Though this class is offered as part of the Certificate in Memoir Writing, there is no pre-requisite to join this class. All students, members, and nonmembers are encouraged to enroll. In this workshop, students will learn the art of editing their memoir including identifying what and where to cut to streamline the plot. Students will also learn how the revising process works so that they will be able to create a product that will excel in the marketplace. Peer editing will be utilized to assist the student in completing a first rough draft of their memoir. Students will be given an overview of the publishing options available to them including special guests (top professionals in the field) that will offer the most current and compelling information about publishing/self-publishing in today’s memoir marketplace. Class structure: Except for the first class, the first hour will be lecture and the second hour will be read and critique where participants can workshop their material or class assignments. Tone of class: We strive to create a supportive, nurturing environment where participants feel encouraged to share, risk and connect to their most creative self. We will be using the textbook 7 Essential Writing Tools, which is available for purchase on the first day of class for $10 or on Amazon/Kindle. Follow on social media! Facebook + Instagram

Cannupa Hanska Luger will share the work he's created as the Longenecker-Roth Artist in Residence. Luger is a multidisciplinary artist and an enrolled member of the Three Affiliated Tribes of Fort Berthold (Mandan, Hidatsa, Arikara, Lakota and European descent). Through monumental installations and social collaboration, Luger activates speculative fiction and communicates stories about 21st Century Indigeneity, combining critical cultural analysis with dedication and respect for the diverse materials, environments, and communities he engages. He lectures and produces large-scale projects around the globe and his works are in many public collections. Luger is a recipient of a 2021 United States Artists Fellowship Award for Craft and was named a 2021 GRIST Fixer, he is a 2020 Creative Capital Fellow, a 2020 Smithsonian Artist Research Fellow, and the recipient of the Museum of Arts and Design’s 2018 inaugural Burke Prize, among others. Follow on social media! Instagram + Twitter

NPR moved this week to cut 10% of its staff and stop production of a handful of podcasts, including Invisibilia, Louder Than a Riot and Rough Translation.

Even if you’re not writing “about” sports, this class is for you. Come discover ways the fiction writer can leverage sports to build character, navigate plot, and establish stakes. We will explore how sports offers all the stuff of great fiction: win/lose tension; characters with unambiguous wants; natural beginnings, middles, and endings (usually with literal ticking clocks); and clear opponents whose success is the protagonist’s failure. We’ll look at some examples of how well-known authors (who also weren’t writing about sports) have successfully leveraged sports and athletes to move their plots forward and give their characters believable motives. We’ll also consider how to avoid cliché and access the deep well of useful sports metaphors and themes in ways that nonfiction can’t. You will be emailed the Zoom link 24 hours before the start of class. If you sign up less than 24 hours before the start time of the class, please email Kristen at programs@sandiegowriters.org for your link. Follow on social media! Facebook + Instagram