Cinema Junkie has been on a quarantine break but I decided that July, the month of Comic-Con, would be a great time to make a comeback. My first guest is someone who not only fits the spirit of Comic-Con, but also is a longtime friend and frequent Cinema Junkie guest and that is Dr. Arnold T. Blumberg, a.k.a. Doctor of the Dead. We've bonded over zombies in the past and now I want to tap into a different side of his expertise to talk about comic book movies. Join the KPBS Cinema Junkie LIVE Relaunch Twitch Party at 7 p.m. Thursday, July 15. The party is being hosted on Twitch by DJ (and neuroscientist) Eric Leonardis. Details here: www.facebook.com/events/1799194123584814 Follow Cinema Junkie online at www.kpbs.org/cinemajunkie or on Facebook (www.facebook.com/cinemajunkieblog). Follow Beth Accomando on Instagram and Twitter as Cinebeth. If you would like to be considered for a Share Your Addiction or Cold Turkey segment then send an email to baccomando@kpbs.org and put "Rant" or "Rave" in the subject line. Cinema Junkie was created and written by Beth Accomando with help from Kinsee Morlan, Emily Jankowski and Rebecca Chacon.

To close out Black History Month I will be speaking with Caroline Collins, a post doctoral fellow in the department of Communication at UC San Diego, about films that look to Black people and a sense of place. We discuss films such as "Daughters of the Dust," "Eve’s Bayou," "Get Out," "Sorry To Bother You," "Last Black Man in San Francisco," and "Black Panther," and look to how each of those films defines a connection to the land or a place. She says, "There's just so much that we learn about ourselves and each other through the medium of film and through popular culture. [I hope you] watch films that you might not feel are something you would normally watch and really think about 'How are these films helping to shape your understanding of your rootedness or disconnectivity to a place?' And how might you be able to rethink your own relationship to your place through the films that you're watching?"

My celebration of Black History Month continues with Part Two of my interview with David F. Walker, author of the new graphic novel "The Black Panther Party." We finish our discussion about the Black Panthers with a focus on their social programs and how the FBI infiltrated the organization from its very beginning in order to bring it down. This leads into our discussion of the new film "Judas and the Black Messiah" that just started streaming on HBO Max. The film looks to Black Panther member Fred Hampton, his murder, and FBI informant William O'Neal.

For Black History Month I am dedicating a two-part podcast to the Black Panthers and speaking with author David F. Walker ("Bitter Root," "Shaft," "The Life of Frederick Douglas") about his new graphic novel "The Black Panther Party." In Part One, we discuss what inspired the book, about historical context (including the Kerner Commission Report), and about Marcus Kwame Anderson who illustrated the book. In Part Two we extend the conversation to the new film "Judas and the Black Messiah."

The final episode in Cinema Junkie's Giving Thanks to Film Editors trilogy. This time I speak with Oscar-nominated film editor Paul Machliss. He has had a wildly creative and innovative partnership with director Edgar Wright on films such as "Baby Driver" and "Scott Pilgrim Vs. the World." He talks about having to edit on the set for "Baby Driver" and then has some surprising recommendations for films that highlight diverse editing styles.

On the last episode of Cinema Junkie I kicked off a trio of podcasts that give thanks to film editors. I started with an interview with Tatiana S Riegel, the Oscar-nominated film editor of "I, Tonya." Now I speak with Stephen Mirrione who has worked repeatedly with Steven Soderbergh and Alejandro Gonzales Innaritu, and won an Oscar for his editing on "Traffic." He provides insights into the craft of film editing and recommends what films you need to watch to appreciate how an editor can impact cinematic storytelling.

Join me in a three-part tribute to film editors. Most people can name a film's director and maybe even its writer, cinematographer or composer but far fewer can name editors. But film editors can alter performances, determine pace, and affect cinematic storytelling in so many ways. To kick off this three-part series is Tatiana S. Riegel, Oscar-nominated editor of "I, Tonya."

This episode of Cinema Junkie serves up a Halloween Double Dare, playwright Michael Mizerany and I dare you to listen to a pair of his one-act horror plays. So turn out the lights, put on some headphones and enjoy an audio treat while sheltering at home this Halloween. Please note the plays contain explicit language and mature content. "Johnny and Babs Versus the Apocalypse" by Michael Mizerany Babs: Sydney Joyner Johnny: Marc Caro Stage Directions: David Janisch Inspired by the film "Night Of The Living Dead," "Johnny and Babs Versus the Apocalypse" chronicles a terror-filled evening replete with COVID chaos, civil unrest, flesh eating zombies. and sibling bickering. "Die Already!" by Michael Mizerany Branigan: Tyler Lloyd Chase: Quincy Bazen Jordan: Kevin Phan Gary: SeeJay Lewis Stage Directions: David Janisch A spoof of every horror film ever made where the killer just won’t stay dead, "Die Already!" tells the bloody tale of a one-night stand gone horribly, horribly wrong. Music for both plays was composed by Phil Nenna, who also created the Cinema Junkie theme music.