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  • Thursday, March 6, 2025 at 9:30 p.m. on KPBS TV / Stream now with the PBS app + Encore Monday, March 10 at 9:30 p.m. on KPBS 2. We meet chef Martin San Roman at the Original Pastel de Crepas (Original Crepe Cake) restaurant in Tijuana. He makes some amazing French desserts and cuisine, and we try all of it, even the snails. Next we discover Unika, a fascinating establishment in Tijuana.
  • A seventh-grader from Sabre Springs was eliminated in the fourth round of the Scripps National Spelling Bee Wednesday.
  • A Mah Jong Group for adults is meeting every Monday and Thursday from 1:00pm-3:30pm. Knowledge of American Mah Jong rules is required to play. Please bring your own Mah Jong tiles if possible. Click here for more information!
  • Join us every Thursday from 4:00 pm - 5:30 pm for Courtyard Chess. Downtown Chess meets at the courtyard of the San Diego Central Library @ Joan ^ Irwin Jacobs Common. All ages are welcome to join. Limited tables will be set up in the courtyard. Fully vaccinated patrons are not required to wear masks. Patrons that are not vaccinated will have to continue wearing a mask while playing.
  • Mihir S. Konkapaka correctly spelled "vexillologist," a noun meaning a person who studies flags, according to the Merriam-Webster Unabridged Dictionary, the bee's official dictionary.
  • Thursday, June 1, 2023 at 11:30 p.m. on KPBS TV / Stream now with the PBS App. The world has a massive debt problem. Economic growth has slowed, but global debt is skyrocketing. Right now, 60% of low-income countries are in debt distress or dangerously close to it. In his final interview as President of the World Bank Group, David Malpass explains what this crisis means for the world and whether we can fix it before it’s too late.
  • The San Diego Watercolor Society proudly presents “Do You Hear What I Hear," an Art Exhibition, juried by award-winning artist, Tiffanie Mang. The water-based media exhibition runs November 27-December 31, 2022 at our Gallery in The ARTS DISTRICT Liberty Station. The Opening Reception is Friday, December 2, 5-8 p.m. with over 95 ready-to-hang original paintings plus refreshments and the fellowship of other art enthusiasts. The Gallery is open Wednesday-Sunday, 11 a.m. – 3 p.m. The paintings can also be viewed and purchased online. Please visit here for more information. SOCIAL MEDIA: Facebook | Instagram | Twitter
  • Attack aviation is intense and dangerous. It necessitates the direct engagement of ground targets at low altitude. Attack aircraft are usually fighters or fighter-sized aircraft, with one or two engines, and one or two crew. For this event, R. G. Head (Brig. Gen., Ret.) will present his new book US Attack Aviation: Air Force and Navy Light Attack: 1916 to the Present. This is a story about flying. It is told by naval aviators, Air Force fighter pilots, and the men who built the airplanes the pilots flew. Author R. G. Head (Brig. Gen., Ret.) has extensive experience in combat (325 missions, DFC, Silver Star) and an in-depth understanding of doctrine (taught future pilots at the Air Force Academy) and gained first-person exposure to the policy and engineering aspects of the aircraft procurement process while serving at the Pentagon and later as a private consultant working in collaboration with the US Navy. His work provides an overview history of American attack aviation from its inception to present, including both the US Navy and Air Force. The pillars of the narrative are several case studies that characterize the evolution of technology and tactics over time: SBD Dauntless, AD Skyraider, A-4 Skyhawk, A-7 Corsair II, A-10 Thunderbolt II, and F/A-18 Hornet. Each of the cases contains first-person accounts that include a description of the aircraft's origin, competitive procurement, major attack features, and combat employment. Head (Brig. Gen., Ret.) has extensive experience in combat (325 missions, DFC, Silver Star) and an in-depth understanding of doctrine (taught future pilots at the Air Force Academy) and gained first-person exposure to the policy and engineering aspects of the aircraft procurement process while serving at the Pentagon and later as a private consultant working in collaboration with the US Navy.
  • From the museum: Opening reception and artist talk: Saturday, Nov. 19 from 5:30-9 p.m. Cog•nate Collective’s interdisciplinary practice holds space for more inclusive forms of community as they explore trans-border territories that expand and contract with the movement of people and objects. In an ongoing body of work, the artists investigate the cultural production, circulation, and consumption that takes place in street markets and swap meets like the ones they grew up visiting on weekends with their families in Southern California and Baja California. These spaces of exchange foster social connection and sustain ties to home-lands near and far for immigrant neighborhoods and working-class communities of color. In Tianquiztli: Portraits of the Market as Portal, the artists inhabit the poetic space that links contemporary marketplaces along the border and pre-Columbian markets in Mexico. Tianguis, a word used for open-air markets in Mexico, is derived from Tianquiztli, meaning “gathering place” in Nahuatl (the language of the Mexica/Aztec people). Tianquiztli is also used to refer to the constellation commonly known as the Pleiades, whose clustered appearance gives the impression of a celestial marketplace. Inspired by the connection between the Tianguis and the stars, Cog•nate undertook a series of projects within marketplaces in the United States-Mexico border region and in Mexico City to underscore the ways that these spaces serve as a crossroads between the celestial and the terrestrial, the symbolic and the material, and the ancestral and our present everyday. These works reflect a vision of markets as spaces whose importance is not solely determined by their economic function, but by their role as a portal, a landscape, a paradigm, and a politics of collectivity we have inherited from our ancestors. One that is re-enacted and approximated to find joy and belonging in the face of social and economic alienation. The chaos, ritual, tenderness, nostalgia, harshness, and frenetic energy of the market are our teachers – what will we learn from them? Learn more about the exhibition and Cog-nate Collective here. Related links: ICA San Diego on Instagram ICA San Diego on Facebook
  • A roundup of key developments and the latest in-depth coverage of Russia's invasion of Ukraine.
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