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  • Premieres Tuesdays, April 2 - 16, 2024 at 9 p.m. on KPBS TV / PBS App. The dramatic story of how nearly five centuries of ancient Roman democracy was overthrown in just 16 years… by one man. This is the story of a brazen, ambitious power-grab that saw Julius Caesar consolidate the vast power of Rome in his own hands.
  • The once-mighty U.S. Olympic swim team has only won two gold medals so far at the Paris Games. Athletes say the sport has grown more competitive since Americans like Michael Phelps owned the pool.
  • Jose Trinidad Camacho gets binational exhibition with art from his four-decade career.
  • The late composer/lyricist was once considered an acquired taste — but with three shows running in New York and another on tour, he's a hit.
  • The financial cards are stacked against many renters who survive hurricanes, floods, wildfires and other major weather disasters. The long-term effects can be devastating.
  • The Port of San Diego is excited to present “A Day at the Park”, a FREE family-friendly multicultural celebration at Pepper Park on the National City Bayfront! The celebration will feature performances by local artists and musicians, local eateries, a Kid Zone, and more. The shuttles will be from Olivewood Elementary School: 2505 F Ave., National City, CA 91950 Event website
  • Waiting rooms act as physical objects of containment, an agent of transition, a boundary, or a threshold. Often these liminal spaces invite introspections into our mental, emotional, and physical worlds. What does it mean to care for something? Someone? Ourselves? Expressions of care—or the lack thereof—shape the world in which we live, a world that is often fraught with competing tensions and complexities. Waiting Room seeks to unpack matters of illness, suffering, and healing. Explored through a range of artistic interpretations and processes including metalwork, fiber art, ceramics, glass and woodworking, the works onview investigate how we express emotional resilience. How we bring our whole selves into the consulting room. Articulated through contemporary craft, the conversation advances the important role of art in communicating our inner states. When something is internal and then externalized into a form, it frees us and allows both our physical and intangible selves to ponder, act, and address. It facilitates deep engagement with sensitive subjects and provides a stimulus that influences understanding, liberation, and relief. Curated by Bonnie Domingos and featuring works by Warren Bakley, Charlotte Bird, Richard Burkett, Judith Christensen, Victoria Fu, Polly Jacobs Giacchina, Linda Litteral. Viviana Lombrozo, Adam John Manley, Kathleen Mitchell, Michelle Montjoy, Kathy Nida, Christian Garcia-Olivo, Matt Rich, Gail Schneider, Ross Stockwell, and Cheryl Tall. Gallery Hours: Monday and Tuesday, 1 – 7 p.m. Wednesday – Saturday, Noon – 5 p.m. Sunday, 1 - 5 p.m. The visual arts program demonstrates the library’s role as a cultural institution embracing a broad range of disciplines while assisting San Diego's emerging, mid-career and professional artists achieve visible opportunities and receive wider local, regional, and national attention.
  • To reflect on border impacts worldwide and honor lives lost to border policies, the Museum of Us will be offering a series of free “Hostile Terrain 94” Toe Tag Completion workshops on select dates in October. Advance registration is required. Participants can join as individuals or in small groups. Maximum capacity per workshop is 35 participants. Complimentary workshops do not include admission to the Museum. Learn more and register online at museumofus.org/blog/complimentary-hostile-terrain-94-workshops. "Hostile Terrain 94" is a participatory map installation created by the Undocumented Migration Project, a non-profit research and arts-education collective. In collaboration with the Museum of Us, "Hostile Terrain 94" was further developed into a broader exhibit that illustrates the impacts of dehumanizing border policies on human life. The "Hostile Terrain 94" exhibit features a participatory map of the lives lost crossing the Sonoran Desert region of the US-Mexico border. Each person is represented by a toe tag, placed on the location where their body was found. During the workshop, participants will write toe tags that will later be installed on the wall map. Time for discussion, reflection, and a brief tour of the exhibit will conclude the workshop. Please note that the inclusion and length of the closing tour may vary by group. This workshop directly connects with loss of life and violent realities of migration along U.S. border regions. The experience and content can be very powerful and personal. Please use your discretion to decide if this is an appropriate fit for your group. There are no graphic images, but content does include references to death and violence.
  • In this workshop, students will learn about the origins of Kintsugi, the Japanese ‘art of golden repair,’ and its meaning as it relates to one’s own life. Instructor Luis Santiago explains, “In these uncertain and crazy times, I believe people can find some solace and comfort in realizing that their so called “scars” and imperfections are things that do not need to be hidden or ashamed of.” While the traditional craft of Kintsugi can take multiple months to complete, mastery in application, and involves toxic lacquer, the techniques used in this workshop to repair two ceramic pieces and embellish these pieces in two distinct Kintsugi-inspired ways brings it to a much wider audience and allows for completion in one workshop. All materials are included. Students will learn two distinct ways of highlighting the breaks of their provided ceramic pieces and will take home a unique piece. Ages 17+ are welcome.
  • Chula Vista will hold its first ever arts festival on Saturday — the latest in a series of ongoing efforts to strengthen the local arts community.
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