Port of Entry

These are cross-border stories that connect us. Border people often inhabit this in-between place. From KPBS and California Humanities, “Port of Entry” tells personal stories from this place — stories of love, hope, struggle, and survival from border crossers, fronterizxs, and other people whose lives are shaped around the wall. Rooted in San Diego and Tijuana, we are a transborder podcast for transborder people. We live life on la linea.
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Hola Amigos! We are back after a long hiatus ready and super excited to share a whole new set of stories with you. This March 15 we kick off Season 4! And this season we will be showcasing stories of newcomers to the borderlands who have impacted the culinary Landscape of Baja. We also have two important announcements we want to share with you: New team members join the Port of Entry family: Julio C. Ortiz Franco will be our new Producer/Editor and Luca Vega will take over as Technical Producer/Sound Designer. Season 4 will be featuring Episodes in Spanish. Eso! We hope you enjoy what we have in store for you, so don't forget to tune in on March 15 through your favorite platforms. Nos vemos pronto!
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In this episode we profile a bilingual theater experience called The Frontera Project. It is a company of Mexican and US artists that use theater, music, movement and play to actively engage the audience in conversation about life along the US/Mexico Border. Their mission is to encourage audiences to recognize each other across differences and to spark a dialogue about what divides us and what we share. Port of Entry is back, this time with a series of stories on how the border can change minds.
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Thousands of people cross the U.S.-Mexico border every year to take a psychedelic known as ibogaine. But this isn’t for pleasure, this drug spins most people into a terrifying psychotic trip…but it’s a trip that may help some kick opiate addiction. We follow one man with an addiction issue as he takes this trip, and meet others that are trying to overcome their own drug habits. Port of Entry is back, this time with a series of stories on how the border can change minds.
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Cannabis advocates in Tijuana work with the legalized scene in California and get themselves ready for a future where adult-use cannabis is finally legal in Mexico. Not only are they working to get the laws changed in Mexico, they also have to find ways to change the perception of cannabis at the border, which has long been associated with Mexican drug cartels. Port of Entry is back, this time with a series of stories on how the border can change minds.
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Cannabis on the border is nothing new – for decades, weed moved north from Mexico into the U.S., an illegal trade that fueled drug cartels and drug violence. But with the legalization of recreational and medicinal cannabis in California and other U.S. states, all of that has changed. In Episode 1 of a new series from Port of Entry, we profile a Tijuana politician and activist who is pushing for the legalization of cannabis in Baja California. Port of Entry is back, this time with a series of stories on how the border can change minds.
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When COVID-19 rules prevented certain people from crossing the border, “Port of Entry” cohost Alan Lilienthal’s binational, bilingual band Tulengua got separated by the wall.
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Border artist Michelle Guerrero struggled with addiction for years, but a surprise pregnancy helped her straighten out her life. Eventually, she taught herself how to paint large-scale murals, in part, by painting murals on the actual border fence. These days, she goes by Mr B Baby, and she travels the West Coast and Mexico, painting huge Mexican-inspired murals in a style that is her own.
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Big news: we have a new cohost! In our recurring “Tour Guide” bonus episodes, we ask transborder people to take us on a tour of a special place in the borderlands: a place that means a lot to them. Today, our new fronteriza cohost Natalie Gonzalez, along with our longtime fronterizo host Alan Lilienthal, take us on a tour of two of their favorite places in Tijuana and tell us more about their life on la línea. Today’s episode continues our new season of "Port of Entry" focused on crossborder artists and musicians who’ve turned pain into superpowers.
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Victor Lebowski, better known as the artist Tijuanauta, captures the beauty of the borderlands in his art. His detailed ink drawings are often a mishmash of U.S.-Mexico icons, like Star Wars characters and taco carts, or astronauts eating carne asada. But for a long time, Tijuanauta refused to sell his art or make art his day job. Instead, he hid behind the safety of his office job and stayed inside a cubicle for a decade. But recently, Tijuanauta took the plunge. He became a full-time artist and had his first-ever art show in Tijuana over the summer. The artist is gaining traction fast, but his biggest battle is inside his own brain. A mix of lifelong anxiety and self-doubt has long stopped Tijuanauta from being the artist he's destined to be. But he’s finally fighting back.
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Mexican musician Javier Bátiz could very likely have been world famous had he headed north of the border with his good friend and bandmate Carlos Santana back in the 1960s. But instead, Javier went south to Mexico City, where he built a successful career in the country he loves. In a new episode of “Port of Entry,” we look into how Javier’s life, decisions and decades-long musical career have brought him internal peace and fulfillment he says is far more important to him than reaching the high-level fame his friend Carlos found. Today’s story continues our new season of "Port of Entry" focused on artists and musicians who’ve turned pain into superpowers.
Alan Lilienthal is a musician and the co-host of “Port of Entry,” a KPBS podcast about cross-border culture and the people who shape it. His life’s mission is to melt borders and celebrate our shared humanity through art.
Natalie Gonzalez is the co-host of ‘’Port of Entry” — a KPBS podcast. The podcast covers stories about cross-border people whose lives have been shaped by Tijuana and San Diego. Natalie is also a theater actress from Tijuana Hace Teatro. She studied at Universidad Iberoamericana in Tijuana where she graduated from Communications and Media School.

This project was made possible in part with support from California Humanities, a non-profit partner of the National Endowment for the Humanities. Visit calhum.org.